I currently spend a lot of time thinking about orchestration and every detail of a piece.

Craft is part of the creative process.

Over the years I have tried to develop something which is technically assured.

The project which we developed, however, was for a sound piece and I was initially curious that a sculptor should be interested in working with a musician, especially on a project for radio.

It makes sense to invest in new work. It's almost like having a research department in a scientific laboratory. You have to try things out. You'll make some bad mistakes. Some things will fail but at least you'll energise the organisation.

I remember once, when I started writing for the alto saxophone, a saxophonist told me to think of it as being like a cross between an oboe and a viola, but louder.

As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien.

Music history has flowed under the bridges for many years.

I know that John Adams has had a very hard time directing French ensembles.

It's rather like attending a university seminar where you are talking to a few gifted specialists who deliver a paper to an audience of their peers. That's one way of making music.

I have friends who have a CD mastering plant in Hollywood and they are very sceptical about European record labels' understanding of digital technology.

Somehow in the 20th Century an idea has developed that music is an activity or skill which is not comprehensible to the man in the street. This is an arrogant assertion and not necessarily a true one.

There's another way of making music, by touching the lives and feelings of ordinary people.

Still, American composers working in France have had a pretty hard time.

The academic area of new music or modern music festivals is not something which attracts me at all.

I am writing something which I find satisfying and which I am prepared to put my name to as a composer.

Similarly you can make a transition from one set of instruments to another imperceptibly.

I currently spend a lot of time thinking about orchestration and every detail of a piece.

People like Arvo Part would not have been taken seriously 20 years ago.

Like an apparently strict musical form it breaks the five minute whole into its structural parts - a descriptive preamble, the action of taking the cards, the development of the cards' manipulation and the revelation of what has been achieved.

When Philip Glass asked me if I would be interested in doing a new recording of Jesus' Blood he assumed that I would do something similar to the first version and wanted to know what other pieces would be on the same CD.

One thing I'm doing on the new Titanic recording is actually bringing in different acoustic spaces.

What was once underground is now coming to the surface.

Writing tonal music now, you are not writing into the 19th Century.

I work very fast, keeping the ideas flowing but making sure they come out the way I intended.

I've heard though that there is a younger generation of tonal French composers who are reacting with vigour.

Consistency is found in that work whose whole and detail are suitable to the occasion. It arises from circumstance, custom, and nature.

I never regret anything. Because every little detail of your life is what made you into who you are in the end.

The difference between something good and something great is attention to detail.

I suppose that I was a kind of consultant for taste. Is it good taste? Or bad taste? I had an attention to detail, to what would tell best the story. Because many people get excited about the work and drift off from the story.

A lot of our entertainment throws into detail the stagnation and illness of how we live today-it's sad and it's sick... and it's profitable.

There are a lot of times that if a detail in a scene or a beat, feels unnatural, they'll allow me to explore another direction to go until we're all comfortable with what we are doing.

The day Tarzan opened in London, I sat in a hotel room and discussed the project in detail.

If you take a book of a thousand pages on the Second World War, in which 50 million people died, the concentration camps occupy two pages and the gas chambers ten or 15 lines, and that's what one calls a detail.

In writing a series of stories about the same characters, plan the whole series in advance in some detail, to avoid contradictions and inconsistencies.

We are going to have a huge Oscar issue, you are going to see everything in such beautiful detail.

I won't go into detail but this animated one, the story line is very cool and the kids seem to love it.

My writing style is very sensual, as in sensory detail.

To create something exceptional, your mindset must be relentlessly focused on the smallest detail.

The level of detail and craft is something that's inscribed within the original design concept. And so when I begin to draw, I know what kind of detailing I want the building to have.

The art of motherhood involves much silent, unobtrusive self-denial, an hourly devotion which finds no detail too minute.

Disney is thrilling and informative and important and beautiful and suspect. Butts was a detail I observed later and definitely ties in. I suppose I was programmed, yeah.

Our life is frittered away by detail... simplify, simplify.

I'm blown away by the graphical detail of today's games. I can't imagine that it's going to get any better, but it's just going to continually progress and soon we'll be living in that world.

In the successful organization, no detail is too small to escape close attention.

The really big difference is that what you make with a molecular machine can be completely precise, down to the tiniest degree of detail that can exist in the world.

Culture is a way of coping with the world by defining it in detail.

I had a really good time with Martha Stewart, who also is somebody I really admire a lot. I've learned a lot from her and I think all of America has, about attention to detail and using fresh ingredients and making things beautiful and special.

Caress the detail, the divine detail.