The film of tomorrow will resemble the person who made it, and the number of spectators will be proportional to the number of friends the director has.

Taste is a result of a thousand distastes.

An actor is never so great as when he reminds you of an animal - falling like a cat, lying like a dog, moving like a fox.

The film of tomorrow will be an act of love.

The film of tomorrow will not be directed by civil servants of the camera, but by artists for whom shooting a film constitutes a wonderful and thrilling adventure.

I've always had the impression that real militants are like cleaning women, doing a thankless, daily but necessary job.

When humor can be made to alternate with melancholy, one has a success, but when the same things are funny and melancholic at the same time, it's just wonderful.

In love, women are professionals, men are amateurs.

I have always preferred the reflection of the life to life itself.

Is the cinema more important than life?

Hitchcock loves to be misunderstood, because he has based his whole life around misunderstandings.

Film lovers are sick people.

The film of tomorrow will resemble the person who made it, and the number of spectators will be proportional to the number of friends the director has.

The film of tomorrow appears to me as even more personal than an individual and autobiographical novel, like a confession, or a diary.

At first, I wasn't sure whether I'd be a critic or a filmmaker, but I knew it would be something like that.

During the war, I saw many films that made me fall in love with the cinema.

I had thought of writing, actually, and that later on I'd be a novelist.

I have always preferred the reflect of the life to life itself.

I prefer to be busy all day long, and when you work for someone else, you're not busy enough.

I'd skip school regularly to see movies - even in the morning, in the small Parisian theaters that opened early.

Some day I'll make a film that critics will like. When I have money to waste.

What switched me to films was the flood of American pictures into Paris after the Liberation.

A film is a boat which is always on the point of sinking it always tends to break up as you go along and drag you under with it.

Airing ones dirty linen never makes for a masterpiece.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I have a movie coming out called Spun, which will be at the Toronto Film Fest.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.

And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before.

A good film script should be able to do completely without dialogue.

My advice to young film-makers is this: don't follow trends, start them!

The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity. It would be a shame if there was such a divide.

It's really rare for film directors to be that interested in things other than themselves.

When I said I was going to audition for a film, I got a hearty laugh from all my family.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

We're making a commercial Hindi film catering to all types of audiences.