I've known Shawn for several years. And he's just an amazing talent. He's a great writer, a marvelous, marvelous guitar player, and plays really good fiddle.

All gut strings. That's just the first kind of guitar I played, it was a nylon string guitar. And to me, it's the purest form of guitar making, and I just enjoy doing it.

It's just something I've always done. In South Texas, the first guitar you get is a Mexican guitar. And the first one I got, the first thing I did was take it apart.

Darrell is really good in the studio. I mean, he has a real working knowledge of how the process works, and what sounds good coming back over tape, and how the stuff works together.

I get pretty much all the exercise I need walking down airport concourses carrying bags.

It was really amazing. I mean, he'd never mentioned that he played in the symphony, like serious violin playing, not fiddle playing. And he just blew us away.

Things change all the time, and they'll probably never be the same again. It's just the natural evolution of the human condition. Things change, and whatever it is is what it is. I mean, you try to start second guessing that, you either get rich or die broke.

I have no reason to sit home and write songs all day without going out and playing for the folks. And I have no reason to go play for the folks unless I'm writing new songs so they can sort of feed off one another. And I just try to do the best I can.

I just was apologizing for maybe being a little goofy.

I don't know what the outcome will be. I put a couple away for my grandkids, like that. So I don't know, who knows? Maybe I'll start building guitars for a living.

There aren't any rules, as far as anything-and that applies especially to writing songs, whatever gets the point across. So you're just kind of brought up to feel-in any field, if you say you can do it, do it. There it is.

But by the time you get there and you get home, it winds up being a lot of time out. So I'm getting the itch to build, I know that. I keep looking at my stacks of wood and what I can do with it.

Well, I had a fiddle that I really can't play, so I loaned it to Darrell. But yeah, he's from another planet.

Ain't no chance if you don't take it.

I've known Shawn for several years. And he's just an amazing talent. He's a great writer, a marvelous, marvelous guitar player, and plays really good fiddle.

Mary Gauthier's great. Yeah, we've played a lot of gigs together. She's really wonderful.

Chris is the engineer down at the studio where we do these things. And he's just such an integral part and he has such a marvelous ear. Also it turns out, we didn't know, but he's a pretty good fiddle player.

I had given up the guitar between '75 and '78. I completely lost interest. I was sick of hearing other guitar players and I was tired of my tunes.

Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.

I play piano and guitar. Acoustic guitar. I tried studying classical guitar when I was 16 but it got really hard. I could never play a lead to save my life.

Oh yeah, I mean, it wasn't a very good guitar, most good guitars have got thrust rods in the necks that you can adjust or that'll keep them in shape, you know keep them straight. This one just, well it turned into a bow and arrow after a couple of months.

In OK Computer, the guitar was already moving towards a tone generator as well as a riff generator.

Cool things happen. Ace's guitar flies through space, goes through a hole, and blows up. I throw drumsticks and they come flying at you.

Yes, I took up the guitar when I was about 14 or 15, in high school.

I keep a guitar around while writing and will improvise music. I do this for several reasons, such as that it's fun, and sometimes it helps me with the meter.

I like to play guitar, jam out, play the blues, go watch movies. I love movies.

Arranging is the way I put my stamp on my music as much as my guitar playing.

Look what venison does to a goofy guitar player from Detroit? I'm going to be 54 this year and if I had any more energy I'd scare you.

An uncle of mine emigrated to Canada and couldn't take his guitar with him. When I found it in the attic, I'd found a friend for life.

Because I don't play guitar any more, African harmonies and rhythms have been an inspiration to me. I love the raw origin of the sound. It complements my voice and words naturally.

I think its so cool that you can pick up the guitar and create something that didn't exist 5 minutes ago. You can write something that no ones ever heard before. You have music at your fingertips.

So, my big brother was playing guitar and I figured I'd try it too.

I don't understand why some people will only accept a guitar if it has an instantly recognizable guitar sound. Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off.

I didn't want to get attached to one guitar; I didn't want to have an instrument that was irreplaceable.

I don't really know why I chose bass except that it was different than guitar.

Except for a few guitar chords, everything I've learned in my life that is of any value I've learned from women.

I told my father I wanted to play the banjo, and so he saved the money and got ready to give me a banjo for my next birthday, and between that time and my birthday, I lost interest in the banjo and was playing guitar.

I just like simplicity. I like simple songs, I like simple chords, simple vocals, simple lead guitar. I just like simplicity. That's just the way I like it.

I took the rhythm place, which a lot of people didn't know how to do the way I could, and this was really the first time that Johnny had a rhythm guitar player.

Dorsey played the upright bass and steel guitar, as well as acoustic guitar. Johnny played acoustic guitar and together they were fabulous songwriters and singers.

I'd like to have a beer-holder on my guitar like they have on boats.

When I joined the band, being that I was going to take this up as a profession, I realized that there were no two finer guitar players in the world that I'd rather play with.

It was my 16th birthday - my mom and dad gave me my Goya classical guitar that day. I sat down, wrote this song, and I just knew that that was the only thing I could ever really do - write songs and sing them to people.

There happened to be guitar classes at the college, and there was a guitar teacher there with whom I used to play. In addition, I also would go out into country schools and teach little kids basic guitar and singing a few times a week.

We were really interested in music from all over the world. We realized that what we were doing was very close to contemporary classical music because of the lack of tonality in the guitar- the fact that I play guitar the way I play.

Bruce's band is so different from the Grateful Dead; there's no lead guitar player, for one thing.

I just couldn't take school seriously: I had this guitar neck with four frets which I kept hidden under the desk. It had strings on it so I would practice my chord shapes under the desk and that's about all I did at school.

Catfish is not playing guitar no more, he's doing like a home-front thing. He had been in the business around ten years before I got in it, so I guess he's had enough of it.

You're better off being a brick layer if you're going to play guitar than a sheet metal worker.