So I went to Chicago in 1940, I think, '41, and the photographs that I made there, aside from fashion, were things that I was trying to express in a social conscious way.

I bought my first camera in Seattle, Washington. Only paid about seven dollars and fifty cents for it.

Washington, D.C. in 1942 was not the easiest place in the world for a Negro to get along.

And I think that after nearly 85 years upon this planet that I have a right after working so hard at showing the desolation and the poverty, to show something beautiful for somebody as well.

You know, the camera is not meant just to show misery.

But I was very disappointed that I didn't get a chance to go overseas with that group, might not have gotten back but I wanted very much to go because there's not much of a record of the exploits of the first Negro fighter group.

There's another horizon out there, one more horizon that you have to make for yourself and let other people discover it, and someone else will take it further on, you know.

The man at Kodak told me the shots were very good and if I kept it up, they would give me an exhibition. Later, Kodak gave me my first exhibition.

I've been with Life now for seventeen years and I have written several articles for them and will be doing more writing and do at least two assignments a year besides my writing.

So I went to Chicago in 1940, I think, '41, and the photographs that I made there, aside from fashion, were things that I was trying to express in a social conscious way.

The subject matter is so much more important than the photographer.

People in millenniums ahead will know what we were like in the 1930's and the thing that, the important major things that shaped our history at that time. This is as important for historic reasons as any other.

I suffered evils, but without allowing them to rob me of the freedom to expand.

I was there less than a year before I was assigned to the Paris bureau. I spent two years there and, in fact, before I even went on the staff I was sent to Europe to do assignments which they wouldn't normally do for a young photographer just starting out.

The photographer begins to feel big and bloated and so big he can't walk through one of these doors because he gets a good byline; he gets notices all over the world and so forth; but they're really - the important people are the people he photographs.

I think maybe the rural influence in my life helped me in a sense, of knowing how to get close to people and talk to them and get my work done.

But I do feel a little teeny right now that I'm just about ready to start, and winter is entering. Half past autumn has arrived.

And now, I feel at 85, I really feel that I'm just ready to start.

At first I wasn't sure that I had the talent, but I did know I had a fear of failure, and that fear compelled me to fight off anything that might abet it.

I'd become sort of involved in things that were happening to people. No matter what color they be, whether they be Indians, or Negroes, the poor white person or anyone who was I thought more or less getting a bad shake.

Enthusiasm is the electricity of life. How do you get it? You act enthusiastic until you make it a habit.

You know the camera is not meant just to show misery.

The camera could be a very powerful instrument against discrimination against poverty against racism.

Enthusiasm is the electricity of life. How do you get it You act enthusiastic until you make it a habit.

I think that unless you grew up in New York or Chicago or Los Angeles, you're sheltered.

Chicago kept industry, attracted new business, became the center for convention trade and transportation.

My dad was born in Chicago in 1908... his parents came from Russia. They settled in Chicago, where they lived in a little tiny grocery store with eight or nine children - in the backroom all together - and my grandmother got the idea to go into the movie business.

While Mayor Daley surprised me today with his decision to not run for reelection, I have never been surprised by his leadership, dedication and tireless work on behalf of the city and the people of Chicago.

My place in Chicago is a 105 year old house, but I really like contemporary spaces too, so it's refreshing and fun to be in a space where you can do contemporary things.

I'm always going to get more of a charge playing Chicago than I will Duluth or some place like that. Just because of the history and the people there are way more knowledgeable than a lot of other cities. It's an amazing music scene with some great bands and great musicians.

We are proud to have with us the poet lariat of Chicago.

We got into all the trouble you could ever imagine. We figured that if the Jones boys and all the gangsters ran Chicago, we had our own territory now. All the stores, all the crime, we were in charge of everything, my stepbrother and my brother.

I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration.

I joined the Army and was sent to the MIT radiation laboratory after a few months of introduction to electromagnetic wave theory in a special course, given for Army personnel at the University of Chicago.

Chicago is a city of contradictions, of private visions haphazardly overlaid and linked together.

My father actually moved out from Chicago just so he could play tennis 365 days a year, so it was - it was a place we played every day. We played before school. We played after school. We woke up. We played tennis. We brushed our teeth in that order.

However, I was a restaurant critic at Chicago magazine before I worked at Esquire, and I've been a really enthusiastic home cook for a long time. It's just something I'm passionate about.

I have a friend who lives in the South Side of Chicago. I helped out at a church charity there where they try to give a bit of cohesion to a desperate area. Everyone was very welcoming.

Hollywood is run by people who sit up in their executive office, who are not connected to Mississippi, Alabama, Chicago, South Carolina. They know nothing about that, they don't go to church, and they make their decisions about what they think is right.

Chicago is one city. We shall work as one people for our common good and our common goals.

In the States, it takes you a lifetime just to get from Chicago's South Side to the West Side.

This is not to be cocky, but, I go over real well at Comic-Con. I've done quite a few Comic-Cons, and I enjoy the hell out of them. They are so much fun, and so bizarre. I've done the FX Show in Florida, Wizard-World in Chicago, Comic-Con in San Diego, Wonder-Con in San Francisco, the Comic-Con in New York, and I've done them numerous times.

I live and die with the Chicago Cubs.

I grew up in the suburbs of Chicago.

Chicago seems a big city instead of merely a large place.

You'd never think of taking a cab if you had to walk a mile down Chicago's Michigan Avenue. But in a bad city you take a cab just to go around the corner.

So, We're really L.A. based with a secondary base in Chicago.

I just thought that I had had my fill for a while and wanted to have a family. My husband was moving to Chicago for his job. And so I went along. And it was a great thing that I did.

Chicago is the product of modern capitalism, and, like other great commercial centers, is unfit for human habitation.