Obviously I got known for some other songs early on, and some of those were rock'n'roll songs. Some of them were melodic pop songs. And I've done lots of different things, as you know, but every so often I get drawn back.

These are the sort of things that push you on in music - the curiosity, a passion for new ideas.

I've been lucky to listen to lots of different types of music.

I know that when I make a record like The Delivery Man as a contrast to even Il Sogno, this is going to reach a wider audience, because it communicates in that very direct way.

Obviously the people that I admired, like the Beatles, were really into rock'n'roll, but it was already a little past rock'n'roll when I started listening and making my own choices about music.

You need a platform upon which to release an orchestral record, otherwise it's just going to be an obscurity.

I believe that music is connected by human passions and curiosities rather than by marketing strategies.

Obviously I got known for some other songs early on, and some of those were rock'n'roll songs. Some of them were melodic pop songs. And I've done lots of different things, as you know, but every so often I get drawn back.

And over the last ten years, after my work with the Brodsky Quartet, I had the opportunity to write arrangements for chamber group, chamber orchestra, jazz orchestra, symphony orchestra even.

There's no such thing as an original sin.

I found with this record I had to really be strong-willed, because in the past I've tended to tinker and add a thing or take a thing away, and nearly always been wrong.

Really the only thing holding a lot of records together is the personality of the singer, and the will to write all of these different things.

Maybe I just never learned my harmony part, because what everybody says sounds odd to them sounds perfectly natural to me.

I find humming is very useful.

I used to be disgusted; now I try to be amused.

My ultimate vocation in life is to be an irritant.

Very similar experience happened last year when we released this album, North. It was on Deutsche Grammophon, it was very, very honest. It was the most honest record I've ever written.

Well, I've had a lot of different experiences in music over the years. And not everything you do can satisfy everybody's idealised version of you.

Women hear rhythm differently than men.

You have to face the fact that I have no reputation as a composer; I have my reputation as a songwriter and a performer-and that opportunity came this summer, when I was invited to perform at the Lincoln Centre festival in New York... three nights.

I'd been to Memphis before, but we stayed out of Memphis early on in the late 70s for obvious reasons. People were very sensitive about Elvis Presley, and my stage name obviously would be provocative to some people in that area at that time.

But there are things in Il Sogno that the methods of The Delivery Man could never achieve.

And obviously, when I started out, I had a little bit more curiosity than some, and went seeking out the original artists, or in some cases searching up country music.

Mention Hubert Sumlin, as well, because Hubert's a great man, and again, you know, I don't play the guitar very good, but when I'm playing this kind of music, I always have him in my mind. I wish I could play like Hubert.

Well, T Bone's had a remarkable career as a producer since the time that we first worked together. He was dividing his time between recording and producing when we first met, and touring. We toured together and we were great friends.

And I don't feel any form of music is beyond me in the sense of that I don't understand it or I don't have some love for some part of it.

There are many critics who have an idealised version of where my strengths lie.

Sometimes I write notes that I have difficulty singing.

'Content' is a word that has never sat well with me. Like 'maturity'. They are two words I've never liked. I think they imply some sort of decay. A settling.

Life for me is about movement.

There was not a lot of rock n' roll in the house. Our parents didn't think it was very groovy, and I tend to agree with them. If you grew up with Charlie Parker, Bill Haley wasn't very hip.

Its a breath you took too late.Its a death thats worse than fate.

There are some things you can't cover up with lipstick and powder.

Was it a millionaire who said, "Imagine no possessions"?

I started recording because I was always complaining about the records that I was getting of my songs. At least if I did them and messed them up, I wouldn't have anyone else to blame.

Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.

The things in my songs are the edited highlights of my life. I don't go seeking out strange sexual experiences every day of the week.

The way you look for songs, you find yourself looking for little signals and clues about life and how things are.

All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.

It's part of the calling to at least do a few songs in the show that give people some hope. There's so much hurt in this world and... music is such a great healing balm and a great way to forget your troubles.

Again, I say I will be glad to tell what songs I have ever sung, because singing is my business.

My vocal ability is very limited, but I'm fortunate in that I can write the songs around my vocal limitations.

I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.

When I heard his first songs, Dylan was answering certain questions that I had all my life been asking myself.

The bands that wrote the big, heroic rock songs - I really wanted to make a record like that.

Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.

This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.

All my songs are where I am.

That's what I like to do, I like to make songs.