Even though the museums guarding their precious property fence everything off, in my own studio, I made them so you and I could walk in and around, and among these sculptures.

Farming with live animals is a 7 day a week, legal form of slavery.

What do I really think? What do I believe in, without the horse manure?

Even though the museums guarding their precious property fence everything off, in my own studio, I made them so you and I could walk in and around, and among these sculptures.

Farming with live animals is a 7 day a week legal form of slavery.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

A great department store, easily reached, open at all hours, is more like a good museum of art than any of the museums we have yet established.

I think there is a new awareness in this 21st century that design is as important to where and how we live as it is for museums, concert halls and civic buildings.

I went to the museum where they had all the heads and arms from the statues that are in all the other museums.

As for pictures and museums, that don't trouble me. The worst of going abroad is that you've always got to look at things of that sort. To have to do it at home would be beyond a joke.

The number of great museums and nonprofits versus the number of corporate headquarters is incredibly out of whack.

I love doing normal things - movies, shopping, going out with friends, writing, reading, taking hot bubble baths - that's a big one for relaxation. I also love to go to art and history museums.

I open events for museums and I do charity work and photography.

Murals in restaurants are on a par with the food in museums.

Since then I have held many jobs at museums in Colorado and Wyoming. I have also taught summer courses at the University of Colorado.

There are wonderful museums with lots of photographs of 1920's musicals.

When I was growing up, my mother would take me to plays and museums, and we'd talk about life. Those times helped shape who I became.

Instead of stubbornly attempting to use surrealism for purposes of subversion, it is necessary to try to make of surrealism something as solid, complete and classic as the works of museums.

One of my major goals is to develop a web of the small Wyoming museums and create a major museum system. There are about eight of these museums, and they are all scattered.

If you're middle aged... where're you going to go to meet someone? You're not going to go to a bar, you're not going to go to a night club; and there are the museums.

Individually, museums are fine institutions, dedicated to the high values of preservation, education and truth; collectively, their growth in numbers points to the imaginative death of this country.

I felt I had to share Idaho with my friend from New York because he'd shared New York with me, so I was going to share the beauty of nature with a man who went to museums and clubs late at night. But there was nothing to do where I lived at night.

I love England though; I've been back a few times and just love it. My favorite thing to do there is going to museums and all the castles. Oh, and my husband and I went mountain biking across England on our honeymoon!

The Smithsonian museums are among this country's most endearing treasures and I look forward to helping maintain and enhance their coveted works of art.

Some of our greatest historical and artistic treasures we place in museums; others, we take for walks.

We have created indoor installations inside museums, like the Wrapped Floor at the Museum of Contemporary Art in Chicago in 1968, and not monumental at all by any standards.

History is representational, while time is abstract; both of these artifices may be found in museums, where they span everybody's own vacancy.

We talk about theatre museums filled with old costumes and things. What we also need is a theatre museum of the old routines on videotape. We are only the custodians of those techniques, and they should be preserved.

Museums, I love museums.

The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.

In museums and palaces we are alternate radicals and conservatives.

Even though the museums guarding their precious property fence everything off, in my own studio, I made them so you and I could walk in and around, and among these sculptures.

Our universities and museums are respected around the country.

The best museums and museum exhibits about science or technology give you the feeling that, hey, this is interesting, but maybe I could do something here, too.

The murals in restaurants are on par with the food in museums.

Museums are tombs, and it looks like everything is turning into a museum.

What other people may find in poetry or art museums, I find in the flight of a good drive.

I applied for funding to embark on an overseas field trip in Iceland, and spent six weeks there happily holed up in the national archives, museums and libraries, sifting through ministerial and parish records, censuses, maps, microfilm, logs, and local histories.

I do not approve of museums trying just to get people to come in. Whistler was very, very clear on this.

I grew up in a town where there were no galleries, no museums, no theaters - a very religious, ultraconservative community.

It's hardly even noticeable that so many artists, designers and architects live here. It isn't reflected in the cityscape or in the museums. Many of the artists, for example, exhibit around the world, just not in Berlin.

Museums are like sports stadiums, hotels and hospitals: they are in the category of captive-audience dining.

Museums are not normally presenting the works on the walls as provocations to work. It's more like going to a Jacuzzi.

Museums do not share their collections with other museums unless they get something in exchange. The Metropolitan will deal with the Louvre, but will they send their stuff to Memphis? No.

Museums, I think, are becoming more and more aware of how to turn themselves into a must-see spectacle.

People come to museums for storytelling and engagement, and the technology needs to facilitate that.

The itinerary of most antiquities from their source - tomb, temple, quarry - to the shelves of museums or private collectors is murky and often purposely concealed.

There is a very vibrant cultural scene in Stockholm. There are lots of places where there are concerts, and there are loads of museums and theaters.

Tourists as well as natives want to see cultural achievements - whether it's the Banaue Terraces, the old churches or museums.