We didn't reinvent the circus. We repackaged it in a much more modern way.

We didn't reinvent the circus. We repackaged it in a much more modern way.

I like to not be too involved in the beginning and during the process so as to keep this fresh look and be able to give constructive recommendation on the final production.

I believe in nurturing creativity and offering a haven for creators, enabling them to develop their ideas to the fullest. With more and more talented creators being drawn to Cirque in an environment that fulfills them, these are ideal to continue developing great new shows.

Our approach was very simple. It was about creating a universal language. A show that will be attractive toward every people coming from all over the world. And that was a big thing.

We are in a position of financial and social power, and we could be agents of change in our society. Without pretension, I believe we could be a nice little gardener who takes care of the garden, and hopefully our neighbor will do the same. Then, maybe we'll achieve a better world.

Originally the dream was about traveling and developing a job that would permit me to travel. And I decided to go into street performing because it was a traveling job; it would let me go around the world.

We're not afraid of risking what was our success yesterday in order to explore some new field. We're adventurous. We like the challenge of unknown territory, unknown artistic field, and that's what stimulates us.

I believe that the profits will come from the quality of your creative products. Since the beginning, I've always wanted to develop a self-feeding circle of creative productions: the positive financial returns from one show would be used to develop and create a new show, and so on.

We had every problems starting a big top could have. The tent fell down on the first day. We had problems getting people into the shows. It was only with the courage and arrogance of youth that we survived.

I don't believe in pitfalls. I believe in taking risks and not doing the same thing twice.

The sun stands for energy and youth, which is what I thought the circus should be about.

I have seen many successful people fail after they start fearing they might lose what they have built.

Our biggest goal is to continue to force ourselves to always start our creative work on a white page and not take advantage of past successes and challenging ourselves.

In life I've learned one thing; if you want to be good you have to connect with the best people. So I got very close to the high-stakes players here. I get to watch them and play with them a little bit.

Business is difficult. But it could be approached two ways: Seriously, or with the same way you're doing your job, with entertainment aspect, with pleasure, with fun. And we decided to try to make it as fun that we do our creativity.

We are each but a quarter note in a grand symphony.

I am blessed for what I have, but I believed in it from the beginning. Today, the dream is the same: I still want to travel, I still want to entertain, and I most certainly still want to have fun.

I believe there are so many other disciplines and themes that we still haven't explored yet. It's infinite what we can apply our creativity to.

Inside every adult there's still a child that lingers. We're happiness merchants - giving people the opportunity to dream like children.

Along the way, let's never forget that once we were children and that we were all playing together without distinction of skin color, society level, or where people come from. Adults need to remember to play and to be more childlike in our behavior. We've forgotten what that childlike experience was like.

Cirque du Soleil means Circus of the Sun. When I need to take time to reenergize, I go somewhere by the ocean to sit back and watch the sunsets. That is where the idea of 'Soleil' came from, on a beach in Hawaii, and because the sun is the symbol of youth and energy.

I do like the thrill of risk-taking, but it's always carefully calculated. I have done many high risk undertakings, but I have always measured the stakes. Not feeding the fear nor the doubt. But I also believe that you need to fuel passion in whatever you do. This is what I am trying to teach my children today.

Life is full of adventure. There's no such thing as a clear pathway.

My first dream was to travel. I was attracted to different places, different colors of skin, different food. When I was 18 in 1977, I went to Europe with my accordion and discovered the pleasure of entertaining people.

Sometimes just being on a beach with my loved ones is all the adventure I need. I am a happy camper and continue to be a citizen of the world. I have yet to discover other cultures, other peoples' dreams and treasures. I will always be a traveler who is discovering beautiful Gaia.

There are three capitals of entertainment in the world: Las Vegas, New York and London. So far the only one I truly conquered is Vegas. New York and London are still on my checklist.

We may not like our times or many aspects of the time we live in but that is not the fault of art as such.

All my graduation money went to paying for bartending classes so I could have a side gig. I bartended for two months before I was supposed to move to New York and then two months later I got the job as an understudy in 'Sister Act' and haven't looked back since.

Change your attitude to “I’ll see it when I believe it ” - not the other way around.

Brave people are the firemen who run into the burning building. That's brave.

Eternity is in love with the productions of time.

I've come to love making videos for my company.

Buying art is not understanding art.

I went up a straight crooked lane and, I said 'No thanks, yes if yer please.

I refuse to do anything that would help Republicans win a Senate seat in New York, and give the Senate majority to the Republicans.

I figured managing people was obvious - I'd tell someone what they needed to do and they'd do what I wanted. It turns out that's not the case. It was frustrating at first.

The principal part of faith is patience.

I started using Twitter about year after its very early adoption and ended up investing in it around that same time. I'm involved with the Tech scene and companies ranging from Facebook, Stumbleupon and Twitter.

The last hundred years have been retinal; even the cubists were. The surrealists tried to free themselves, and earlier so had the dadaists, but unfortunately, these latter were nihilists and didn't produce enough to prove their point, which, by the way, they didn't have to prove - according to their theory.

I wish I was more stupid because I'm either completely ecstatic and joyous and absolutely high as a kite or I'm a bit morbid. There's never anything in between.

People love me everywhere I go.

You have to have a somewhat cold heart to be a writer.

I talked about my father being abusive to my mother - people have never heard me talk about anything like that. That brings people a little bit more personal with Missy.

One of the best ways to influence people is to make them feel important.

It has always been my rule never to smoke when asleep and never to refrain when awake.

More and more companies are updating their leave policies to reflect an understanding that being family-friendly is a smart investment in their workforce and America's future.

I took all my TV experience and what I learned about - by writing and directing and bringing a movie to Sundance - about the realities of the independent film market: 'Transparent' is the marriage of those two situations.

Part of my daily regime is my glucosamine and, of course, a multitude of multivitamins. Branched-chain amino acids, glutamine, of course protein. I have one protein shake a day, and that is immediately after my training.