There is no place in my soul, no corner of my character, where God is not.

Every minute you are thinking of evil, you might have been thinking of good instead. Refuse to pander to a morbid interest in your own misdeeds. Pick yourself up, be sorry, shake yourself, and go on again.

In my relations with my father, which are difficult and where I'm often met by coolness and indifference, I am constantly tempted to be cold and indifferent. Yet I know that this is a test if I could take it rightly.

You don't have to be peculiar to find God.

After all it is those who have a deep and real inner life who are best able to deal with the irritating details of outer life.

God is acting on your soul all the time, whether you have spiritual sensations or not.

Adoration is caring for God above all else.

God is much in the difficult home problems as in the times of quiet and prayer.

The direction and constancy of the will is what really matters, and intellect and feeling are only important insofar as they contribute to that.

All things are perceived in the light of charity, and hence under the aspect of beauty; for beauty is simply reality seen with the eyes of love.

The will is what matters - as long as you have that, you are safe.

There is no place in my soul, no corner of my character, where God is not.

Try to arrange things so that you can have a reasonable bit of quiet every day.

Towards my husband, I often fail to show interest in his affairs and amusements, not rousing myself to respond when I'm tired or concerned with other things, forgetting he is very patient with me.

Deliberately seek opportunities for kindness, sympathy, and patience.

Never forget that the key to the situation lies in the will and not in the imagination.

God is always coming to you in the Sacrament of the Present Moment. Meet and receive Him there with gratitude in that sacrament.

Spiritual reading is a regular, essential part of the life of prayer, and particularly is it the support of adoring prayer.

It is important to increase our sense of God's richness and wonder by reading what his great lovers have said about him.

The heart outstrips the clumsy senses and sees perhaps for an instant perhaps for long periods of bliss an undistorted and more veritable world.

The mystic lives and looks; and speaks the disconcerting language of first-hand experience.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

Character is power; it makes friends, draws patronage and support and opens the way to wealth, honor and happiness.

You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.

In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

And what's interesting about him as a comic character is that the custard pie hardly ever ends up on his face.

I worked on my voice for Sweet Dreams, but only to match my speaking voice to Patsy's actual singing voice. That was my way into that character.

I didn't want to be greedy. It's a mark of bad character and I always believed that pigs go the slaughterhouse.

The analysis of character is the highest human entertainment.

Love is the expression of one's values, the greatest reward you can earn for the moral qualities you have achieved in your character and person, the emotional price paid by one man for the joy he receives from the virtues of another.