I don't sit well. I like to move around as I talk.

There's no better satisfaction than writing. I feel that writing is the best and everything else comes with it.

When I edit, I'm not from the school of Hello, I'm a genius, so everybody shut up. I'm from the school of Let's play it once in front of an audience, and then I'll tell you where it is going.

You go to a theater now and you literally see parents watching the movie and they suddenly cover their kid's ears. I figured I'd make one movie where they didn't have to do this.

Religion has a good place and it has its good people.

It's a hard job. It means giving up some things, but on the other hand they keep saying you can have it all. You can't really have it all so easy. You can do a little of this and little of that.

Editing is the only process. The shooting is the pleasant work. The editing makes the movie, so I spend all my life in editing.

I don't sit well. I like to move around as I talk.

We can't compete with Mel Gibson, but we figured we could do our part.

I am a total believer of making the process a good time - make it memorable, have some fun, try to shoot high in your quality and then don't get crazy, see what happens.

A lot of people come work with me because I keep an open set, and people can visit. Julia Roberts used to have friends visit on 'Pretty Woman.'

I always wanted to be known as the Norman Rockwell of television, and 'Happy Days' represented the part of me that wanted to make mainstream America laugh.

I didn't want to do movies with hundreds of camels crossing the desert followed by tanks and this and that.

I must confess that the original 'Pretty Woman' was terrific and a hit, but I always felt that creatively I didn't do justice to Richard Gere's character. So in the musical, we have some great new moments for Richard's character.

I never got beaten up, because I was a wisecracking jokester. I could make a bully laugh before he delivered a punch.

I try to find scripts of stories that kinda celebrate the human condition... let's talk about the tough world out there and the human spirit overcoming adversity.

I was a journalist. I was a drummer. I was everything. I didn't know what the heck I was. But with Jack Paar, the job was very specific - no confusion. You came in each day. You wrote five pages of jokes. You handed the pages in... The pressure was to write five pages of jokes every day. I did it, and I thought, 'This is what I like to do.'

In the education of the American people, I am Recess.

My first name, with the rare two-r spelling, came from a sportswriter named Garry Schumacher. My parents didn't know him personally, but my mother liked the spelling.

My happiest moments of growing up in the Bronx were when my mom would bring home a new sports magazine from the candy store. I would jump out of bed and grab it from her. Then I'd rip the front cover right off and tape it to my bedroom wall.

My mother was funnier than anybody I ever worked for. My father was as funny as this coat. Not a laugh a minute, my father.

Some journalists are pestier than others, so I find out where the pests are. I am careful with my actors and actresses. I come back and tell them, 'Watch out for this one or that one.' People are surprised I do that. But I watch out for them even after the movie is over.

There is more to life than show business.

When I was five years old, my parents gave me a drum set for Christmas. My mom played the piano, and Dad played the saxophone badly. But that Christmas morning, I remember we all played together, and I thought it was the greatest day ever.

When in doubt, you bring in relatives. Nepotism is a part of my work.

Its always helpful to learn from your mistakes because then your mistakes seem worthwhile.

I can remember the frustration of not being able to talk. I knew what I wanted to say, but I could not get the words out, so I would just scream.

I mean the only thing that is hopefully good about us is after the arguments we can actually still face each other the next day or the day after and talk about something else and sort of get over it.

It is chiefly through books that we enjoy intercourse with superior minds. In the best books, great men talk to us, give us their most precious thoughts, and pour their souls into ours.

But I found a lot of artists at the Cedar Bar were difficult for me to talk to.

I didn't have a boyfriend until I was 17. There were boys at school that I would find out later had a crush on me but I was too shy to talk to them.

As I say, there was this movement to try to bring philosophers and mathematicians together into an organization where they would talk to each other. An organization wasn't effective unless you had a journal. That's about all I know.

And they talk about their bona fide doctors. They have a list of doctors that signed affidavits from looking at a picture of Terry. That's where they get their information from, by looking at a picture.

Of every ten persons who talk about you, nine will say something bad, and the tenth will say something good in a bad way.

There is a neurologist, a woman over at Harvard who wanted me to come talk to them, and in France I have a lot of readers in the sciences. I can't tell you why.

Actually the copies of characters is something I don't particularly like to talk about in articles but just for your information, most characters there's only one.

I appreciate life, talk a lot, love to laugh, and am very optimistic.

Forgive me my nonsense, as I also forgive the nonsense of those that think they talk sense.

When I talk to people in need, they tell me they want to hope; they are eager for opportunity; they are ready for better days. And I can tell you that every time their hopes are disappointed, all nations lose.

Americans are big boys. You can talk them into almost anything. Just sit with them for half an hour over a bottle of whiskey and be a nice guy.

The rule is not to talk about money with people who have much more or much less than you.

I just have some restaurants to just go and eat there. Do mean places to watch people? I like to go shopping look for guitars and stuff with my friends. Look at Meyer, great old instruments, talk about pedals and stuff.

Where I come from, you don't really talk about how much you're earning. Those things are private. My dad never told my mum how much he was earning. I'm certainly not going to tell the world. I'm doing well.

I can't talk to a man who bears an undeserved animosity towards ferrets.

The opportunity to create a small world between two pieces of cardboard, where time exists yet stands still, where people talk and I tell them what to say, is exciting and rewarding.

I cannot sing, dance or act; what else would I be but a talk show host.

Let's talk of a system that transforms all the social organisms into a work of art, in which the entire process of work is included... something in which the principle of production and consumption takes on a form of quality. It's a Gigantic project.

In my column series "The Main Thing," I often talk about how Internet technology can improve the way people communicate - both within a business and between a business and its customers and partners.

I think it's bad to talk about one's present work, for it spoils something at the root of the creative act. It discharges the tension.