I get bored talking about myself, but I can talk about the work.

There's something about a catharsis that is very important.

Ismail Merchant was just the most seductive, passionate, outrageous, driven, genius of a man.

It puts you in a kind of a strange situation where everybody is looking at every little thing you do.

I've been sacrificing my life for my work for 30 years, and now I want it the other way around. I want to find work that fits into my life and that would be based here.

I don't like public venues. I never know what to wear.

Bunny boiler is now part of our language, and I'm proud of that.

We were fortunate enough to have several good books detailing the camps and the women. Some were by the survivors. I also got to talk to some of the women who had been in the camp, survivors.

There are a lot of big spec houses now all across Connecticut, a lot of ostentatious showing of wealth.

Good roles are hard to find no matter what age.

I think the diva is kind of a cliche. My definition of a diva is somebody whose talent does not match what they're trying to play, so all this temperament comes out.

The best thing I have is the knife from Fatal Attraction. I hung it in my kitchen. It's my way of saying, Don't mess with me.

We have to be vulnerable as actors, but we have to protect ourselves.

I don't think the tabloids find me very interesting.

I knew the term Stepford Wife, and I knew what that meant. I never read the book, and I think before I started filming I watched the movie. I thought it was very dated.

I never got into this business thinking I'd be like a movie star.

I get bored talking about myself, but I can talk about the work.

Acting, to me, is about the incredible adventure of examining the landscape of human heart and soul. That's basically what we do.

I had a great time on The Shield. From working on it I have a totally different view of law enforcement.

With the hugely talented women I've worked with or observed, it's not a question about temperament or ego; it's a question about getting it right. If they've got a reputation for being difficult it's usually because they just don't suffer fools.

I am extremely shy. I am not happy in crowds of people.

Celebrity is death - celebrity - that's the worst thing that can happen to an actor.

It's not good to be in a situation where people don't want to direct you or don't want to question something.

You have to love the characters you play, even if no one else does.

I'm an actor, that's my contribution.

When I hear that somebody's difficult, I think, Oh, I can't wait to work with them.

It always amazes me to think that every house on every street is full of so many stories; so many triumphs and tragedies, and all we see are yards and driveways.

It's gotten out of control. It's taking bigger and bigger names to make smaller and smaller films. I worry that important films without a big name attached won't get made at all.

I think there are certain actors that have that kind of energy about them, that taking over a room energy.

It is very difficult for girls. They're told to look one way, but to act another way.

As an actor, I go where the good writing is. That's the bottom line.

I had a dresser who literally squeezed me in like Scarlett O'Hara in Gone With The Wind.

When they tested Fatal Attraction, the audiences were so upset by her behavior, they literally demanded her blood.

Diva has a negative connotation.

Be aware of your inner voice and follow it, even though most of the time it will tell you the most uncomfortable path to choose.

What's so fascinating about people is what they don't show. People are masters at it; usually actors show too much.

I can remember the frustration of not being able to talk. I knew what I wanted to say, but I could not get the words out, so I would just scream.

I mean the only thing that is hopefully good about us is after the arguments we can actually still face each other the next day or the day after and talk about something else and sort of get over it.

It is chiefly through books that we enjoy intercourse with superior minds. In the best books, great men talk to us, give us their most precious thoughts, and pour their souls into ours.

But I found a lot of artists at the Cedar Bar were difficult for me to talk to.

I didn't have a boyfriend until I was 17. There were boys at school that I would find out later had a crush on me but I was too shy to talk to them.

As I say, there was this movement to try to bring philosophers and mathematicians together into an organization where they would talk to each other. An organization wasn't effective unless you had a journal. That's about all I know.

And they talk about their bona fide doctors. They have a list of doctors that signed affidavits from looking at a picture of Terry. That's where they get their information from, by looking at a picture.

Of every ten persons who talk about you, nine will say something bad, and the tenth will say something good in a bad way.

There is a neurologist, a woman over at Harvard who wanted me to come talk to them, and in France I have a lot of readers in the sciences. I can't tell you why.

Actually the copies of characters is something I don't particularly like to talk about in articles but just for your information, most characters there's only one.

I appreciate life, talk a lot, love to laugh, and am very optimistic.

Forgive me my nonsense, as I also forgive the nonsense of those that think they talk sense.

When I talk to people in need, they tell me they want to hope; they are eager for opportunity; they are ready for better days. And I can tell you that every time their hopes are disappointed, all nations lose.