I'm a former hippie, so clothes are important to me - your clothes defined you in that period. I guess clothes still defines people. But, I change a lot. I'm in my Brooks Brothers period now.

I'm a former hippie, so clothes are important to me - your clothes defined you in that period. I guess clothes still defines people. But, I change a lot. I'm in my Brooks Brothers period now.

Fantastic! Right in the middle of that long stretch between Christmas and Spring Break, your coats are getting dirty, everything's dark, dingy - what a great time for a movie!

I was obsessed with romance. When I was in high school, I saw 'Doctor Zhivago' every day from the day it opened until the day it left the theater.

I so desperately hate to end these movies that the first thing I do when I'm done is write another one. Then I don't feel sad about having to leave and everybody going away.

I find that screen kissing wears very thin very quickly.

At the time I came along, Hollywood's idea of teen movies meant there had to be a lot of nudity, usually involving boys in pursuit of sex, and pretty gross overall. Either that or a horror movie. And the last thing Hollywood wanted in their teen movies was teenagers!

When I go to a concert, I can't believe that people pay lots of money to see a band that they obviously like and then they dance the whole time.

I don't consider myself qualified to do a movie about international intrigue - I seldom leave the country.

I always preferred to hang out with the outcasts, 'cause they were cooler; they had better taste in music, for one thing, I guess because they had more time to develop one with the lack of social interaction they had!

Why watch someone kissing when people really close their eyes when they kiss?

It's been about ten years since I've worked with actors who knew their lines!

It's like being at the kids' table at Thanksgiving - you can put your elbows on it, you don't have to talk politics... no matter how old I get, there's always a part of me that's sitting there.

My generation had to be taken seriously because we were stopping things and burning things. We were able to initiate change, because we had such vast numbers. We were part of the baby boom, and when we moved, everything moved with us.

Advertising was fairly simple work, and I really just wanted a job where I could sit and write every day and not get fired for it like I had at other jobs, but it was fun.

My heroes were Dylan, John Lennon and Picasso, because they each moved their particular medium forward, and when they got to the point where they were comfortable, they always moved on.

I like young actors because they're so unspoiled, not like some of those actors who are about half an hour into their fifteen minutes of fame by the time they get to me.

I don't think of kids as a lower form of the human species.

I don't want to be too cool. You get so caught up with whether you're doing it right.

I happen to go for the simplest, most ordinary things. The extraordinary doesn't interest me. I'm not interested in psychotics. I'm interested in the person you don't expect to have a story. I like Everyman.

I so desperately hate to end these movies that the first thing I do when I'm done is write another one. Then I don't feel sad about having to leave and everybody going away. That's why I tend to work with the same people; I really befriend them.

I stumbled into this business, I didn't train for it. I yelled 'Action!' on my first two movies before the camera was turned on.

I'm from Chicago, I live in Chicago and I wanted very much for the music in Chicago to succeed.

People forget that when you're 16, you're probably more serious than you'll ever be again. You think seriously about the big questions.

The best sounds a kid will get is in a movie theater, with huge speakers, turned up loud. I always mix my music really loud. I don't care if you don't hear all the dialogue. The audience are not idiots.

What a director should be doing is making it appear as though there was no script.

When I did 'Ferris Bueller's Day Off', I had the idea on Monday and the following Tuesday it was in budget at Paramount. I couldn't walk.

One thing at a time It is important that we focus on the task that is at present in hand.

One thing at a time: It is important that we focus on the task that is at present in hand.

And I love Mel Brooks. My Dad loved his movies, too, they're awesome, the kind of thing that if you're in for ten minutes, you're in for two hours.

I'm a former hippie, so clothes are important to me - your clothes defined you in that period. I guess clothes still defines people. But, I change a lot. I'm in my Brooks Brothers period now.

And I had a big opportunity with Richard Brooks, The Professionals, which is really a magnificent movie.

Brooks Robinson belongs in a higher league.

One of the perks of being an actor is to get to meet athletes that you respect. Especially who played before my time. Brooks Robinson is one of those athletes; they just don't make them any nicer.

I'm reading a book about Romaine Brooks, a wonderful painter from early in the last century.

I wrote poems in my corner of the Brooks Street station. I sent them to two editors who rejected them right off. I read those letters of rejection years later and I agreed with those editors.

My friends that are snobs think its cool I did a movie with Albert Brooks.

I love all of Albert Brooks' work from Defending Your Life back to his first film, Real Life, but am sorry that he seems to have lost his edge in his more recent work.

Ill habits gather unseen degrees, as brooks make rivers, rivers run to seas.

I love sketch comedy. My real goal is to do something with Albert Brooks. That would be my fantasy. I stay up night and day thinking up stuff he might find funny.

My wardrobe consists of antique clothes, many of my designs, plus shoes and shirts from Brooks Brothers and Paul Stuart.

We pay homage to the people who came before, doing satires, like Mel Brooks; we're just carrying the torch.

I'm a big fan of Albert Brooks, Nichols and May. I'd like to follow in their footsteps and do comedy films.

And this, our life, exempt from public haunt, finds tongues in trees, books in the running brooks, sermons in stones, and good in everything.

Apparently nobody really read it, it was a cheap movie, it fit their schedule in terms of things so fine, let the guy make that high school comedy. I used to work with Mel Brooks so they figured oh it's going to be one of those really silly movies and that's how it got made.

Jim Brooks is a very powerful director and it was a lot of intense work.

I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.

I thank Heaven every summer's day of my life, that my lot was humbly cast within the hearing of romping brooks, and beneath the shadow of oaks.

They wanted me to play third like Brooks so I did play like Brooks - Mel Brooks.