When I began competing with the other artists in New York, I discovered classical North Indian music.

The whole drive of western culture, the part of it which is serious, is towards an extreme objectification. It's carried to the point where the human subject is treated almost as if it's dirt in the works of a watch.

Around 1967 I began backing away from dogmatic Leninism, not so much because I thought it was false, I just decided there was nothing utopian about it.

When I began competing with the other artists in New York, I discovered classical North Indian music.

When I came to New York, I began to meet the people who became the most famous artists of our time. I was insecure about my own level of ability, I didn't know whether I could compete with these people and, at the same time. I was wondering what is this anyway?

At the same time, I was listening to black music, and I began to think that the best musicians were receiving the worst treatment. The people who were doing the greatest work were despised as lower class, with no dignity accorded to what they did.

I began composing works which were imitative of the music I was being told about. I was also very interested in translating the music into visual terms.

I began demonstrating against serious culture. In hindsight, the actual course of events has been very humiliating for me, because no one picked up on the intellectual critique I made.

Rock became an incredible commercial success, people just became bored with serious music, and it was forgotten.

I'm trying to assemble materials for a different mode of life.

I have a picture of an ideal consciousness.

In classical oil painting, there seemed to be a radical turn to seeing things as the camera sees them, with that technological modification. I began to have a tremendous problem with all of this.

I was a student at Harvard, and that's where I learned about so-called avant-garde music. Jackson Pollock, abstract expressionism and painting were well known at this time.

I'm actually a great fan of lucidity.

Basically, I viewed any work of art as an imposition of another person's taste, and saw the individual making this imposition as a kind of dictator.

When somebody says that all statements are false, the obvious problem is that as an assertion it's self-defeating.

Since 'concepts' are closely bound up with language, concept art is a kind of art of which the material is language.

A fully open mind could shatter the skull in both directions.

But I found a lot of artists at the Cedar Bar were difficult for me to talk to.

Journeys, like artists, are born and not made. A thousand differing circumstances contribute to them, few of them willed or determined by the will-whatever we may think.

I got to sit down with people who I admired, and have conversations with some of the greatest thinkers and artists and performers. It's a huge privilege for me to be a journalist.

I don't believe in art. I believe in artists.

David Cronenberg knows what we actors do as artists.

The truth is, we haven't really figured out yet how artists are going to thrive in modern mass societies. We're all experiments.

Many of the artists who have represented Negro life have seen only the comic, ludicrous side of it, and have lacked sympathy with and appreciation for the warm big heart that dwells within such a rough exterior.

A great thing happening now in art is that artists are using the figure, the body, clothing, life.

The number of contemporary artists who appeal to me is infinitesimal.

I have to plead basic ignorance of most new jazz artists here.

Music is art, art is life, and we are who we are, and all of these aforementioned women, unless they should choose not to, will be performing well into the next many decades because they are great artists.

Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think.

Artists are like everybody else.

When artists make art, they shouldn't question whether it is permissible to do one thing or another.

My proudest achievement has been the success of the shows and artists I have been involved with, because they were made in Britain.

The refusal to rest content, the willingness to risk excess on behalf of one's obsessions, is what distinguishes artists from entertainers, and what makes some artists adventurers on behalf of us all.

I didn't want to save art - I respected the older artists too much to think art needed saving. But I knew it was finished, even though, at that time, I didn't know what I would do.

Music is more emotional than prose, more revolutionary than poetry. I'm not saying I've got the answers, just a of questions that I don't hear other artists asking.

Lesser artists borrow, great artists steal.

I've never understood why artists, who so often condescend to the cliches of their own culture, are so eager to embrace the cliches of cultures they know nothing about.

I want to run for the Senate from Tennessee. Not now, but when I'm 50, when music dies down a little bit. I know lots of artists and actors have those delusions of grandeur, but ever since I was a kid, it's been of interest to me.

Let's look at people as artists and try to support them; just because Picasso painted a couple of bad paintings, that's no reason to say he's a lousy painter.

Idol has pretty much taken me out of my recording and out of my choreography. I have managed to slip in some choreography jobs. And I've been writing songs for other artists.

Great artists are people who find the way to be themselves in their art. Any sort of pretension induces mediocrity in art and life alike.

I hate artists who are not of their time.

Labels only confuse people. The smarter people recognize artists who transcend categories. But I always try to entertain. It's in my nature; writers are born to entertain. If that means working ostensibly within a genre, fine.

I hope and believe we are paving a better future for female artists to come.

For I must tell you that we artists cannot tread the path of Beauty without Eros keeping company with us and appointing himself as our guide.

One of the makeup artists once dyed my dog blue with vegetable blue.

I made it easier for many artists to play in certain areas.

Success breeds volume, and it's just amazing how many young writers, artists, and musicians there are in town.