There are relatively few science fiction or fantasy books with the main character being an old person.

You can also make explicit certain social problems which, again, would be prejudged or not encountered at all in real life, because people have set up defenses against it. Fantasy allows you to get past defenses.

I love biomedical science, I love astronomy, and you can't really do much with those in a fantasy setting.

One of my degrees was a science degree in biology.

I was writing fiction, but not finishing fiction.

I had, of course, no model for that sort of woman being married, but I can make that up as I go along.

But in fantasy, you can make a complete break, and you can put people in a situation where they are confronted with things that they would not confront in the real world.

Now my mother, interestingly enough, was not a feminist in her own mind.

Having a mother who had been an aeronautical engineer convinced me that more things should be open to women.

I like the Beatles, of course, but that's when I grew up.

In a novel, I could submerge my ego in a character's and let his perceptions take over.

I can become very emotional about math, although I'm not that good at it.

Hard to be a physics major at Rice University if you have flunked calculus.

I actually feel that the different kinds of stories come out of different parts of my brain.

When I was quite young, she was working in a hardware store, so I grew up knowing about hardware.

I've taught Sunday school, I've sung in the choir, I directed a choir.

When I was starting out, I did not do short fiction well, because I kept wanting to write books.

Other people, including me, have written books with main characters who were old and rich. Or old and brilliant. Old sages, old wizards, old rich people.

No, but a cello is the perfect string bass for an accordion. Works with it beautifully.

There are relatively few science fiction or fantasy books with the main character being an old person.

When a person responds emotionally to intellectual things, or emotionally only to traditional emotional things - I find that an interesting break between myself and some other writers and fans.

It may be far in the future, but there's some kind of logical way to get from where we are to where the science fiction is.

So when I got out of the military, I went back to school in biology, and earned a biology degree at the University of Texas, and then did some graduate work in it.

It's hard to hold the focus that strongly on a single character for that long.

My personal feeling about science fiction is that it's always in some way connected to the real world, to our everyday world.

I used to not back down from a challenge.

I regarded drugs as somewhat like rattlesnakes - it's possible to pick one up without getting bit, but why bother?

My first degree came years before my second. I had wanted to be a physicist, but I flunked calculus.

No but a cello is the perfect string bass for an accordion. Works with it beautifully.

Fantasy allows you to get past defenses.

But in fantasy you can make a complete break and you can put people in a situation where they are confronted with things that they would not confront in the real world.

I can remember the frustration of not being able to talk. I knew what I wanted to say, but I could not get the words out, so I would just scream.

What I try to do for my readers is to pass on some of the things that I found out about being thirteen after doing it for forty years.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

Young people discovering their sexuality must know they walk with a strong tradition and that they are not alone. They have a right to information without being pressured.

Being a publicist is like management in a lot of ways - you're their friend, you're their mother, you're their confidante.

I mean, all alternative comedy is are comedians that have being doing it for so long, for so long, that they were relaxed enough to start becoming personal on stage.

I became hooked on the idea of being able to shoot an image and process it myself, and end up with a product.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

It is too maddening. I've got to fly off, right now, to some devilish navy yard, three hours in a seasick steamer, and after being heartily sick, I'll have to speak three times, and then I'll be sick coming home. Still, who would not be sick for England?

I don't like being recognised, I have no interest in being famous at all, I just do what I do. If I could be like Captain Kirk and beam myself up and then beam myself down, I would!

I'm glad I'm not Brezhnev. Being the Russian leader in the Kremlin. You never know if someone's tape recording what you say.

Being a musician is what I do, but it's not what I am.

We're all like children. We may think we grow up, but to me, being grown up is death, stopping thinking, trying to find out things, going on learning.

We've had it very clear to the Bosnians that our obligation to equip and train their forces is completely conditional on the foreign forces being gone.

My parents were amazing people who had no business being together - and they knew it.

Teachers started recognizing me and praising me for being smart in science and that made me want to be even smarter in science!

Sure, I get the blues. But what I try to do, is apply joy to the blues, you know? I don't know if it's a technique, or just being bent that way, being raised by the folks I was raised by.

Kind thoughts are rarer than either kind words or deeds. They imply a great deal of thinking about others. This in itself is rare. But they also imply a great deal of thinking about others without the thoughts being criticisms. This is rarer still.