I suppose my little Martin acoustic guitar is quickly becoming a prize possession. It's a lovely guitar. I bought it at the Cambridge Folk Festival in 2001 before I had cleaned up.

I love the magic of the studio.

I had a breakthrough, I think my life just became calmer, I gave up drinking. My priorities changed as I had a young daughter. The group didn't want me to record for the Think Tank album... so I took it as a sign to leave.

You know Manchester is always a bit of a hard place for people coming from London, just with all the history. Manchester has this immensely huge and healthy history musically.

A singer for me is more like someone who is standing alone with a microphone like Scott Walker, rather than someone who is bashing a plank and is spitting all over a microphone.

I sing, but I don't think of myself as a singer.

I'm not going to pretend that I am the best thing in their life and they have to be totally loyal.

It was quite nice meeting up because we went through a lot together and we haven't really seen each much other to communicate one to one for quite a long time.

But those audiences in Spain, they were just so stoned. I don't like playing to audiences like that because they just don't do anything. I'm up here with my band and we're working really hard and they are just stoned.

It's a bit loose and the people in my group have got other groups. They don't have to have a total allegiance to me. I think that's really a bit weird and showing some weird insecurity.

I've always looked at shoes as being immensely beautiful things.

It's mostly Mars Bars and peanuts and cheese and you go to the fridge and there's Red Bull and Beer. It's not like people are holding me down and pouring beer in my face.

Playing and singing at the same time is pretty cool, but sometimes it's difficult to know when you can just really let go a bit because you've got to get back to bloody microphone and sing some stuff.

When Blur first started and we were playing Manchester the Hacienda was the place to go. That was where a lot of exciting stuff was happening and London was pretty dead.

Being a singer now I have to get all fussy... I must have my ginger and lemon and all that.

I suppose my little Martin acoustic guitar is quickly becoming a prize possession. It's a lovely guitar. I bought it at the Cambridge Folk Festival in 2001 before I had cleaned up.

There's a focus that hasn't been there for ages and ages and some American bands are sounding quite English like they did in the late 70s and early 80s.

The other guys drink, but they don't drink anywhere near what I used to. And I think they're slightly respectful of the fact that I'm off it, so it's not a problem.

There were some extremely good teachers there that were great artists really in their own right. It was actually very hard to concentrate on getting down to going any work being an art student especially when it's a flighty thing at best.

I think now, more than anytime I can remember, bands are sounding pretty similar whether they're English or American, from Manchester or London... or Leeds or Welsh or Irish.

Like, Mission Of Burma to me always sounded almost like they were part of the British Arty New Wave. I kind of like that. I like not being able to tell the difference.

I think a lot of cynicism has dropped away from my shoulders since I stopped drinking.

With my daughter, who at the time was one, my domestic life needed to take more precedent and really with my own self I needed to develop quite a bit more. So that put Blur down the list of priorities quite a lot by the time I came to thinking about it.

I'm still amazed by the process of recording.

But live shows are cool. I just got back into the idea of enjoying it live.

Manchester has it's own pride and London has it's sort of pride and sometimes we can be a bit mean to each other, but I think if we dig the music we can get on really well.

I think of someone like Mariah Carey as a singer.

It's the clothes that influence the music I'm going to play.

I liked Germany; I'm not into Berlin, it's too huge and empty and imposing, but Munich was good.

I don't think of myself as a singer really.

I'm a bit of lunatic with shoes and jackets and jeans. It's just how I am.

There are a lot of people who can do it on the guitar and sing at the same time, but I think what is harder is bass players that can play the bass and sing.

It's the faster bands that made me want to play guitar, bands like The Jam.

I'm still trying to discover my position on my own artwork and hopefully at this exhibition someone will come and tell me. I'm open to listening to criticism.

Most of America don't even listen to music probably. They just go raccoon hunting or something.

We were like psychedelic folk combined with Sonic Youth's noise.

I think my election is one of several indications that gay and lesbian folk are being brought more into the center of things. I'd like to think that my election signals my bringing of gay and lesbian folk into the center of the church.

Over and over again, financial experts and wonkish talking heads endeavor to explain these mysterious, 'toxic' financial instruments to us lay folk. Over and over, they ignobly fail, because we all know that no one understands credit default obligations and derivatives, except perhaps Mr. Buffett and the computers who created them.

The models for me were more the folk-rock singers of the '60s and '70s.

I think they do a great job on Queer as Folk.

You have to open your mind. I like the ability to express myself in a deep way. It's the closest music to our humanity - it's like a folk music that rises up out of a culture.

Real folk music long ago went to Nashville and left no known survivors.

I have a deep rooted folk sensibility that I can't get away from completely.

Civilization is a conspiracy. Modern life is the silent compact of comfortable folk to keep up pretences.

My father being in the movie business, I thought being an actor would be great. But when I started singing to people in coffeehouses, you know, singing folk music and then, later, singing songs that I started to write myself, I felt more than an affinity for it.

I really understand what that process is all about and how important it is, especially with young folk and creative folk that love looking for some platform that makes it easier for them to express themselves.

The local music community here was dying for a place to record, so we started doing acoustic, folk and bluegrass and then did rock projects for other bands, as well as for my son Tal and my own work.

The novel is the first art form that is an honest-to-god commodity. That's what makes it different from both high art and folk art.

That folk music led to learning to play, and making things up led to what turns out to be the most lucrative part of the music business - writing, because you get paid every time that song gets played.