I wondered if I would talk about drug use. But I guess, why hide it?

It's a lot easier to tell the truth usually.

I like home recordings and studio recordings just as much as each other - I don't think one is better - but for this record I wanted to see what I could do in a real studio with real producers.

I didn't know how many people knew who Ferdinand was.

I didn't think I was gonna be playing on the Oscars or anything.

I don't think that Dreamworks would have signed me expecting to really mess around with whatever it is I do.

I actually don't think that I'm gonna sell a lot of records.

I wondered if I would talk about drug use. But I guess, why hide it?

But I was also doing odd jobs around Portland, like spreading gravel and transplanting bamboo trees.

Well, I try not to think about the general public since I have no idea what the general public is and I don't think anybody does.

I rode on a float in one of the parades in Mississippi. It's an experience.

It was kind of ridiculous to carry it up to a certain point and then drop the ball or the bomb, like quitting the band right after we had signed to Virgin.

I was coming off of a lot of psyche meds and other things.

It's just that a lot of songs that are popular right now, they don't have any meaning.

My girlfriend at the time convinced me to send these songs to Cavity Search. When they wanted to put out my record I was totally shocked.

If you play acoustic guitar you're the depressed, sensitive guy.

I don't really like New York better than Portland. It's just a different place.

It touches on drug use. I got caught up in that for almost two years.

I was trying to do the same thing that I always do which is make an interesting record.

I just wanted to move out of Portland to do something.

I didn't have a hard time making it, I had a hard time letting it go.

I can't think of anything off the top of my head that seems more important than something designed to raise money to keep something going that keeps IV drug users from dying.

There are lots of things I like about playing in a band, the things I can't do by myself you know.

I'm just writing songs about how I feel or about how people I know feel.

There's always that argument to make - that you're in better company historically if people don't understand what you're doing.

The band's filter, but playing live is a lot of fun.

I mean people just have a way of - y'know they'll review your record in two sentences and put you in this little stupid box that you don't want to be in.

Because God only knows why people like what they like and don't like something else.

And I'm not trying to write heavy songs.

I watched myself put my paw in the bear trap on that one because there was this clause about leaving members.

I can remember the frustration of not being able to talk. I knew what I wanted to say, but I could not get the words out, so I would just scream.

I mean the only thing that is hopefully good about us is after the arguments we can actually still face each other the next day or the day after and talk about something else and sort of get over it.

It is chiefly through books that we enjoy intercourse with superior minds. In the best books, great men talk to us, give us their most precious thoughts, and pour their souls into ours.

But I found a lot of artists at the Cedar Bar were difficult for me to talk to.

I didn't have a boyfriend until I was 17. There were boys at school that I would find out later had a crush on me but I was too shy to talk to them.

As I say, there was this movement to try to bring philosophers and mathematicians together into an organization where they would talk to each other. An organization wasn't effective unless you had a journal. That's about all I know.

And they talk about their bona fide doctors. They have a list of doctors that signed affidavits from looking at a picture of Terry. That's where they get their information from, by looking at a picture.

Of every ten persons who talk about you, nine will say something bad, and the tenth will say something good in a bad way.

There is a neurologist, a woman over at Harvard who wanted me to come talk to them, and in France I have a lot of readers in the sciences. I can't tell you why.

Actually the copies of characters is something I don't particularly like to talk about in articles but just for your information, most characters there's only one.

I appreciate life, talk a lot, love to laugh, and am very optimistic.

Forgive me my nonsense, as I also forgive the nonsense of those that think they talk sense.

When I talk to people in need, they tell me they want to hope; they are eager for opportunity; they are ready for better days. And I can tell you that every time their hopes are disappointed, all nations lose.

Americans are big boys. You can talk them into almost anything. Just sit with them for half an hour over a bottle of whiskey and be a nice guy.

The rule is not to talk about money with people who have much more or much less than you.

I just have some restaurants to just go and eat there. Do mean places to watch people? I like to go shopping look for guitars and stuff with my friends. Look at Meyer, great old instruments, talk about pedals and stuff.

Where I come from, you don't really talk about how much you're earning. Those things are private. My dad never told my mum how much he was earning. I'm certainly not going to tell the world. I'm doing well.

I can't talk to a man who bears an undeserved animosity towards ferrets.

The opportunity to create a small world between two pieces of cardboard, where time exists yet stands still, where people talk and I tell them what to say, is exciting and rewarding.