I went over to shoot for six days. It turned out to be ten days, very nicely so. A little money.

This is a group effort. This is group theatre. This is no big star turn. You could do things with it to do that but it would just be out of kilter. This is one reason I like this play. This is a unit.

Also, now as a result of that show being on, the cruise industry is just growing all over the place. Princess Cruises, who I now represent, is the fastest growning cruise line in the world.

It's very trying on a marriage when you're doing a one hour show, week after week after week. You don't have enough time for people that maybe you should have top priority.

We have nine ships and in the next two years will have ten, eleven and twelve. So things are going very nicely and all because of that program that people thought was mindless and so forth.

I always think that I love doing what I'm doing at the moment. The past is over. I can't go play one of those characters again. But I can play this and I can continue to grow in what I'm doing at the moment and that's really what I'm thinking about now.

Somebody did an article in one of the newspapers saying that at that time I had the most visibility of any actor around. Kind of nice, you know, when that thing was happening.

This is a group playing together and that's the only way, I feel, this play can be successful and moving. I am so lucky to have the people that are in it. When I came here I didn't know who was going to be in the play.

I'm just there to do interviews and stuff, because we have about 40 media people there, so it's a very, very busy week. But that's the only time. I did marry, I think on one show, about 25 couples in Acapulco Bay once, but that was all just for kicks.

I went over to shoot for six days. It turned out to be ten days, very nicely so. A little money.

But the character was so successful, that first one, that they wrote him again and he came in right at the end of the first year in a show called THE BOX. I was up for the Emmy for that one too.

It was tough for him in that newsroom with Ted Baxter getting all the glory and this poor guy doing all the work. Murray worried so much he worried his hair off!

We went out for six weeks a year. We first started in Mexico and we did that for so many years that we finally said we've got to explore and start going globally. And then we started going all over the world.

I just love the hours of the theatre, I love the way it operates. I always say that when you're doing a play it's like getting a shot of B12, and when you do television for a long series you need a shot of B12.

We sat down and read it for the first time and I thanked God under my breath, because they were all so good. And my leading ladies are both exceptional. I mean, everybody in the play. I could just go on all night about them.

That's one of the reasons I wanted to be an actor, to be like them. And there they were at my table, all talking about how nervous they were, about the lines, and so forth. No matter how big you get, you still have the same kinds of anxieties and so forth.

It all depended on the cut. Some of them were really on the ship. Some were really on the set. Like if they had the stars for a week, the stars coming off, that was usually on the set, except if we were on location for that particular show.

There are a lot of new opportunities that are poking their head up in my future. I've been very fortunate that way, but for right now, what I like is what I'm doing.

We had to be very careful on our best behaviour when we went to these other countries. And then I made a living, I had a chance to support my wife and my kids. It was a wonderful, wonderful, wonderful program from that point of view.

I haven't killed anyone on television in years and years. Must have been twenty something years.

We were making new ones the second year. We were in syndication the second year. So we were on Saturday nights, prime time, every morning, and then they put it on Sunday evenings too. So it was all over the place.

We used two Princess Cruise ships. The Island Princess and The Pacific Princess. They were identical ships.

I checked myself out in that funeral parlour scene. I saw myself laughing, because there was a shot of Ed and I together and Mary was right in back of us. My head turned from the camera and I saw myself laughing, because Mary was absolutely brilliant in that thing.

I've played heavies for years and years and years. I was bald. I came to Hollywood. I did a play about junk. I was a pusher, so I played pushers for years and years and years. I did war movies and things like that.

You know, you have to put bread on the table. So you thank God you got the job.

I also do not like the idea of soft money, these issue ads - people don't know where the money is coming from, millions and millions of dollars outside of the control of a candidate - there's no accountability.

Stories come from other shows at other studios where only 2,000 rounds were actually used and the money for the other 3,000 went right into the studio pockets. Corners were cut and that production suffered. Knock wood, that hasn't happened to us.

Never play anything that don't sound right. You might not make any money, but at least you won't get hostile with yourself.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

When I sent those scripts, that was the lowest point of my life. We'd just had our second son, and when I went to collect them from hospital, I went to the bank to try and get some money to buy some diapers, the screen showed I've got $26 left.

One does not need buildings, money, power, or status to practice the Art of Peace. Heaven is right where you are standing, and that is the place to train.

I would rather take the role and work and make my own money and self respect than to have sex with someone who has a lot of money.

People may take a job for more money, but they often leave it for more recognition.

I make no claim to being a business genius. You can make so much money in this business that it loses its value.

It costs a great deal of money to do a musical, and the more money involved, the more big business influences the artform.

The world over, give a guy money and it goes to drinking, gambling, and women. When you give a woman money, it goes to feeding, clothing, helping people.

Your team has to understand that coming into the ABA, you have to have your investments right and sponsorships and people ready to give you money so they can back you up.

I wanted to be an actress. In college I was a serious feminist and very political. I was determined to get one thing out of my career and that was respect. I didn't want money. I didn't care about fame.

A drunkard would not give money to sober people. He said they would only eat it, and buy clothes and send their children to school with it.

If you're a producer, you always spend too much money because you want that shot - and you're willing to spend a bundle to get it.

We are demonstrating for services for all the people and not just services for money. It's very important that this message goes to the European Parliament today.

I write plays not to make money, but to stop myself from going mad. Because it's my way of making the world rational to me.

It's important not to limit the amount of their own money that candidates can spend, but to give other people access to enough money to run competitive races.

The rule is not to talk about money with people who have much more or much less than you.

It's about the power of design and the power of the human spirit. It's above paying anybody to do something stupid for money like reality television does - like ambushing people.

Today, they're just up there for the money, just packaged and be gone.

The unions claim the deck is stacked against them when it comes to labor laws, but the truth is many private and public sector workers are forced to pay union dues as a condition of their employment, yet they have little say in how the unions spend their money.

A rich man is nothing but a poor man with money.

Almost the only persons who may be said to comprehend even approximately the significance, principles, and purposes of Socialism are the chief leaders of the extreme wings of the Socialistic forces, and perhaps a few of the money kings themselves.