I got too fed up with films that didn't make you think. I liked the idea of one that you'd have to be dancing around with. I like my mind to be engaged when I watch a film.

I'm not politically motivated. I used to be - passionately. I used to be very Left wing. Then I went very Right wing, and now I rest somewhere in the middle.

I love fatherhood. I could bang on about kids forever.

I think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process.

In fact, 95% of the people in my films have been nothing less than a pleasure to work with.

I like to think that we've got a plan, so let's stick to it. That said, once we've stuck to it, we're allowed as much improvisation as anyone cares to indulge themselves in.

It's not easy to strap yourself down to a desk and bash on a keyboard when you know you can direct lots of films, because directing films is fun and interactive and gregarious. Writing isn't.

I suppose directing on set is the most fun because it's a good crack and you feel you're on the battlefield whereas writing is a fairly solitary undertaking.

We're quite volatile as individuals, but that doesn't work exponentially when we are together. Relationships are about eating humble pie.

The English countryside is the most staggeringly beautiful place. I can't spend as much time there as I like, but I like everything about it. I like fishing, I like clay- pigeon shooting.

All the other guys I think had a scream on Lock, Stock. They just had a laugh and a crack, and thought it would never come out; they were just having a good time. On this one, I felt that.

They're all based on factual characters. Well, a good amount of them. That's why I was attracted to this genre anyways, because these characters are so large and cartoonish, they're like caricatures, I just felt that there had to be a film made about them.

After Lock, Stock, all these really nasty small town characters came knocking at my door trying to tell me stories, and somehow I ended up with this guy whose brother was feeding people to pigs, and that's what he did to get rid of people.

You get a different kick out of all aspects of filmmaking.

The best thing to do is find one person in your life and try to love them unconditionally. If you've accomplished that, you've accomplished a lot.

What I liked about American movies when I was a kid was that they're sort of larger than life and I think I'm still suffering from that reaction.

Other than the fact that I like a country house, I can't think of anything I'd want to spend my money on.

We can all be conned but at what point do we realize that we're being conned and to what point do we allow ourselves to be conned?

We are not that flash, me or the missus. In fact, we are quite low-maintenance.

It's about not letting the internal enemy, the real enemy, have his way because the more he does the stronger he becomes. The film's about the devastating results that can manifest from the internal enemy being unbridled and allowed to unleash chaos.

On Lock, Stock, we didn't know where the money for shooting the next day was coming from.

Yeah, I'm certainly a lot more confident on this one than I was one the last one, which I think can be a good thing and a bad thing. But, at least I slept while making this film.

I'm not under too much of an illusion of how smart or un-smart I am because filmmaking ultimately is about teamwork.

The idea is that that there is no such thing as an external enemy.

My principal job is to make interesting and entertaining films, and I'm not proud of which format or which particular technique I use. I just wanted the film to look good.

I can understand that the whole world is interested in my wife Madonna. That's even why I married her.

I got into film-making because I was interested in making entertaining movies, which I felt there was a lack of.

We always have a take that's 'one for fun', so once you've got what you need, you can do what you like. Something does occasionally pop out of that tree. I'm always open to ideas.

I got too fed up with films that didn't make you think. I liked the idea of one that you'd have to be dancing around with. I like my mind to be engaged when I watch a film.

Well, what I try to do is throw as much mud on the wall as I possibly can and just see what sticks, what shines as quirky or more interesting that the others, and I try to cling onto that one, somehow join a link from there to there.

I'd like to work with the missus, but there's nothing in the pipeline at the moment.

I like death. I'm a big fan of it.

Previously, on Lock, Stock, I went to bed at two in the morning and woke up at five in the morning, and on this one I was known to nod off on the set occasionally.

If somebody has a better idea than me, I'll take it if it surpasses what we have on the page because at the end of the day, it's me that takes the credit anyway!

Jake Green isn't just Jake Green. Jake represents all of us. The colour green is the central column of the spectrum and the name Jake has all sorts of numerical values. All things come back to him within the film's world of cons and games.

I am not involved in any 'issues' because it's too sensitive for me - or my wife - to get involved. Every time we express an opinion it becomes a whole thing in itself. And the whole purpose of living in the countryside was to get away from hundreds of people. My wife fell off a horse, and suddenly there are hundreds of people around.

Sugar is responsible for a lot of deaths. Arguably more than crack cocaine.

They who love dancing too much seem to have more brains in their feet than in their head.

Dancing is a wonderful training for girls, it's the first way you learn to guess what a man is going to do before he does it.

I don't see my dancing or acting as two separate things. I don't define them separately, so I can't say one has helped the other, It's all the same thing. More than anything I love being on stage and performing.

It took a brave editor in the U.S. to sign a contract for Dancing Girls, and without her belief in the book, I'm not sure it would ever have found its way into print.

Dancing, apart to music with a beat, is my legacy.

Dancing on 'Dancing With The Stars' really broadened my fan base. I jumped off the stage backwards one week, and so many women come up to me now and say, 'You're so brave. I can't believe you put yourself out there like that'. If that inspires some girl out there, then great, because boys aren't the only ones who get to have fun. We get to have fun too.

I got started dancing because I knew it was one way to meet girls.

I had certain physical limitations that made me change the choreography for myself or made me more interested in choreography only rather than dancing. I have never been a person who wanted to just dance. I have always been interested in developing for other people.

On my fifth film, it was then that I stopped dancing.

Life is like dancing. If we have a big floor, many people will dance. Some will get angry when the rhythm changes. But life is changing all the time.

Aerobic dancing is already adjusting to injury problems and will probably phase out to some extent.

It is difficult to produce a television documentary that is both incisive and probing when every twelve minutes one is interrupted by twelve dancing rabbits singing about toilet paper.