I have a deep rooted folk sensibility that I can't get away from completely.

I wasn't interested in writing music that wasn't beautiful for me to listen to.

I have a deep rooted folk sensibility that I can't get away from completely.

In high school, we studied a lot of poetical forms. I was really interested in the math that was involved and the strange live break ups. That gave me a great amount of respect for a rhymed stanza.

I give away CDs at shows if someone wants a CD but doesn't have any money. I wouldn't want to do that forever.

You should listen to a lot of different music.

I am consciously not trying to bring in World Music elements. The ways that I work and feel are completely different in how they sound than someone playing the Kora in Africa would play it.

I have a recording that I did of instrumental songs.

The very first Walnut Whales recording was recorded just a few weeks after I had started singing, out of the blue, started singing. And the voice, you can hear how uncomfortable I am with it, and how terrified I am with it.

I want to make music that somehow connects to the things that I love in America music.

Well, yeah, I wanted to resist the urge to thicken everything up with instrumentation, because I just felt like I was interested in seeing how the songs did on their own.

It's totally different. I usually don't tell people about the Pleased if they know me from the harp. And if they are there to see the Pleased, I usually don't tell them about the harp. I am nervous that these people will expect something similar.

I did spend a year in high school being obsessed with Fleetwood Mac.

I would happy for someone to download my music.

I can't play my songs on the smaller harp. I have a Celtic harp. I can't do the key changes.

I definitely don't subscribe to the theory that more instruments, or more vocal tracks, harmony, or double tracking the voice, is a good thing. People do their early albums very stripped down, then each album becomes bloated.

I am not doing something that it is experimental music in relation to classical music.

I am always trying to write.

People in San Francisco and the East Bay have shown interest, done interviews, and have come to shows. I guess that the news travels fast out of this island that we are on.

I started playing harp about fourteen years ago.

The way that words fit together is always interesting to me. I love words.

I recorded harp first or singing first. I recorded it all together. Part of the reason is that I don't know how to play the songs without also singing. I forget how they progress. I don't think that any of them are verse, chorus, verse, and so on. They are not simple.

I can understand someone not liking the voice or the songs.

Lyrics are very different. There is a clear line between that and a poem. Something that has been a source of great excitement and delight for me is this idea that I get to rhyme.

I have writing songs on my own for about six years.

I wanted to write songs which I think is a different thing. I wanted to write music that is informed by folk music. The chord progressions are obvious references.

I am producing sounds that people are not used to hearing from the harp.

It's valid that the Strokes and the Pleased have been influenced by some of the same bands. But it's invalid in the sense that we listen to the Strokes and try to sounds like them. I think that they are a good band.

I played piano for about two years when I was a kid. I didn't play long enough to be really great.

People are often afraid for me. They think that I am going to break. I can make it through a set.

I am consciously trying not to make it sound Celtic or African.

With an eye made quiet by the power of harmony, and the deep power of joy, we see into the life of things.

I was just a big guy running down with a big, deep pocket and little short stick putting it against my chest.

But the deep desire for peace remained with the American people.

As a scientist, my attention became totally focused on global warming some 15 years ago by the elegant and powerful measurements of carbon dioxide trapped in ice cores taken as much as 2 miles deep from the great East Antarctica ice sheet.

No matter how deep a study you make. What you really have to rely on is your own intuition and when it comes down to it, you really don't know what's going to happen until you do it.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

No amount of cajolery, and no attempts at ethical or social seduction, can eradicate from my heart a deep burning hatred for the Tory Party. So far as I am concerned they are lower than vermin.

A work will only have deep resonance if the kind of darkness I can generate is something that is resident in me already.

He saved the production a tremendous amount. Now they did the scene where Omar is on the horse and he's in the deep snow, they went to Finland to do that. That scene they went to Finland for a week. I wasn't around then.

We have deep depth.

Nothing said to us, nothing we can learn from others, reaches us so deep as that which we find in ourselves.

You have to open your mind. I like the ability to express myself in a deep way. It's the closest music to our humanity - it's like a folk music that rises up out of a culture.

How well I have learned that there is no fence to sit on between heaven and hell. There is a deep, wide gulf, a chasm, and in that chasm is no place for any man.

Religion, you know, enters very deep; in reality it is the deepest impression I have in speaking to people, that they are or that they are not of my religion.

When the Negro cries with pain from his deep hurt and lays his petition for elemental justice before the nation, he is calling upon the American people to kindle about that crucible of race relationships the fires of American faith.

I was very lucky. Things happened, both bad and good, but I never got into real, deep trouble. But it wore me down. By the time I was 18, I was done. I didn't want to live the life any more. I needed to develop past the point that busking takes you to.

I have a deep rooted folk sensibility that I can't get away from completely.

Deep within man dwell those slumbering powers; powers that would astonish him, that he never dreamed of possessing; forces that would revolutionize his life if aroused and put into action.