As long as a film stays unmade, the book is entirely yours, it belongs to the writer. As soon as you make it into a film, suddenly more people see it than have ever read the book.

I wouldn't like to be a character in one of my books!

Technology determines the possibilities of society. It doesn't matter whether you start out from a fascist state or a communist state or a free-market state.

I still find it hard to understand that anyone could argue that you can't have machines that exhibit consciousness.

As a writer, you get to play, you get alter time, you get to come up with the smart lines and the clever comebacks you wish you'd thought of.

I'm not a great believer in awards-of course the fact that I've never won one has nothing to do with it at all!

I think the future stopped looking American when you think back to Blade Runner and Neuromancer, when it started to look more Japanese.

As long as a film stays unmade, the book is entirely yours, it belongs to the writer. As soon as you make it into a film, suddenly more people see it than have ever read the book.

By the usual reckoning, the worst books make the best films.

You have to have something worth saying and then the ability to say it- writing's a double skill, really.

'Dead Air' is full of rants; it's a rant-based book. Yes, it's self-indulgence. I plead guilty; mea culpa.

A lot of what the 'Culture' is about is a reaction to all the science fiction I was reading in my very early teens.

Even in my side of the world, I've been in publishing for what, 25 or 26 years, and it's gone from being a gentlemen's club to being a few big players, and it's very corporatised.

I deliberately keep myself apart from a lot of stuff; I don't Tweet, I don't do Facebook, I don't blog, and that's largely because I spend my working life staring at a screen and hitting a keyboard, I am trying to cut down on that, not increase it.

I love writing and can't imagine not being able to do it. I want an easy life and if it had been difficult I wouldn't be doing it. I do admire writers who do it even though it costs them.

I remember being shocked when I discovered some of my school pals didn't have books in their homes. I thought it was like not having oxygen, or hot water.

I still have some of my old University essays, and I do still have my drawing book from primary year seven.

I think a lot of people are frightened of technology and frightened of change, and the way to deal with something you're frightened of is to make fun of it. That's why science fiction fans are dismissed as geeks and nerds.

I think we need politicians; we need people who want to serve.

I'm an only child so am happy with my own company and I don't really get lonely.

I've always loved Scotland, and I'm not a huge fan of big cities, to be honest. I like them to dip into for a bit, but I'm not sure I would want to live in one again.

In so much of politics you're not allowed to disagree with what's been agreed.

In theory, I work an eight-hour day and a five-day week which means I can socialise with my pals who mostly have normal jobs like teaching and computer programming.

Most mainstream male fiction is littered with heroines, and female characters are basically so great, you want to fall in love with them.

My point has always been that, ever since the Industrial Revolution, science fiction has been the most important genre there is.

Science fiction is trying to find alternative ways of looking at realities.

Smell is a very animal thing, almost reptilian, where the more cerebral things like reading less so.

Escape is a commodity like anything else.

One should never mistake pattern for meaning.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I have a movie coming out called Spun, which will be at the Toronto Film Fest.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.

And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before.

A good film script should be able to do completely without dialogue.

My advice to young film-makers is this: don't follow trends, start them!