You need a platform upon which to release an orchestral record, otherwise it's just going to be an obscurity.

These are the sort of things that push you on in music - the curiosity, a passion for new ideas.

I've been lucky to listen to lots of different types of music.

I know that when I make a record like The Delivery Man as a contrast to even Il Sogno, this is going to reach a wider audience, because it communicates in that very direct way.

Obviously the people that I admired, like the Beatles, were really into rock'n'roll, but it was already a little past rock'n'roll when I started listening and making my own choices about music.

You need a platform upon which to release an orchestral record, otherwise it's just going to be an obscurity.

I believe that music is connected by human passions and curiosities rather than by marketing strategies.

Obviously I got known for some other songs early on, and some of those were rock'n'roll songs. Some of them were melodic pop songs. And I've done lots of different things, as you know, but every so often I get drawn back.

And over the last ten years, after my work with the Brodsky Quartet, I had the opportunity to write arrangements for chamber group, chamber orchestra, jazz orchestra, symphony orchestra even.

There's no such thing as an original sin.

I found with this record I had to really be strong-willed, because in the past I've tended to tinker and add a thing or take a thing away, and nearly always been wrong.

Really the only thing holding a lot of records together is the personality of the singer, and the will to write all of these different things.

Maybe I just never learned my harmony part, because what everybody says sounds odd to them sounds perfectly natural to me.

I find humming is very useful.

I used to be disgusted; now I try to be amused.

My ultimate vocation in life is to be an irritant.

Very similar experience happened last year when we released this album, North. It was on Deutsche Grammophon, it was very, very honest. It was the most honest record I've ever written.

Well, I've had a lot of different experiences in music over the years. And not everything you do can satisfy everybody's idealised version of you.

Women hear rhythm differently than men.

You have to face the fact that I have no reputation as a composer; I have my reputation as a songwriter and a performer-and that opportunity came this summer, when I was invited to perform at the Lincoln Centre festival in New York... three nights.

I'd been to Memphis before, but we stayed out of Memphis early on in the late 70s for obvious reasons. People were very sensitive about Elvis Presley, and my stage name obviously would be provocative to some people in that area at that time.

But there are things in Il Sogno that the methods of The Delivery Man could never achieve.

And obviously, when I started out, I had a little bit more curiosity than some, and went seeking out the original artists, or in some cases searching up country music.

Mention Hubert Sumlin, as well, because Hubert's a great man, and again, you know, I don't play the guitar very good, but when I'm playing this kind of music, I always have him in my mind. I wish I could play like Hubert.

Well, T Bone's had a remarkable career as a producer since the time that we first worked together. He was dividing his time between recording and producing when we first met, and touring. We toured together and we were great friends.

And I don't feel any form of music is beyond me in the sense of that I don't understand it or I don't have some love for some part of it.

There are many critics who have an idealised version of where my strengths lie.

Sometimes I write notes that I have difficulty singing.

'Content' is a word that has never sat well with me. Like 'maturity'. They are two words I've never liked. I think they imply some sort of decay. A settling.

Life for me is about movement.

There was not a lot of rock n' roll in the house. Our parents didn't think it was very groovy, and I tend to agree with them. If you grew up with Charlie Parker, Bill Haley wasn't very hip.

Its a breath you took too late.Its a death thats worse than fate.

There are some things you can't cover up with lipstick and powder.

Was it a millionaire who said, "Imagine no possessions"?

Their is no defense against criticism except obscurity.

You need a platform upon which to release an orchestral record, otherwise it's just going to be an obscurity.

No simplicity of mind, no obscurity of station, can escape the universal duty of questioning all that we believe.

Yet it is in this loneliness that the deepest activities begin. It is here that you discover act without motion, labor that is profound repose, vision in obscurity, and, beyond all desire, a fulfillment whose limits extend to infinity.

The line between greatness and obscurity is very, very small.

Before people complain of the obscurity of modern poetry, they should first examine their consciences and ask themselves with how many people and on how many occasions they have genuinely and profoundly shared some experience with another.

The street to obscurity is paved with athletes who can perform great feats before friendly crowds.

I entirely agree with you about the obscurity of Mrs Browning's line about the stars. It is far-fetched. She wanted to express something which she found beyond expression.

When we really worship anything, we love not only its clearness but its obscurity. We exult in its very invisibility.

Glory is fleeting, but obscurity is forever.

My English text is chaste, and all licentious passages are left in the decent obscurity of a learned language.

I had a great time on News Radio, I got to make tons of money in relative obscurity and learn a lot about the TV biz and work on my standup act constantly. It was a dream gig.

To morrow, I believe, is to be an eclipse of the sun, and I think it perfectly meet and proper that the sun in the heavens, and the glory of the Republic should both go into obscurity and darkness together.

Donald had reached its further edge, and could hear the rush of the stream from the deep obscurity of the abyss below, when there rose from the opposite side a strain of the most delightful music he had ever heard.

The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.