Now, there are sometimes making a connection between one section and another that sometimes you do want to see the pattern because it helps you to lead into the next thing - it's a rhetorical thing, where you just see how the pattern has to go into the next thing.

Improvisation is terribly haphazard.

Now, there are sometimes making a connection between one section and another that sometimes you do want to see the pattern because it helps you to lead into the next thing - it's a rhetorical thing, where you just see how the pattern has to go into the next thing.

The danger of that - and there's a grave danger that I, myself, have to be very aware of - is that you become so involved and intrigued in the language that sometimes you lose track that that is only a means to an aesthetic experience that the listener has to get.

Today, with a recording, he can hear the thing enough times until he really gets acquainted with the language, and then he can begin to make an estimate of the intrinsic, aesthetic value of that piece of music.

To the person that deals in visualizations, I suppose there is something rather exciting about a whole set of people - they all going symmetrically, up or down, in a military sort of precision.

Of all the arts, music is really the most abstract.

It doesn't necessarily mean at all that the composer plays his own works best.

A person improvising is sometimes very fortunate that just at that second things coincide.

I'm really interested in writing a piece of music that will move you, that will really move you. That is really the only reason that I'm writing music.

I think there have been some periods when the writing almost became a bit of a burden.

Today each composer is not only involved in aesthetics, but he's actually trying to create his own language.

You write it down because finally, when it's written down you do get it out of your system somewhat.

Hopefully, I have a certain amount of what you call musical talent.

I distrust anything that you don't hear.

By the visual pattern, but mostly I'm guided entirely by my ear, what I hear.

We can use techniques in modifying things, in controlling things, but the first impulse has to be something that you simply cannot make just out of technique, or else it becomes perfectly evident that it is nothing but technique that you're exercising.

But in the end, music is ultimately an aural art, pure and simple.

Because essentially Schoenberg was an extremely gifted man. And in spite of many of his theories and so on, when he really began to write music, he still was guided very much by his internal hearing, by what we call your internal ear.

No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it's that inner urge that you want to express when you write a piece of music.

By the way, the point between rationality and what we would call the irrational is a very difficult point to establish. There's no specific line, as you know.

When I was speaking about communicating, I meant that the listener - we have to reach the listener; otherwise, of course, you're writing the piece, as I say, only for the satisfaction of seeing it on the paper for yourself, and then it ends right there.

In writing music, the structure of each piece is a very important factor.

Well, no. I believe that it's not at all impossible that some of the performances that I've heard so far by some pianists may be superior to my own playing because those are two totally different acts altogether.

Besides merely some pleasure that we get out of the combinations of pitches together and lines, I think that there is some satisfaction that we get in the fact of having this diffuse thing organized very concretely and put onto a frame and have it actually decided.

Now, what we are not talking about, what you're really coming to, is what compromises one makes so that the listener understands somewhat of what you're doing, what you're trying to express.

The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment.

There are some people, by the way, that associate a certain amount of visualization with the performance of music. Those are people that really are not centrally concerned only with music, the traditional things.

I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there's really a push to the world to try to figure out what it was that he was hearing.

It doesnt necessarily mean at all that the composer plays his own works best.

But in the finished art of the song the use of words has no connection with the use of words in poetry.

I don't know how much influence we really had, because we never put our pictures on the albums or anything and we never really promoted the Talking Heads connection, because we wanted to keep it separate from Talking Heads.

My connection with the Reich Ministers was of a purely official nature and was very infrequent.

In The Name of the King is the right title. To be honest, I don't know who had the final idea for the title but I liked it and it has a strong connection to the movie's story.

Since far fewer people are recruited to serve in a voluntary military, the connection between America and its military is increasingly tenuous and less personal.

It's strange that the newspapers don't see a connection between their false revelations about my private life and my need for seclusion and security.

In fact, because of their connection to the land, farmers do more to protect and preserve our environment than almost anyone else. They are some of the best environmentalists around.

Both of these branches of evolutionary science, are, in my opinion, in the closest causal connection; this arises from the reciprocal action of the laws of heredity and adaptation.

I met Donald Trump in '85. I ran into him several times throughout the years. We knew we had this connection, but it wasn't appropriate timing. So we'd spend a lot of time on the telephone. By '88, I knew I truly loved this guy.

The motif of death plays an important role the human psyche in connection with archetypal and karmic material.

Japanese traditional architecture is created based on these conditions. This is the reason you have a very high degree of connection between the outside and inside in architecture.

Now, there are sometimes making a connection between one section and another that sometimes you do want to see the pattern because it helps you to lead into the next thing - it's a rhetorical thing, where you just see how the pattern has to go into the next thing.

My view was that the campaign had been a sacred thing, that it had been a real compact, because I was there and I saw the connection that Clinton made with people, and the connection that they made with him.

I believe in love at first sight. You want that connection, and then you want some problems.

Spirituality was the main issue. Connection with God was the main issue.

A large part of my life revolves around my dad. Sometimes, I even feel a strong sense of connection, something very tangible when I learn something new in the martial arts.

Burleigh, absolutely; and a lot about Elizabeth. I mean I found when I play Henry V a lot of connections with the hidden history of the connection between Francis Bacon and Elizabeth.

The connection between dress and war is not far to seek; your finest clothes are those you wear as soldiers.

Why on earth do we want closer connection with England? We have little in common with English people except our language. We are fast becoming an entirely different people.