So I got interested in singing and I have always used my voice. Not professionally as much, but around the living room, the campfire, that kind of thing.

Brian and I got cast out of that show into Trapper John, M. D.

What I ended up doing was becoming an actor who didn't mind doing other people's words.

I had done a lot of plays, particularly at my own theater in LA, and it was the first time in my theatrical life where I didn't feel that my role was also to keep everybody else working hard.

I didn't feel compromised as an actor, and allowed other people's fingerprints all over that aspect.

It was the first time that I was on Broadway, and I got to run as fast as I could to keep up. And I loved it!

I got a series with the WB next year. We start shooting in July. It's going to be called Safe Harbor, and it's an hour show. It's a Spelling show and will follow 7th Heaven.

And that's the mistake that was made with Steel Pier. Roger was caught between a rock and hard place. It would have cost a couple of million dollars more to take it to Boston or someplace first. So we opened about a month too early.

I have four kids; three girls and a boy. The oldest girl is 13, and has her own social life now, so there's a bit of begrudging cooperation there. It's tough.

So I got interested in singing and I have always used my voice. Not professionally as much, but around the living room, the campfire, that kind of thing.

Actually I have been singing since I was a kid.

But we were doing plays and movies which I had nothing to do with other than being a producer, and I don't have that kind of interest or time any more.

Then when I got to Hollywood, the first musical I did was Festival in 1977.

I directed an episode of Touched by an Angel a couple of months ago, and I will be doing more of that. I just like to keep a bit of variety going; it keeps things interesting.

Honestly, when I got to Hollywood I was trying to sell my songs.

I learned to play guitar at a young age and converted poems and stuff that I had written to songs.

I have to be very careful about how often I drag my family to places. They need some stability in their lives.

But I always held my music up and protected it from compromise. So I just do it for my friends. I've written hundreds of songs, and I'm sure I have a few albums worth of songs.

Well, I want to do The Music Man. I think it's an amazing opportunity, but I think that they are probably looking at major movie stars right now, and I don't blame them.

7th Heaven is quite a hit for them now, and they are hoping to appeal to a very similar audience with our show; skewed slightly older I guess, since it's a 9:00 to 10:00 show.

Suddenly Star Wars came out while we were on hiatus, and we looked like the old Buck Rogers series, where they had cigarette smoke blowing out the back of the rocket ship.

I have a big family and had to move them all from the coast of Oregon to New York three times for the workshops and for the actual production itself, which had about a four month development rehearsal schedule.

I have to own something before I can say it, and I have to own it before I can sing it as well, emotionally. I only enjoy acting and singing if I am believing what I am doing.

I love to sing and I do think that my strength as a singer is... I think I have a voice that is certainly sufficient under most any circumstances... but I think my strength is that I really am an actor and I really do have to own what I am saying.

But I can't wait to watch the Tonys this Sunday. I'm really glad Broadway is doing so well this year, especially with its straight plays. It's been a wonderful year.

I have kept a part of Catalina Productions going, through which I develop a few projects just for me.

At the end, the realization is that she had to get to a place in her life where she could drop her guard and make peace with the fact that whether she had a small amount of time, that she had to kind of live it completely through, instead of living by the rules.

It is living and ceasing to live that are imaginary solutions. Existence is elsewhere.

You are not here merely to make a living. You are here in order to enable the world to live more amply, with greater vision, with a finer spirit of hope and achievement. You are here to enrich the world, and you impoverish yourself if you forget the errand.

I love living on that stage. Without that, I'd die.

There is always a type of man who says he loves his fellow men, and expects to make a living at it.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Death comes not to the living soul, nor age to the loving heart.

The association promotes a way of life, not causes; a harmony in living, not political faiths; a bilateral loyalty, not commercial or social projects. Yet it is an association for as noble a purpose as any involved in any prior decisions.

Every true prayer is a prayer of the Church; by means of that prayer the Church prays, since it is the Holy Spirit living in the Church, Who in every single soul 'prays in us with unspeakable groanings'.

It seems difficult, sometimes, to believe that there was a time when sentiments now become habitual, sentiments that imply not only the original imperative of conduct, but the original metaphysic of living, were by no means altogether habitual.

Nature is a temple in which living columns sometimes emit confused words. Man approaches it through forests of symbols, which observe him with familiar glances.

Being a father, well, I don't know if this is a change, but it makes me want to get out of here faster. Get off the clock. Just 'cause the baby is my reason for living, my reason for coming to work.

Living at risk is jumping off the cliff and building your wings on the way down.

A little simplification would be the first step toward rational living, I think.

I have come to terms with a lot of things, because, when all's said and done, there's really very little one can do about a lot of things. You just accept them. The point is you just have to keep on working and you just have to keep on living.

Each day, and the living of it, has to be a conscious creation in which discipline and order are relieved with some play and pure foolishness.

Countries under foreign command quickly forget their history, their past, their tradition, their national symbols, their way of living, often their own literary language.

Writing is a dog's life, but the only life worth living.

In my fifty years of experience and memory, I have seen the most amazing increase in the standard of living of a people ever achieved anywhere in the world. This is why I am so sure that our system of free competition and industrial development is sound and must be preserved.

If you have anything really valuable to contribute to the world it will come through the expression of your own personality, that single spark of divinity that sets you off and makes you different from every other living creature.

If you take the creation of music and the creation of your own life values as your overall goal, then living becomes a musical process.

Because the quality of living with nature and allowing it to manifest itself is different than the quality of living in a city, especially a dense city.

Yet it is awful to love a person who is a torture to you. And a fascinating person who loves you and won't hear of anything but your loving him and living right by his side through all eternity!