For my part, if I consider poetry as an object, I maintain that it is born of the necessity of adding a vocal sound (speech) to the hammering of the first tribal music.

Narrative art, the novel, from Murasaki to Proust, has produced great works of poetry.

Man cannot produce a single work without the assistance of the slow, assiduous, corrosive worm of thought.

Happiness, for you we walk on a knife edge. To the eyes you are a flickering light, to the feet, thin ice that cracks; and so may no one touch you who loves you.

Slowly poetry becomes visual because it paints images, but it is also musical: it unites two arts into one.

Against the dark background of this contemporary civilization of well-being, even the arts tend to mingle, to lose their identity.

In reality art is always for everyone and for no one.

There is also poetry written to be shouted in a square in front of an enthusiastic crowd. This occurs especially in countries where authoritarian regimes are in power.

Mass communication, radio, and especially television, have attempted, not without success, to annihilate every possibility of solitude and reflection.

This proves that great lyric poetry can die, be reborn, die again, but will always remain one of the most outstanding creations of the human soul.

Evidently the arts, all the visual arts, are becoming more democratic in the worst sense of the word.

Today not even a universal fire could make the torrential poetic production of our time disappear. But it is exactly a question of production, that is, of hand-made products which are subject to the laws of taste and fashion.

Many of today's verses are prose and bad prose.

Poetry is the art which is technically within the grasp of everyone: a piece of paper and a pencil and one is ready.

I do not go in search of poetry. I wait for poetry to visit me.

True poetry is similar to certain pictures whose owner is unknown and which only a few initiated people know.

It has often been observed that the repercussion of poetic language on prose language can be considered a decisive cut of a whip.

For my part, if I consider poetry as an object, I maintain that it is born of the necessity of adding a vocal sound (speech) to the hammering of the first tribal music.

I have been judged to be a pessimist but what abyss of ignorance and low egoism is not hidden in one who thinks that Man is the god of himself and that his future can only be triumphant?

However, poetry does not live solely in books or in school anthologies.

I have always knocked at the door of that wonderful and terrible enigma which is life.

Art is the production of objects for consumption, to be used and discarded while waiting for a new world in which man will have succeeded in freeing himself of everything, even of his own consciousness.

But poets were not considered dangerous and they were advised to exercise self-censorship. At most, poets were requested not to write at all. I took advantage of this negative liberty.

Too many lives are needed to make just one.

The poet does not know - often he will never know - whom he really writes for.

Strangely, Dante's Divine Comedy did not produce a prose of that creative height or it did so after centuries.

I am perhaps a late follower of Zoroaster and I believe that the foundation of life is built upon the struggle between the two opposing forces of Good and Evil.

There is poetry even in prose, in all the great prose which is not merely utilitarian or didactic: there exist poets who write in prose or at least in more or less apparent prose; millions of poets write verses which have no connection with poetry.

The principal rule of art is to please and to move. All the other rules were created to achieve this first one.

All enterprises that are entered into with indiscreet zeal may be pursued with great vigor at first, but are sure to collapse in the end.

Let me first state that I believe that marriage is a sacred union between one man and one woman.

Entropy theory is indeed a first attempt to deal with global form; but it has not been dealing with structure. All it says is that a large sum of elements may have properties not found in a smaller sample of them.

There is no need to do any housework at all. After the first four years the dirt doesn't get any worse.

The avantgarde are people who don't exactly know where they want to go, but are the first to get there.

I never taste the wine first in restaurants, I just ask the waiter to pour.

After the first miscarriage, I tried to take the attitude that it was my body's way of telling me that this pregnancy wasn't meant to be.

Before and during the first phase of the war his administration repeatedly maligned the UN but now, that Iraq has turned into a quagmire, it is asking the UN for help.

You look at the whole Human Rights questions, I happened to be there at just the right time when the country was awakening - this goes to the first question you asked - the whole country was awakening to a hundred years of injustice that hadn't been resolved yet.

So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.

My first figure was a SLAYER eagle. And the dragons and the tribals are all I have got.

We're parents first, and once you have kids, everybody knows that you have priority lists. Number one is your family and everything else just kind of finds its place.

Everything has to be pulling weight in a short story for it to be really of the first order.

But in the first Gulf war the United Kingdom was not under any threat from Iraq, and is still less so in the second one. Then there is no justification for obstructing freedom of information, particularly as nations have a right to know what their soldiers are being used for.

I sort of understood that when I first started: that you shouldn't repeat a success. Very often you're going to, and maybe the first time you do, it works. And you love it. But then you're trapped.

Working-class Americans have waited too long, close to a decade in fact, for an increase in the minimum wage. This has been the second longest period without a pay raise since the Federal minimum wage law was first enacted in 1938.

The first thing you do when you get out to center field is put up your finger and check the wind chill factor.

Christians must be Jews. The truth of what we believe depends on the truth of Judaism, depends on the first covenant.

The international proletariat first appeared on the scene in the early Thirties of the nineteenth century, and its first great action was the French Revolution of 1848.

Success requires first expending ten units of effort to produce one unit of results. Your momentum will then produce ten units of results with each unit of effort.