People ask me how I do research for my science fiction. The answer is, I never do any research.

Stories where the author has known very little, but run a computer program that tells him how to construct a planet, and looked up specific things about rocketry and so on, really suck.

A large fraction of the most interesting scientists have read a lot of SF at one time or another, either early enough that it may have played a part in their becoming scientists or at some later date just because they liked the ideas.

I'm doing a book, 'Chasing Science,' about the pleasures of science as a spectator sport.

I don't think the scientific method and the science fictional method are really analogous. The thing about them is that neither is really practiced very much, at least not consciously. But the fact that they are methodical does relate them.

You look at the world around you, and you take it apart into all its components. Then you take some of those components, throw them away, and plug in different ones, start it up and see what happens.

That's the method: restructure the world we live in in some way, then see what happens.

If you don't care about science enough to be interested in it on its own, you shouldn't try to write hard science fiction. You can write like Ray Bradbury and Harlan Ellison as much as you want.

The head of Fermilab was reading Astonishing Stories when he was ten.

The science fiction method is dissection and reconstruction.

I was thinking of writing a little foreword saying that history is, after all, based on people's recollections, which change with time.

I did that for 40 years or more. I never had any writer's block. I got up in the morning, sat down at the typewriter - now, computer - lit up a cigarette.

In terms of stories I would buy for a science fiction magazine, if they take place in the future, that might do it.

The big new development in my life is, when I turned 80, I decided I no longer have to do four pages a day. For me, it's like retiring.

I'm pretty catholic about what constitutes science fiction.

My old English buddy, John Rackham, wrote and told me what made science fiction different from all other kinds of literature - science fiction is written according to the science fiction method.

It's clear that science and science fiction have overlapping populations.

My first thought was always a cigarette. It still is, but I haven't cheated.

A lot of the cosmologists and astrophysicists clearly had been reading science fiction.

People ask me how I do research for my science fiction. The answer is, I never do any research.

Stephen Hawking said he spent most of his first couple of years at Cambridge reading science fiction (and I believe that, because his grades weren't all that great).

I don't really have special rituals, but I don't try to write fiction unless I have a minimum of a few hours. For me, it takes a while to settle into a mode where I'm truly concentrating.

The fact that it's science fiction gives you the license to do anything you want to do.

For someone who writes fiction, in order to activate the imagination and the unconscious, it's essential to be free.

Fiction came quite a while later. I began with short stories and fiction for children.

Mr. Henry James writes fiction as if it were a painful duty.

I'd have been a filmmaker or a cartoonist or something else which extended from the visual arts into the making of narratives if I hadn't been able to shift into fiction.

For truth is always strange; stranger than fiction.

We were given clear concrete tools. The course did a great job demystifying the art of fiction writing and fostering confidence. The instructor brought complex concepts down to earth. I will miss coming here every week.

The biographies and autobiographies are on the whole more impressive than the fiction of the last two decades, but the freakish best sellers among them are least likely to withstand the test of time.

I have never been a critic of science fiction as a whole.

Fiction was invented the day Jonas arrived home and told his wife that he was three days late because he had been swallowed by a whale.

I think if I had been writing fiction, where the work is entirely dependent on the writer's creativity and the potential directions the narrative might take are infinite, I might have frozen.

I have always loved science fiction. One of my favorite shows is 'Star Trek.' I like the trips, where it drops my mind off, because they give you a premise and all of a sudden, you say, 'Oh!' and I'm fascinated by it.

I spent several years acquiring the obsessive, day-to-day discipline that's needed if you want to write professionally, then several more, highly valuable years studying fiction writing at the University of Iowa.

For people who have no critical acumen, a state is a mythical entity, for those who think critically it is a rational fiction, created by man in order to facilitate human coexistence.

There is an element of autobiography in all fiction in that pain or distress, or pleasure, is based on the author's own. But in my case that is as far as it goes.

For the last 30 years our cinemas have been ruled by science fiction and horror. We've had some very good Fantasy films in that time period, but for my tastes I still haven't seen fantasy done to absolute perfection. That is the hope I have in this project.

I dig science fiction, though it was never really my thing.

I have a kind of standard explanation why, which goes like this: Science fiction is one way of making sense out of a senseless world.

I'm not a great science fiction fan myself. I probably feel that way about Westerns. Like I used to play Cowboys and Indians, they can act out Will and the Robot.

A masterpiece of fiction is an original world and as such is not likely to fit the world of the reader.

In writing biography, fact and fiction shouldn't be mixed. And if they are, the fictional points should be printed in red ink, the facts printed in black ink.

In fiction, you have a rough idea what's coming up next - sometimes you even make a little outline - but in fact you don't know. Each day is a whole new - and for me, a very invigorating - experience.

We have escapist fiction, so why not escapist biography?

Like everybody at that age, I read an awful lot of pulp fiction. But at the same time, I also read quite a bit of history and read that as much for pleasure as part of a curriculum.

I think the thing is with a movie that has this much science fiction in it; you need characters who are more science fact, if you know what I mean, than they are human.

I think that it's more likely that in my 60s and 70s I will be writing poetry rather than fiction.

Yes, he wanted me to do Funny Games before, which I didn't want to do because the film was very theoretical - the way people experience violence on screen. There was very little space for fiction, it was more like a sacrifice for the actors than anything else.