People who are good at film have a relationship with the camera.

Irish people are educated not only about artistry but local history.

Acting doesn't have to be threadbare misery all the time.

I would say the next imminent hot writers are often the writers from the decade before you were born.

To be honest I live among the English and have always found them to be very honest in their business dealings. They are noble, hard-working and anxious to do the right thing. But joy eludes them, they lack the joy that the Irish have.

A lot of Irish people perform. They perform in drawing rooms. They sing songs and they play piano.

Theater is dangerously open to repetition. It's exciting when you hit on a new way.

My mother taught me to read.

The word democracy has no meaning. Duty has gone. Only rights remain.

People who are good at film have a relationship with the camera.

Theater dates very quickly.

I think America becomes more disgruntled by going to the movies and having an endlessly good time at them.

There once was a demographic survey done to determine if money was connected to happiness and Ireland was the only place where this did not turn out to be true.

I certainly had no intention of playing a man.

I can hardly decide what plays I should be in.

Once you've done one style, you leave it for a while.

I would love to write the story of my upbringing in Ireland.

I just think that things should be allowed to run their course, and not turned into a Disney ride.

Every generation is obsessed with the decade before they were born.

So I just play the character, I play the lines.

I take the theater seriously in that I loathe it, I'm bored by it.

The energy released by it is enormous and it becomes quite addictive, the power between the audience and the actor.

I had a ball doing Harry Potter.

Also, an area that interests me - and it will probably take years to state what I mean - is the period of the rise of democracy, with Tom Paine, which is around the turn of the 18th century into the 19th.

The Americans are very clear, and obsessed with nouns.

This whole tribal loyalty seems to have gone.

One moment cannot be the most important.

Even when they have nothing, the Irish emit a kind of happiness, a joy.

I find it incredibly tedious, hate that it murders itself with its own conservative pomposity.

There is a great relief in experiencing the worst vicariously.

There was no professional theater in Cork, but still I did a lot of performing.

There's something about the Irish that is remarkable.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I have a movie coming out called Spun, which will be at the Toronto Film Fest.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.