I run upright mostly when I see daylight, so if you watch film you'll see I don't get hit in the chest much.

I don't give players a chance to hit me.

When they have their hands on their knees, that's when they're tired.

I believe if I stay tall and run up high, I can see better.

She told me I wasn't playing for the coach, I was playing for myself.

Most of the hits I take come on top of the shoulder pads.

I run upright mostly when I see daylight, so if you watch film you'll see I don't get hit in the chest much.

I'd love to be in the Hall of Fame one day and win Super Bowl rings, or even one... and stay healthy.

Anything will worry me. I may not get a check for the light bill off in time and I just get to worrying. I'm a worrywart.

I don't love football the way I once loved the game. I don't look at it as fun anymore, and it definitely used to be fun. A lot of the fun has been taken away from it, I guess, because you go through so much on the field and off the field.

I love being single. I can come and go as I please and stay out as late as I want to.

I love golf. But do you know how I got good at golf? Because of Charles Barkley. I was playing with Charles, Michael Jordan and Roy Green, and Charles was talking so much trash. On every shot, he was talking trash. So I left the tournament, and I went and practiced for a year and half.

I think I'm proudest of making my parents proud.

I was raised by my great-great aunt. I was adopted within our family. My mother had me when she was, I think, 15, 16. They tried to get her to have an abortion and she refused. So, my 'mama' adopted me, which was really her great aunt, which was really my great-great aunt, who was named Viola Dickerson. I was told that my mother was my sister.

I'll tell you one thing about me: I'm very private. I always have been private. People think I'm callous, arrogant. I didn't like the media attention.

I'm just not the outgoing bubble of energy. But if I know you, it's different. Practical jokes. Have fun. I'm not looking for any new friends. I got my friends.

I've stayed buddies with my old buddy Jackie Slater. I talk to Jackie Slater. I play golf with Marcus Allen a lot. I play golf with Marshall Faulk a lot. My buddy Craig Young, he lives up in New Mexico. I still talk to a lot of the guys.

In the NFL they talk about 'contracts,' but it's not really a contract, it's a one year agreement. If you have a 10 year contract, it means nothing. If you get cut in the NFL, you get nothing. People don't talk about that.

In the NFL, you have a short shelf life. As a running back, if you're the first pick, and you're NFL life expectancy is only 3.5-6 years, your first big contract might not come until three years in - well, you might never get there. They need to get those signing bonuses up front because nothing is guaranteed.

Playing the running back position, your legs, that's your living, that's how you make your living. You have to have great thighs, knees, everything.

Running is so natural to me. When I was running track, people used to ask me, 'When are you gonna start running hard?' The wind hits me in the face, and I feel so smooth... Man, I love to run!

The perfect fit for L.A. would be the St. Louis Rams. I really believe that. I know their stadium deal is about expired, or it is expired. They're working through that. I think it would be the old Los Angeles Rams in town.

Them sportswriters don't even know how to put uniforms on, most of 'em.

When you look at guys who get recruited, most of the best athletes, they come from poor families. I don't forget. I was a junior looking through my mother's stuff and looked at her bank statement, and we had $30 in the bank.

I love being single. I can come and go as I please and stay out late as I want to.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I have a movie coming out called Spun, which will be at the Toronto Film Fest.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.

And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before.

A good film script should be able to do completely without dialogue.

My advice to young film-makers is this: don't follow trends, start them!

The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity. It would be a shame if there was such a divide.

It's really rare for film directors to be that interested in things other than themselves.

When I said I was going to audition for a film, I got a hearty laugh from all my family.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.