It's hard to hold the focus that strongly on a single character for that long.

You can also make explicit certain social problems which, again, would be prejudged or not encountered at all in real life, because people have set up defenses against it. Fantasy allows you to get past defenses.

I love biomedical science, I love astronomy, and you can't really do much with those in a fantasy setting.

One of my degrees was a science degree in biology.

I was writing fiction, but not finishing fiction.

I had, of course, no model for that sort of woman being married, but I can make that up as I go along.

But in fantasy, you can make a complete break, and you can put people in a situation where they are confronted with things that they would not confront in the real world.

Now my mother, interestingly enough, was not a feminist in her own mind.

Having a mother who had been an aeronautical engineer convinced me that more things should be open to women.

I like the Beatles, of course, but that's when I grew up.

In a novel, I could submerge my ego in a character's and let his perceptions take over.

I can become very emotional about math, although I'm not that good at it.

Hard to be a physics major at Rice University if you have flunked calculus.

I actually feel that the different kinds of stories come out of different parts of my brain.

When I was quite young, she was working in a hardware store, so I grew up knowing about hardware.

I've taught Sunday school, I've sung in the choir, I directed a choir.

When I was starting out, I did not do short fiction well, because I kept wanting to write books.

Other people, including me, have written books with main characters who were old and rich. Or old and brilliant. Old sages, old wizards, old rich people.

No, but a cello is the perfect string bass for an accordion. Works with it beautifully.

There are relatively few science fiction or fantasy books with the main character being an old person.

When a person responds emotionally to intellectual things, or emotionally only to traditional emotional things - I find that an interesting break between myself and some other writers and fans.

It may be far in the future, but there's some kind of logical way to get from where we are to where the science fiction is.

So when I got out of the military, I went back to school in biology, and earned a biology degree at the University of Texas, and then did some graduate work in it.

It's hard to hold the focus that strongly on a single character for that long.

My personal feeling about science fiction is that it's always in some way connected to the real world, to our everyday world.

I used to not back down from a challenge.

I regarded drugs as somewhat like rattlesnakes - it's possible to pick one up without getting bit, but why bother?

My first degree came years before my second. I had wanted to be a physicist, but I flunked calculus.

No but a cello is the perfect string bass for an accordion. Works with it beautifully.

Fantasy allows you to get past defenses.

But in fantasy you can make a complete break and you can put people in a situation where they are confronted with things that they would not confront in the real world.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.