Bunny boiler is now part of our language, and I'm proud of that.

There's something about a catharsis that is very important.

Ismail Merchant was just the most seductive, passionate, outrageous, driven, genius of a man.

It puts you in a kind of a strange situation where everybody is looking at every little thing you do.

I've been sacrificing my life for my work for 30 years, and now I want it the other way around. I want to find work that fits into my life and that would be based here.

I don't like public venues. I never know what to wear.

Bunny boiler is now part of our language, and I'm proud of that.

We were fortunate enough to have several good books detailing the camps and the women. Some were by the survivors. I also got to talk to some of the women who had been in the camp, survivors.

There are a lot of big spec houses now all across Connecticut, a lot of ostentatious showing of wealth.

Good roles are hard to find no matter what age.

I think the diva is kind of a cliche. My definition of a diva is somebody whose talent does not match what they're trying to play, so all this temperament comes out.

The best thing I have is the knife from Fatal Attraction. I hung it in my kitchen. It's my way of saying, Don't mess with me.

We have to be vulnerable as actors, but we have to protect ourselves.

I don't think the tabloids find me very interesting.

I knew the term Stepford Wife, and I knew what that meant. I never read the book, and I think before I started filming I watched the movie. I thought it was very dated.

I never got into this business thinking I'd be like a movie star.

I get bored talking about myself, but I can talk about the work.

Acting, to me, is about the incredible adventure of examining the landscape of human heart and soul. That's basically what we do.

I had a great time on The Shield. From working on it I have a totally different view of law enforcement.

With the hugely talented women I've worked with or observed, it's not a question about temperament or ego; it's a question about getting it right. If they've got a reputation for being difficult it's usually because they just don't suffer fools.

I am extremely shy. I am not happy in crowds of people.

Celebrity is death - celebrity - that's the worst thing that can happen to an actor.

It's not good to be in a situation where people don't want to direct you or don't want to question something.

You have to love the characters you play, even if no one else does.

I'm an actor, that's my contribution.

When I hear that somebody's difficult, I think, Oh, I can't wait to work with them.

It always amazes me to think that every house on every street is full of so many stories; so many triumphs and tragedies, and all we see are yards and driveways.

It's gotten out of control. It's taking bigger and bigger names to make smaller and smaller films. I worry that important films without a big name attached won't get made at all.

I think there are certain actors that have that kind of energy about them, that taking over a room energy.

It is very difficult for girls. They're told to look one way, but to act another way.

As an actor, I go where the good writing is. That's the bottom line.

I had a dresser who literally squeezed me in like Scarlett O'Hara in Gone With The Wind.

When they tested Fatal Attraction, the audiences were so upset by her behavior, they literally demanded her blood.

Diva has a negative connotation.

Be aware of your inner voice and follow it, even though most of the time it will tell you the most uncomfortable path to choose.

What's so fascinating about people is what they don't show. People are masters at it; usually actors show too much.

Still, language is resilient, and poetry when it is pressured simply goes underground.

I have my own language and it's high time I put a little of it out there.

Well, with the French language, which I understood and spoke, however imperfectly, and read in great quantities, at certain times, the matter I suppose was slightly different from either Latin or Greek.

I belong to a specific category of writers, those who speak and write in a language different from that of their parents.

Poetry is a matter of life, not just a matter of language.

Our purpose is simply to ask how theological principles can be shown to have usable secular analogues that throw light upon the nature of language.

Countries under foreign command quickly forget their history, their past, their tradition, their national symbols, their way of living, often their own literary language.

French is a language that makes those who speak it both calm and dynamic.

I have eighteen titles in the German language. I had a number one song in 1965.

That's so different in Hong Kong when I'm using my own mother language, I can treat the line in one thousand different ways, with many different reactions.

The Internet is not just one thing, it's a collection of things - of numerous communications networks that all speak the same digital language.

Of all of our inventions for mass communication, pictures still speak the most universally understood language.

If I were assigned poems I suppose I'd write more of them but it is entirely voluntary and for the most part ignored in the market sense of the word so the language to me is most intimate, most important, most sublime and most satisfying when it gets done.