I have often said that just as the French revolution, for instance, understood itself through antiquity, I think our time can be understood through the French revolution. It is quite a natural process to use other times to understand your own time.

For me concrete poetry was a particular way of using language which came out of a particular feeling, and I don't have control over whether this feeling is in me or not.

Little Sparta is a garden in the traditional sense. It is perhaps not like other modern gardens, but I think that other times would have had no difficulty with it.

No, I don't make my work in order to challenge or confuse other people's expectations - I only do what I find natural.

However, I don't feel the world is looking over my shoulder when I am working - I never think about this at all. What I think about is trying to make my work pure, and if it is pure then it can be accessible. It is quite straight forward really.

But at the beginning it was clear to me that concrete poetry was peculiarly suited for using in public settings. This was my idea, but of course I never really much got the chance to do it.

I am always a beginner. I only try to include different parts of life; the pastoral, the tragic, et cetera.

I have often said that just as the French revolution, for instance, understood itself through antiquity, I think our time can be understood through the French revolution. It is quite a natural process to use other times to understand your own time.

But you have to understand that I consider myself a very modest artist, or whatever, and not of importance really at all - it is quite embarrassing to me to be asked my opinion about things. I am only a wee Scottish poet on the outside of everything.

People have always found me challenging - I don't know why, when I am only being myself. I don't understand why they find me so annoying but they do. It is pity, but that is how it is.

Well, probably I was fed up with concrete poetry. There was a lot of bad concrete poetry and besides, it was confused with visual poetry which was completely different.

As a friendly one. I would still like to write concrete poems, but I can only do it sometimes.

The same sort of thing happened in my dispute with the National Trust book: Follies: A National Trust Guide, which implied that the only pleasure you can get from Folly architecture is by calling the architect mad, and by laughing at the architecture.

If the work is pure then you have to think it could be understood. If it is not understood it doesn't mean that your work is not accessible. It doesn't worry me, but, of course, I would be pleased if people liked my work.

I am not a modern man, I am just a wee old fashioned one.

But I can only write what the muse allows me to write. I cannot choose, I can only do what I am given, and I feel pleased when I feel close to concrete poetry - still.

My position is that since the non-secular status of my garden is not recognised by the law; by the world of the public, then the garden can only be private. So, I closed the garden to the public.

What you compose with is neither here nor there, you compose with words, or you compose with stone plants and trees, or you compose with events; the Sheriff's officer, or whatever.

I came to these mediums through having the garden, and of course, people who have designed gardens have always worked in collaboration, and never made their own inscriptions.

I have often said that just as the French revolution for instance understood itself through antiquity I think our time can be understood through the French revolution. It is quite a natural process to use other times to understand your own time.

We used to think that revolutions are the cause of change. Actually it is the other way around: change prepares the ground for revolution.

The international proletariat first appeared on the scene in the early Thirties of the nineteenth century, and its first great action was the French Revolution of 1848.

There are not fifty ways of fighting, there's only one, and that's to win. Neither revolution nor war consists in doing what one pleases.

In economic panics throughout history, the wiping out of the savings accounts of lower earners and the middle class has often led to social revolution, sometimes violent upheavals.

Think what a revolution it will be if we manage to get everyone to pay their taxes.

I was born in revolution.

No advance in wealth, no softening of manners, no reform or revolution has ever brought human equality a millimeter nearer.

Every successful revolution puts on in time the robes of the tyrant it has deposed.

One does not establish a dictatorship in order to safeguard a revolution; one makes a revolution in order to establish a dictatorship.

The revolution is carried out by means of one's thought, not through one's family background.

The American Revolution was a beginning, not a consummation.

Industrialization based on machinery, already referred to as a characteristic of our age, is but one aspect of the revolution that is being wrought by technology.

For a successful revolution it is not enough that there is discontent. What is required is a profound and thorough conviction of the justice, necessity and importance of political and social rights.

The green revolution has an entirely different meaning to most people in the affluent nations of the privileged world than to those in the developing nations of the forgotten world.

The revolution is a dictatorship of the exploited against the exploiters.

Hitler's economic revolution in Germany had reduced financial considerations to a point where they played no role in economic or political decisions.

Revolution is the festival of the oppressed.

Revolution, n. In politics, an abrupt change in the form of misgovernment.

If we don't make earnest moves toward real solutions, then each day we move one day closer to revolution and anarchy in this country. This is the sad, and yet potentially joyous, state of America.

The most radical revolutionary will become a conservative the day after the revolution.

But the community knew Blade, and everybody but us was shocked at the box office, and subsequently the DVD. That was the beginning of the DVD revolution, and Blade was just like wildfire.

Divine right went out with the American Revolution and doesn't belong to the White House aides. What meat do they eat that makes them grow so great?

The French Revolution is the ultimate modernist statement. Destroy everything. Don't build on the past. There is no past.

The progress of the American Revolution has been so rapid and such the alteration of manners, the blending of characters, and the new train of ideas that almost universally prevail, that the principles which animated to the noblest exertions have been nearly annihilated.

A revolution is not a dinner party, or writing an essay, or painting a picture, or doing embroidery.

It's time to move on to the next step in the psychedelic revolution. We've reached a certain point, but we're not moving any more.

The period that I could consider the most important in my literary work came about beginning with the Revolution, and in a certain way, developed as a consequence of the Revolution. But it was also a result of the counterrevolutionary coup of November 1975.

In the final analysis, the whole cause of world revolution hinges on the revolutionary struggles of the Asian, African and Latin American people who make up the overwhelming majority of the world's population.

For some reason I get this key position of being one of two people that started the company that started the revolution.