I've lived most of my life in Manhattan, but as close as Brooklyn is to Manhattan, there are people who live there who have been to Manhattan maybe once or twice.

I think that the change began... I made a film a few years ago called The Spitfire Grill, and that didn't make much money either, but it was a good film and an independent film.

It's been awhile. My Oscar is getting kind of tarnished. I looked at it a couple of years ago and thought I really needed a new one.

It's a sin to have your films not to make money.

Then in came this script with another very low offer, and another drug addict and a depressing and difficult part to play. I thought, 'Why should I put myself through that for hardly any money?'

What a lovely surprise to finally discover how unlonely being alone can be.

So I was at the Actor's Studio, thinking about this, and I happened to glance over to the other side of the stage and I saw the ugliest chair I have ever seen. And I thought, 'Well, I could kill that chair!'

It's about avoiding reality through various escape routes that become addictions and lead to Hell. My character is addicted to television, chocolate, coffee, to her dream of her son, which has no basis in reality.

They pulled Resurrection out of the theatres, so it was running in New York and I was nominated for the Oscar and there was no ad in the newspapers to say it was running. So it was literally killed.

I do like to work with young directors because it's such a difficult business that I think after directors have been around a while sometimes, not always, but sometimes their passion gets siphoned off because they get hurt.

She loses 50 pounds in the film, and goes from fairly sane to totally out of her mind. So for the first part of the film I was wearing a 40 pound fat suit, which is very, very uncomfortable. But the worst part was the neck.

I sketched out a rough story for them and the director said, well it's a good story but we have the go-ahead from Universal to make this script and did I want to do it. I said no, and they left.

The interesting thing about doing a play is to find a way to make it fresh and do it as though you were doing it for the first time.

Their life is about getting enough money to put food on the table to feed their children, and that's it.

She goes from one addiction to another. All are ways for her to not feel her feelings.

I couldn't kill a chicken, I couldn't kill a cow - I was a vegetarian too at that time - so I thought, well what is there that I could kill? I couldn't kill this and I couldn't kill that.

I've lived most of my life in Manhattan, but as close as Brooklyn is to Manhattan, there are people who live there who have been to Manhattan maybe once or twice.

I always wanted to play Joan of Arc. I've always wanted to do that. Now I'm thinking, 'Maybe there's a story in Joan of Arc's mother!' If I don't hurry up, her grandmother!

To me, it's a very moral film. If my son were a teenager now, I would drag him to see it.

I did my famous cabbage soup diet, so I was able to do it.

I wanted to work on this central problem of killing. How you go about killing. Now, in the film I had to kill my children - well, I didn't want to get that far.

Nobody would want to leave that film to go get high.

Well my taste wasn't very good when I first started out. But later, when I began to appreciate the art of acting, I would say the actress I most admire is Vanessa Redgrave.

I talked to women who lived there, to get their speech patterns and outlook on life - and how narrow that is.

Roosevelt's magic lay in one facet of his personality: He knew how to take the risk. No other man in public life I knew could so readily take the challenge of the new.

Focusing your life solely on making a buck shows a certain poverty of ambition. It asks too little of yourself. Because it's only when you hitch your wagon to something larger than yourself that you realize your true potential.

Art teaches nothing, except the significance of life.

If it came to saving the life of one priest or sacrificing the life of an entire congregation, the church would save the life of the priest. Which is backwards, of course.

Work is the meat of life, pleasure the dessert.

All literary men are Red Sox fans - to be a Yankee fan in a literate society is to endanger your life.

At the end, the realization is that she had to get to a place in her life where she could drop her guard and make peace with the fact that whether she had a small amount of time, that she had to kind of live it completely through, instead of living by the rules.

You have choices to make about what you do with the rest of your life.

From the standpoint of observation, then, we must regard it as a highly probable hypothesis that the beginnings of the mental life date from as far back as the beginnings of life at large.

I want to have babies one day but not right now. When I do it I want to do it really well. I want it to be my best project in life.

Any judge who allows an adulterer with a live-in girlfriend to terminate the life of his wife should be impeached.

I can assure you, public service is a stimulating, proud and lively enterprise. It is not just a way of life, it is a way to live fully.

The work which is manipulated looks a little boring to me. I think life is pretty strange anyway. It is wooo, wooo, wooo!

With an eye made quiet by the power of harmony, and the deep power of joy, we see into the life of things.

This isn't life in the fast lane, it's life in the oncoming traffic.

The good parts of a book may be only something a writer is lucky enough to overhear or it may be the wreck of his whole damn life and one is as good as the other.

Sometimes life's so much cooler when you just don't know any better and all the painful lessons have not hammered your head open yet.

My life is so full of surprises, nothing surprises me any more.

I love children and I love men, but I can't commit to either for the rest of my life.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

Yes, I am Algerian of Moroccan origin through my parents, but all my life is Algeria. I was born there.

At one point in your life, you'll have the thing you want or the reasons why you don't.

I tell my students to try early in life to find an unattainable objective.

One does not devote one's life in art to shock an audience.

I've danced one time in my life. It was the most mortifying experience I ever had.