On every movie I've done as a director, I look at the producers and having done it, I don't envy them, at all.

But I remember feeling as a producer I felt like the guy who called the caterer and got the band; I had to work the party while everybody else was having a good time.

On every movie I've done as a director, I look at the producers and having done it, I don't envy them, at all.

In the '80s, I can't say that Amy and I were aware of an independent film community. We could only get a certain amount of money for our pictures, which made them low budget movies, but they were distributed through studios.

As a director, I've been able to combine with what I've learned as an actor and as a producer: it melds quite nicely into what I feel like I should have been doing all along.

Every movie is wildly different. So many of the problems are the same, but they take on different guises.

I've always been schizophrenic; I've never been interested in limiting myself.

I'm in five guilds; that's a lot of dues to pay. So I have to keep on working.

And I like being able to go back and forth, and I don't really care if it's a small budget or big budget or studio or independent, as long as it's got a story that's compelling and there's enough money to make the picture.

But at the same time, never having final cut before, I really learned an interesting thing for any studio executive who is reading this: that if a director has final cut, it's actually easier and more interesting to listen to notes.

It struck me that working digitally with a small crew, I could lay out a general plan for Famous and hope for mistakes which would create something more than satire and something less than truthful reality.

I only got to be able to act, because I gave myself a job as a producer.

My hunger and desperation, being an actor, an out of work actor - my memory of that is as fresh as an open wound.

I met Steve McQueen once. Well, met isn't really the right word.

I'm being told it saves money to shoot in Toronto, because of tax benefits, the crews are cheaper, but what I save in the bottom line, I lose in a million other ways.

New York means so much to people. If you're inclined to leave the nest, New York is where most people think they have to go, and it's been that way since the first skyscraper.

I came to New York to be an actor and I became a film producer first.

I think we were the first picture to cut on Final Cut Pro. So we were the guinea pigs, because we got a deal on the system. But with that comes all sorts of technological problems I couldn't begin to describe.

If movies are set in New York, they really should be shot in New York.

Although there was a screenplay, the actors never knew what questions I was going to ask them, and all of my character's voice-over narration and scenes were added after the fact.

I produced six movies with Amy Robinson since the very early '80s.

Documentaries have always inspired me in narrative filmmaking.

Love looks through a telescope; envy, through a microscope.

Envy like fire always makes for the highest points.

Far less envy in America than in France, and far less wit.

Envy is an insult to oneself.

With a few flowers in my garden, half a dozen pictures and some books, I live without envy.

Exploiting people's emotions of fear, envy and anxiety is not hope, it's not change, it's partisanship. We don't need partisanship. We don't need demagoguery, we need solutions.

Only fools live in the past or carry envy to the present.

Pride, which inspires us with so much envy, is sometimes of use toward the moderating of it too.

On every movie I've done as a director, I look at the producers and having done it, I don't envy them, at all.

I envy paranoids; they actually feel people are paying attention to them.

Moral indignation in most cases is, 2% moral, 48% indignation, and 50% envy.

It is in the character of very few men to honor without envy a friend who has prospered.

Envy is the art of counting the other fellow's blessings instead of your own.

I have no respect for the passion of equality, which seems to me merely idealizing envy.

I don't work a five-day week as a rule, and I've managed to fill that time up. It hasn't been that hard. I volunteer at school. I'm working because I love it. Yet, I don't not envy women who have a stay-at-home job, because you miss stuff.

On the one hand, people think they own kids; they feel that they have the right to tell the kids what to do. On the other hand, people envy kids. We'd like to be kids our whole lives. Kids get to do what they do. They live on their instincts.

In Britain, because I live here, I can also run into problems of envy and competition. But all this is just in a day's work for a writer. You can't put stuff out there without someone calling you a complete fool. Oh, well.

I envy people who can just look at a sunset. I wonder how you can shoot it. There is nothing more grotesque to me than a vacation.

Skating takes up 70 percent of my time, school about 25 percent. Having fun and talking to my friends, 5 percent. It's hard. I envy other kids a lot of things, but I get a guilt trip when I'm not training.

The flower which is single need not envy the thorns that are numerous.

When I went to Philadelphia I was 26 years old and really sitting on top of the world. Family life, a professional career, plenty of friends and associates, and a good reputation, a wish list that could be the envy of many.

God's truth judges created things out of love, and Satan's truth judges them out of envy and hatred.

O! what a Godlike Power is that of doing Good! I envy the Rich and the Great for nothing else!

Birds have wings; they're free; they can fly where they want when they want. They have the kind of mobility many people envy.

Envy is human nature.

Never underestimate the power of jealousy and the power of envy to destroy. Never underestimate that.

Every time that I think of the crucifixion of Christ, I commit the sin of envy.