When I saw The Player, I came out with knots in my stomach because it was so true to my experience.

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

That said, I should also add that I learned a great deal from being allowed in these privileged circles and am grateful for the opportunity to have worked closely with some of the most powerful and successful people in the business including Steven Spielberg and Ted Turner.

Animation scripts tend to be much more descriptive and are lighter on dialogue.

Right now, writing for me is most rewarding because I'm old enough now to have something to say, which probably wasn't always the case.

While I've lived in L.A. since 1985, I'll always consider Chicago my home town and have much affection for it. My parents and sister still live there so I try to visit as often as I'm able.

I would rather read a poorly structured story that has fresh ideas than a tightly structured one with cliches.

Write the kind of movie you would want to see, in a genre you love.

I love all of Albert Brooks' work from Defending Your Life back to his first film, Real Life, but am sorry that he seems to have lost his edge in his more recent work.

Working in Hollywood can be tumultuous, with incredible highs and lows and you need to be grounded.

There is nothing like the high of being on stage and reaping applause, especially for emotionally needy people like me!

I used to love Woody Allen but feel he's become a hack as a director. Bullets Over Broadway is the only film of his I've enjoyed in the last 10 years.

I know a lot of people in the business recommend the many Story Structure seminars being offered here, but I point to them as the single biggest contributor to lousy scripts.

Originality is, for me, the most important quality in a script.

I am a big fan of the TV series Taxi which combined comedy and pathos better than any other show I've seen.

The major studios don't differ very much from one another as they all operate under essentially the same principles and pressure.

Dick Van Dyke was my first idol. He's an amazing physical comedian, like a classic clown, but also very smart and not afraid to show vulnerability.

But so much of being an actor isn't so great - the auditioning, the rejection, the financial insecurity.

I was only in one play at Steppenwolf, in the early days.

I was born in Chicago and grew up in the suburb of Evanston.

The best way for a beginner to write for animation is to closely watch animated films, then read the screenplays for them afterwards.

I became much happier when I realized I shouldn't depend solely on my career for my sense of self. So I developed other interests and surrounded myself with a small group of friends I could trust.

Unfortunately, all the cliches we see about Hollywood are true.

When I saw The Player, I came out with knots in my stomach because it was so true to my experience.

I'm more concerned with getting them to find and strengthen their original voice as writers rather than imposing my own subjective tastes, judgements or sensibility on the project.

Fear of failure has always been my best motivator.

All of the material for The Fine Line was created via improvisation with my partner, but not in front of an audience. We'd continue to refine it in front of an audience based on their responses until it was set and scripted.

All of the material for 'The Fine Line' was created via improvisation with my partner, but not in front of an audience. We'd continue to refine it in front of an audience based on their responses until it was set and scripted.

I am a big fan of the TV series 'Taxi' which combined comedy and pathos better than any other show I've seen.

I love all of Albert Brooks' work from 'Defending Your Life' back to his first film, 'Real Life', but am sorry that he seems to have lost his edge in his more recent work.

I used to love Woody Allen but feel he's become a hack as a director. 'Bullets Over Broadway' is the only film of his I've enjoyed in the last 10 years.

Robert Altman's 'Nashville' is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

When I saw 'The Player', I came out with knots in my stomach because it was so true to my experience.

You learn from a conglomeration of the incredible past - whatever experience gotten in any way whatsoever.

I've danced one time in my life. It was the most mortifying experience I ever had.

The experience of life consists of the experience which the spirit has of itself in matter and as matter, in mind and as mind, in emotion, as emotion, etc.

My best film composing experience was with Elia Kazan.

Education is a private matter between the person and the world of knowledge and experience, and has little to do with school or college.

A novel should be an experience and convey an emotional truth rather than arguments.

By experience we find out a short way by a long wandering.

The experience of democracy is like the experience of life itself-always changing, infinite in its variety, sometimes turbulent and all the more valuable for having been tested by adversity.

Learning teacheth more in one year than experience in twenty.

Well, the hardest thing to do, as we know from our own experience on 9/11 is protect everything all the time.

The most important training, though, is to experience life as a writer, questioning everything, inventing multiple explanations for everything. If you do that, all the other things will come; if you don't, there's no hope for you.

When I reached adulthood, even now, I could afford to belong to a country club. But I could never belong to a private club because of my experience as a child, because it would isolate me from the whole of humanity.

No one I know of has ever had this experience-where you had to sit and wait and wait for a DNA test to come back just so you can write the last page of the book.

If you live long enough, you'll experience everything.

Actually I'd had a certain amount of experience in Europe in the inter-war period, as a banker, and I was also a member of the Board of Directors of the International Chamber of Commerce.

In the case of my book, I don't think it's really the coming-out gay novel that everyone really needed, even though it was received as such. The boy is too creepy, he betrays his teacher, the only adult man with whom he's enjoyed a sexual experience, etc.