We started out when I was 6 years old. We played ukuleles and sang Everly Brothers songs.

The most profound, tangible influence in my life has been my wife, Monique. I don't know that I would even be alive were it not for her, and I certainly would not be the person that I am today.

There's a bootleg album that was recorded when I was 14 or 15, a compilation of things live at different clubs. Songs like Girl from Ipanema and Cry Me A River. I don't know what the title of it is.

When I did it with Johnny, it was almost a telepathic kind of communication.

I hadn't realized the number of people that are still interested in listening to what I am doing, people I would never know about if not for being online.

I just want to thank all my fans for their loyalty and support-for coming out to the shows and buying the CDs.

I really had little interest in becoming famous. When I write my book, it will be my guide to avoid becoming a rock star.

I can't imagine anything more worthwhile than doing what I most love. And they pay me for it.

We started out when I was 6 years old. We played ukuleles and sang Everly Brothers songs.

As far as I'm concerned, blues and jazz are the great American contributions to music.

Music is very spiritual, it has the power to bring people together.

But when I played Woodstock, I'll never forget that moment looking out over the hundreds of thousands of people, the sea of humanity, seeing all those people united in such a unique way. It just touched me in a way that I'll never forget.

I believe that blues and jazz are the two uniquely American contributions into music.

I get really tired of hearing of all these old rockers whine and complain about how hard life on the road can be. Just stop if you don't like it. I don't think of it as work. I love it all.

I guess that I'm primarily thought of as a rocker, largely because of 'Frankenstein' being such a heavy song - you know, it was really hard rock, almost a precursor of heavy metal and just the image of the synthesizer. I happened to be the first guy to get the idea of putting a strap on the keyboard.

I liked the more sophisticated urban style of blues like Ray Charles and B. B. King, Bobby Blue Bland, Lou Rawls; people like that with more of a tendency toward jazz.

I love music more just in and of itself. I love harmony and rhythm.

I played Woodstock in '69, and it really changed my life. Without a doubt, it was the single event that really changed the way I felt about music. Up to that point, I hadn't really thought of myself as more serious musician, and I didn't really have that much interest in pop music.

I started out playing ukulele when I was 5 or 6 years old.

I think The Doors are one of the classic groups, and I think we're all tempted to feel like the time in which we grew up was somehow special, but I really do believe that there were two golden eras in music: The Forties and Fifties of big band, jazz and swing, and the Sixties and Seventies of rock. To me, they're really unparalleled.

I'm primarily thought of as a rocker, and certainly 'Frankenstein' had a very dramatic power rock image. It was almost a precursor of heavy metal and fusion. But I also love jazz and classical and if there's one common thread that runs through all my music, it is blues.

I've always considered myself something of a musical rebel.

So yeah, I am definitely a blues man at heart.

There is a real formula to writing music, verse, chorus, verse, chorus, bridge. It's very formulaic. The subject matter that you can address in pop music is somewhat restricted. It just doesn't allow that same emotive quality that you can put into poetry.

There's just no telling what I'll do. But I can say for certain I will continue to play, record, and put out music.

When I did 'Frankenstein,' the record company said, 'Now you can do 'Dracula' and 'Wolf Man' and we'll call the whole thing Monster Rock!' and I said, 'No, that's not going to happen, I'm not going to do that.' I kind of enjoy defying categorization. I love music in and of itself. I love the beauty of harmony and rhythm.

When I was first starting out, you'd have to bang an old upright piano and stick a mike in it and it would always feed back and you could never turn it up loud enough to be heard and I would beat my hands black and blue and bloody.

My mother keeps things in perspective for me. She makes me realize that the acting I do and love is no more important than what one of my brothers does-he works in a shoe repair shop. If my career ever tapers off, I'll go to college.

My father was a police officer before he retired. One of my brothers is also a police officer, and I think they kind of expected I would do something along those lines, like become a fireman or something.

Our most bitter enemies are our own kith and kin. Kings have no brothers, no sons, no mother!

And Big Night, I think by the end the brothers find that balance, when they touch each other on the shoulder over breakfast and it's understood that what should never have driven them apart almost drove them apart. I think that's a true moment.

I'm a former hippie, so clothes are important to me - your clothes defined you in that period. I guess clothes still defines people. But, I change a lot. I'm in my Brooks Brothers period now.

Politics is too partisan, and sometimes patriotism is cast aside. Patriotism is honor and love of your country and your brothers and sisters. With politics I get the impression that it's all about what's good for the party and not necessarily what's good for the country.

We're brothers and we all look after each other. If one person falls down, the rest of the team is going to be there to pick him up. We just work hard together to get it done.

I grew up with six brothers. That's how I learned to dance - waiting for the bathroom.

My actions to promote peace, the mediation missions which I carried out during many conflicts, which very often occurred between brothers of the same country, are not driven by any ulterior motives or any calculations based on personal ambitions.

Both my brothers became physicians and I, of course, wandered into a business where the undisciplined are welcome.

Big sisters and brothers... I am telling you, it never changes.

My daddy expected that my brothers and I and our generation would make the world a better place. He had lived in an America of continual social progress.

My other family is Fleetwood Mac. I don't need the money, but there's an emotional need for me to go on the road again. There's a love there; we're a band of brothers.

Rock 'n' roll offered me a platform to speak what I felt. It also offered me a platform to support my mama and my brothers and sisters - twelve children.

Ye are brothers, ye are men, and we conquer but to save.

If physical death is the price that I must pay to free my white brothers and sisters from a permanent death of the spirit, then nothing can be more redemptive.

Those are the same stars, and that is the same moon, that look down upon your brothers and sisters, and which they see as they look up to them, though they are ever so far away from us, and each other.

Either men will learn to live like brothers, or they will die like beasts.

Muslims should live like brothers.

My brother had a big band in high school; after that we continued to play together, eventually forming a group called the Jazz Brothers, that recorded for Riverside Records.

I came from a big family - two brothers and two sisters. So, there were always a ton of boys around and a ton of girls around. So, I grew up comfortable with both sexes.

God helping me, I will help my brothers and sisters in Christ, because they are my brothers and sisters.