But someone like Claude Chabrol tries to make a connection between the society in which we live and the social reasons which make monsters out of some people.

Perhaps Europeans are a bit more skeptic whereas Americans are more believers.

Yes, he wanted me to do Funny Games before, which I didn't want to do because the film was very theoretical - the way people experience violence on screen. There was very little space for fiction, it was more like a sacrifice for the actors than anything else.

Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowing that it's not real.

When you come to do the film, it is not the time to wonder why you do it. It's just how to do it.

It really helps you to go through difficult situations by just thinking about it as being a big amount of work which you have to solve how to do. For example, I don't feel very inspired when I act, I just act. That's it.

Acting is a way of living out one's insanity.

Once you have made the decision to do the film, once you have identified the desire and all the deep and personal, intimate, artistic reasons why you want to do the film, then it's more a matter of how to do things.

For me, making films is like being on vacation, it's a nice walk. But theatre is like mountaineering. You never know whether you're going to fall off or make it to the top.

But theatre is always a difficult experience.

But on the whole, nothing requires unbearable energy for me, it's just a normal thing.

My mom's a Catholic, and my dad's a Jew, and they didn't want anything to do with anything.

In a very complex way, things have improved in the dramatic field. Before you had the good and the bad and you couldn't mingle them. Now it's more ambiguous.

For a long time I have compared cinema to music, I think cinema has a lot to do with the rhythm of music.

Firstly I did it in this huge theatre in Avignon, then to smaller places, then bigger places. You have to change the volume of the voice, give more or less. The way you have to relate to space makes it like sculpture.

But it wasn't just a technical approach towards the piano, studying the music for this film was also a way of approaching the soul of the film, because the film is really about the soul of Schubert and the soul of Bach.

I like to take these unusual characters and then make them as normal as possible, because we all know that the tragedy and the abnormal always hides itself behind the normal.

Going through this musical experience really helped us to understand the core of the film.

For an actress there is no greater gift than having a camera in front of you, listening to the most beautiful music in the world and just being looked at!

The Greeks already understood that there was more interest in portraying an unusual character than a usual character - that is the purpose of films and theatre.

But someone like Claude Chabrol tries to make a connection between the society in which we live and the social reasons which make monsters out of some people.

I never wondered whether I should be a stage actress or a movie actress.

I don't know if you ever say to yourself that you want to be an actress. It eventually becomes a social function - you are an actress and you make a living out of it, but at the beginning it's more a matter of how to survive, or how to exist in a certain way.

I did a film very quickly, and then a lot of work for television, and then I did stage work.

I think being an actress is more how to cope with the fact that you can't do anything else than to express a talent. It's a way of being untalented for anything.

Before I do a play I say that I hope it's going to be for as short a time as possible but, once you do it, it is a paradoxical pleasure. One evening out of two there are five minutes of a miracle and for those five minutes you want to do it again and again. It's like a drug.

But in the finished art of the song the use of words has no connection with the use of words in poetry.

I don't know how much influence we really had, because we never put our pictures on the albums or anything and we never really promoted the Talking Heads connection, because we wanted to keep it separate from Talking Heads.

My connection with the Reich Ministers was of a purely official nature and was very infrequent.

In The Name of the King is the right title. To be honest, I don't know who had the final idea for the title but I liked it and it has a strong connection to the movie's story.

Since far fewer people are recruited to serve in a voluntary military, the connection between America and its military is increasingly tenuous and less personal.

It's strange that the newspapers don't see a connection between their false revelations about my private life and my need for seclusion and security.

In fact, because of their connection to the land, farmers do more to protect and preserve our environment than almost anyone else. They are some of the best environmentalists around.

Both of these branches of evolutionary science, are, in my opinion, in the closest causal connection; this arises from the reciprocal action of the laws of heredity and adaptation.

I met Donald Trump in '85. I ran into him several times throughout the years. We knew we had this connection, but it wasn't appropriate timing. So we'd spend a lot of time on the telephone. By '88, I knew I truly loved this guy.

The motif of death plays an important role the human psyche in connection with archetypal and karmic material.

Japanese traditional architecture is created based on these conditions. This is the reason you have a very high degree of connection between the outside and inside in architecture.

Now, there are sometimes making a connection between one section and another that sometimes you do want to see the pattern because it helps you to lead into the next thing - it's a rhetorical thing, where you just see how the pattern has to go into the next thing.

My view was that the campaign had been a sacred thing, that it had been a real compact, because I was there and I saw the connection that Clinton made with people, and the connection that they made with him.

I believe in love at first sight. You want that connection, and then you want some problems.

Spirituality was the main issue. Connection with God was the main issue.

A large part of my life revolves around my dad. Sometimes, I even feel a strong sense of connection, something very tangible when I learn something new in the martial arts.

Burleigh, absolutely; and a lot about Elizabeth. I mean I found when I play Henry V a lot of connections with the hidden history of the connection between Francis Bacon and Elizabeth.

The connection between dress and war is not far to seek; your finest clothes are those you wear as soldiers.

Why on earth do we want closer connection with England? We have little in common with English people except our language. We are fast becoming an entirely different people.

Well, your premise is correct, that we have to first guard against those who have an affiliation with terrorists and a connection, and so we have watch lists and systems that can make that connection.

And, in fact, there is a connection, the people who designed this here program and who implement it are the same people who are overseeing and helping in the interrogations of detainees in places like Guantanamo.

Like the philosopher, the author views his task as one of establishing a clear connection between life and history, and of making the past bear fruit for the present and future.

Morality becomes hypocrisy if it means accepting mothers' suffering or dying in connection with unwanted pregnancies and illegal abortions and unwanted children.