Unfortunately, all the cliches we see about Hollywood are true.

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

That said, I should also add that I learned a great deal from being allowed in these privileged circles and am grateful for the opportunity to have worked closely with some of the most powerful and successful people in the business including Steven Spielberg and Ted Turner.

Animation scripts tend to be much more descriptive and are lighter on dialogue.

Right now, writing for me is most rewarding because I'm old enough now to have something to say, which probably wasn't always the case.

While I've lived in L.A. since 1985, I'll always consider Chicago my home town and have much affection for it. My parents and sister still live there so I try to visit as often as I'm able.

I would rather read a poorly structured story that has fresh ideas than a tightly structured one with cliches.

Write the kind of movie you would want to see, in a genre you love.

I love all of Albert Brooks' work from Defending Your Life back to his first film, Real Life, but am sorry that he seems to have lost his edge in his more recent work.

Working in Hollywood can be tumultuous, with incredible highs and lows and you need to be grounded.

There is nothing like the high of being on stage and reaping applause, especially for emotionally needy people like me!

I used to love Woody Allen but feel he's become a hack as a director. Bullets Over Broadway is the only film of his I've enjoyed in the last 10 years.

I know a lot of people in the business recommend the many Story Structure seminars being offered here, but I point to them as the single biggest contributor to lousy scripts.

Originality is, for me, the most important quality in a script.

I am a big fan of the TV series Taxi which combined comedy and pathos better than any other show I've seen.

The major studios don't differ very much from one another as they all operate under essentially the same principles and pressure.

Dick Van Dyke was my first idol. He's an amazing physical comedian, like a classic clown, but also very smart and not afraid to show vulnerability.

But so much of being an actor isn't so great - the auditioning, the rejection, the financial insecurity.

I was only in one play at Steppenwolf, in the early days.

I was born in Chicago and grew up in the suburb of Evanston.

The best way for a beginner to write for animation is to closely watch animated films, then read the screenplays for them afterwards.

I became much happier when I realized I shouldn't depend solely on my career for my sense of self. So I developed other interests and surrounded myself with a small group of friends I could trust.

Unfortunately, all the cliches we see about Hollywood are true.

When I saw The Player, I came out with knots in my stomach because it was so true to my experience.

I'm more concerned with getting them to find and strengthen their original voice as writers rather than imposing my own subjective tastes, judgements or sensibility on the project.

Fear of failure has always been my best motivator.

All of the material for The Fine Line was created via improvisation with my partner, but not in front of an audience. We'd continue to refine it in front of an audience based on their responses until it was set and scripted.

All of the material for 'The Fine Line' was created via improvisation with my partner, but not in front of an audience. We'd continue to refine it in front of an audience based on their responses until it was set and scripted.

I am a big fan of the TV series 'Taxi' which combined comedy and pathos better than any other show I've seen.

I love all of Albert Brooks' work from 'Defending Your Life' back to his first film, 'Real Life', but am sorry that he seems to have lost his edge in his more recent work.

I used to love Woody Allen but feel he's become a hack as a director. 'Bullets Over Broadway' is the only film of his I've enjoyed in the last 10 years.

Robert Altman's 'Nashville' is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

When I saw 'The Player', I came out with knots in my stomach because it was so true to my experience.

Cliches and adjectives permeated my prose.

I've never understood why artists, who so often condescend to the cliches of their own culture, are so eager to embrace the cliches of cultures they know nothing about.

It is a cliche that most cliches are true, but then like most cliches, that cliche is untrue.

Let's have some new cliches.

I encourage students to pursue an idea far enough so they can see what the cliches and stereotypes are. Only then do they begin to hit pay dirt.

Attempting to get at truth means rejecting stereotypes and cliches.

I think to be oversensitive about cliches is like being oversensitive about table manners.

I would rather read a poorly structured story that has fresh ideas than a tightly structured one with cliches.

The computing field is always in need of new cliches.

Cliches about supporting the troops are designed to distract from failed policies, policies promoted by powerful special interests that benefit from war, anything to steer the discussion away from the real reasons the war in Iraq will not end anytime soon.

Most of my cliches aren't original.

We just kind saw the images and knew the cliches, so to have the opportunity to go there and learn something about Russian music and about Russian people and to see things apart from being a tourist.

The cliches are that it's the most generic Starsky and Hutch plot you can find.

I think that often times Hollywood panders to the cliches of small town life, specifically Southern small town life, and I think that this movie does the opposite.

I'm working class, and want people to know I'm not unintelligent and all the other cliches that come with it.

You need cliches. Cliches are what people respond to.