I wouldn't like to be a character in one of my books!

I wouldn't like to be a character in one of my books!

Technology determines the possibilities of society. It doesn't matter whether you start out from a fascist state or a communist state or a free-market state.

I still find it hard to understand that anyone could argue that you can't have machines that exhibit consciousness.

As a writer, you get to play, you get alter time, you get to come up with the smart lines and the clever comebacks you wish you'd thought of.

I'm not a great believer in awards-of course the fact that I've never won one has nothing to do with it at all!

I think the future stopped looking American when you think back to Blade Runner and Neuromancer, when it started to look more Japanese.

As long as a film stays unmade, the book is entirely yours, it belongs to the writer. As soon as you make it into a film, suddenly more people see it than have ever read the book.

By the usual reckoning, the worst books make the best films.

You have to have something worth saying and then the ability to say it- writing's a double skill, really.

'Dead Air' is full of rants; it's a rant-based book. Yes, it's self-indulgence. I plead guilty; mea culpa.

A lot of what the 'Culture' is about is a reaction to all the science fiction I was reading in my very early teens.

Even in my side of the world, I've been in publishing for what, 25 or 26 years, and it's gone from being a gentlemen's club to being a few big players, and it's very corporatised.

I deliberately keep myself apart from a lot of stuff; I don't Tweet, I don't do Facebook, I don't blog, and that's largely because I spend my working life staring at a screen and hitting a keyboard, I am trying to cut down on that, not increase it.

I love writing and can't imagine not being able to do it. I want an easy life and if it had been difficult I wouldn't be doing it. I do admire writers who do it even though it costs them.

I remember being shocked when I discovered some of my school pals didn't have books in their homes. I thought it was like not having oxygen, or hot water.

I still have some of my old University essays, and I do still have my drawing book from primary year seven.

I think a lot of people are frightened of technology and frightened of change, and the way to deal with something you're frightened of is to make fun of it. That's why science fiction fans are dismissed as geeks and nerds.

I think we need politicians; we need people who want to serve.

I'm an only child so am happy with my own company and I don't really get lonely.

I've always loved Scotland, and I'm not a huge fan of big cities, to be honest. I like them to dip into for a bit, but I'm not sure I would want to live in one again.

In so much of politics you're not allowed to disagree with what's been agreed.

In theory, I work an eight-hour day and a five-day week which means I can socialise with my pals who mostly have normal jobs like teaching and computer programming.

Most mainstream male fiction is littered with heroines, and female characters are basically so great, you want to fall in love with them.

My point has always been that, ever since the Industrial Revolution, science fiction has been the most important genre there is.

Science fiction is trying to find alternative ways of looking at realities.

Smell is a very animal thing, almost reptilian, where the more cerebral things like reading less so.

Escape is a commodity like anything else.

One should never mistake pattern for meaning.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

Character is power; it makes friends, draws patronage and support and opens the way to wealth, honor and happiness.