I am not a modern man, I am just a wee old fashioned one.

For me concrete poetry was a particular way of using language which came out of a particular feeling, and I don't have control over whether this feeling is in me or not.

Little Sparta is a garden in the traditional sense. It is perhaps not like other modern gardens, but I think that other times would have had no difficulty with it.

No, I don't make my work in order to challenge or confuse other people's expectations - I only do what I find natural.

However, I don't feel the world is looking over my shoulder when I am working - I never think about this at all. What I think about is trying to make my work pure, and if it is pure then it can be accessible. It is quite straight forward really.

But at the beginning it was clear to me that concrete poetry was peculiarly suited for using in public settings. This was my idea, but of course I never really much got the chance to do it.

I am always a beginner. I only try to include different parts of life; the pastoral, the tragic, et cetera.

I have often said that just as the French revolution, for instance, understood itself through antiquity, I think our time can be understood through the French revolution. It is quite a natural process to use other times to understand your own time.

But you have to understand that I consider myself a very modest artist, or whatever, and not of importance really at all - it is quite embarrassing to me to be asked my opinion about things. I am only a wee Scottish poet on the outside of everything.

People have always found me challenging - I don't know why, when I am only being myself. I don't understand why they find me so annoying but they do. It is pity, but that is how it is.

Well, probably I was fed up with concrete poetry. There was a lot of bad concrete poetry and besides, it was confused with visual poetry which was completely different.

As a friendly one. I would still like to write concrete poems, but I can only do it sometimes.

The same sort of thing happened in my dispute with the National Trust book: Follies: A National Trust Guide, which implied that the only pleasure you can get from Folly architecture is by calling the architect mad, and by laughing at the architecture.

If the work is pure then you have to think it could be understood. If it is not understood it doesn't mean that your work is not accessible. It doesn't worry me, but, of course, I would be pleased if people liked my work.

I am not a modern man, I am just a wee old fashioned one.

But I can only write what the muse allows me to write. I cannot choose, I can only do what I am given, and I feel pleased when I feel close to concrete poetry - still.

My position is that since the non-secular status of my garden is not recognised by the law; by the world of the public, then the garden can only be private. So, I closed the garden to the public.

What you compose with is neither here nor there, you compose with words, or you compose with stone plants and trees, or you compose with events; the Sheriff's officer, or whatever.

I came to these mediums through having the garden, and of course, people who have designed gardens have always worked in collaboration, and never made their own inscriptions.

I have often said that just as the French revolution for instance understood itself through antiquity I think our time can be understood through the French revolution. It is quite a natural process to use other times to understand your own time.

Roosevelt's magic lay in one facet of his personality: He knew how to take the risk. No other man in public life I knew could so readily take the challenge of the new.

Man was born free, and he is everywhere in chains.

Photography is a major force in explaining man to man.

The world is... the natural setting of, and field for, all my thoughts and all my explicit perceptions. Truth does not inhabit only the inner man, or more accurately, there is no inner man, man is in the world, and only in the world does he know himself.

I am neither a child, a young man, nor an ancient; nor am I of any caste.

I want the municipality to be a helping hand to the man with a desire of sympathy, to help the fallen when it is not in their power to help themselves.

I always looked for a man to rescue me and bring me happiness. I bought into that myth, of course, and looked for my own Prince Charming.

A desire to be observed, considered, esteemed, praised, beloved, and admired by his fellows is one of the earliest as well as the keenest dispositions discovered in the heart of man.

Nonviolence is a powerful and just weapon. which cuts without wounding and ennobles the man who wields it. It is a sword that heals.

Let me first state that I believe that marriage is a sacred union between one man and one woman.

A man must be strong in that profession, he must have vigor of body and mind, yet I am all out of breath if I walk up a hill; I have not the heart to crush even a fly.

An intelligent man is sometimes forced to be drunk to spend time with his fools.

I believe that if a man does a job as well as a woman, he should be paid as much.

For a man to strike any women is most brutal, and I, as well as everyone else, think this far worse than any attempt to shoot, which, wicked as it is, is at least more comprehensible and more courageous.

There is always a type of man who says he loves his fellow men, and expects to make a living at it.

A man may be in as just possession of truth as of a city, and yet be forced to surrender.

The bravest sight in the world is to see a great man struggling against adversity.

If a man is dumb, someone is going to get the best of him, so why not you? If you don't, you're as dumb as he is.

Happy the man who has been able to learn the causes of things.

Work is not man's punishment. It is his reward and his strength and his pleasure.

'Thou shalt not get found out' is not one of God's commandments; and no man can be saved by trying to keep it.

Sex is the most beautiful thing that can take place between a happily married man and his secretary.

Man has done a lot to make himself dangerous and animals get the worst of all of it. But then, man too is an animal.

A writer may tell me that he thinks man will ultimately become an ostrich. I cannot properly contradict him.

I think I had a more European outlook about the body and sex. The body is in no way dirty, and sex is something beautiful to give to and share with a lover. It has nothing to do with promiscuity, because I only believe in being in love with one man at a time.

A woman who thinks she is intelligent demands the same rights as man. An intelligent woman gives up.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

Once made equal to man, woman becomes his superior.

One of the greatest discoveries a man makes, one of his great surprises, is to find he can do what he was afraid he couldn't do.