There are works of literature whose influence is strong but indirect because it is mediated through the whole of the culture rather than immediately through imitation. Wordsworth is the case that comes to mind.

The idea of writer as sage is pretty much dead today. I would certainly feel very uncomfortable in the role.

I say that I represent this movement because my intellectual allegiances are clearly European, not African.

In order to be cruel we have to close our hearts to the suffering of the other.

If there were a better, clearer, shorter way of saying what the fiction says, then why not scrap the fiction?

My response, a dubious and hesitant one, is that it has been and may continue to be, in the time that is left to me, more productive to live out the question than to try to answer it in abstract terms.

Elizabeth, Lady C, claims to be writing at the limits of language. Would it not be insulting to her if I were diligently to follow after her, explaining what she means but is not smart enough to say?

As you see, I do not treat the creation of fiction, that to say the invention and development of fantasies, as a form of abstract thought. I dont wish to deny the uses of the intellect, but sometimes one has the intuition that the intellect by itself will lead one nowhere.

As for September 11, let us not too easily grant the Americans possession of that date on the calendar. Like May 1 or July 14 or December 25, September 11 may seem full of significance to some people, while to other people it is just another day.

In its conception the literature prize belongs to days when a writer could still be thought of as, by virtue of his or her occupation, a sage, someone with no institutional affiliations who could offer an authoritative word on our times as well as on our moral life.

There are works of literature whose influence is strong but indirect because it is mediated through the whole of the culture rather than immediately through imitation. Wordsworth is the case that comes to mind.

I see no marks of Wordsworths style of writing or style of thinking in my own work, yet Wordsworth is a constant presence when I write about human beings and their relations to the natural world.

The mode of consciousness of nonhuman species is quite different from human consciousness.

The writers who have the deepest influence on one are those one reads in ones more impressionable, early life, and often it is the more youthful works of those writers that leave the deepest imprint.

Strictly speaking, my interest is not in legal rights for animals but in a change of heart towards animals.

We are not by nature cruel.

The most important of all rights is the right to life, and I cannot foresee a day when domesticated animals will be granted that right in law.

If it is indeed impossible - or at least very difficult - to inhabit the consciousness of an animal, then in writing about animals there is a temptation to project upon them feelings and thoughts that may belong only to our own human mind and heart.

That has always seemed to me one of the stranger aspects of literary fame: you prove your competence as a writer and an inventor of stories, and then people clamour for you to make speeches and tell them what you think about the world.

I tend to resist invitations to interpret my own fiction.

All autobiography is storytelling; all writing is autobiography.

As you see, I do not treat the creation of fiction, that to say the invention and development of fantasies, as a form of abstract thought. I don't wish to deny the uses of the intellect, but sometimes one has the intuition that the intellect by itself will lead one nowhere.

Everyone seems to see bleakness and despair in my books. I don't read them that way. I see myself as writing comic books, books about ordinary people trying to live ordinary, dull, happy lives while the world is falling to pieces around them.

I read a great deal as a child. A lot of children go through a phase of reading in a literally voracious way. It is their primary imaginative activity. Maybe that's an experience which is not so common any more with the presence of television in every home.

In becoming a citizen, one undertakes certain duties and responsibilities. One of the more intangible of those duties and responsibilities is no matter what one's birth and background, to accept the historical past of the new country as one's own.

Islamic fundamentalism in its activist manifestation is bad news. Religious fundamentalism in general is bad news. We know about religious fundamentalism in South Africa. Calvinist fundamentalism has been an unmitigated force of benightedness in our history.

Lebanon, Israel, Ireland, South Africa - wherever there is a bleeding sore on the body of the world, the same hard-eyed narrow-minded fanatics are busy, indifferent to life, in love with death.

The end of confession is to tell the truth to and for oneself.

Despair is like a gas odourless tasteless without nourishment. You breathe it in your limbs relax you cease to care even at the moment when the steel touches your throat.

If there were a better clearer shorter way of saying what the fiction says then why not scrap the fiction

Words are coin. Words alienate. Language is no medium for desire. Desire is rapture, not exchange.

Sleep is no longer a healing bath, a recuperation of vital forces, but an oblivion, a nightly brush with annihilation.

It is a world of words that creates a world of things.

I believe that in a great city, or even in a small city or a village, a great theater is the outward and visible sign of an inward and probable culture.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

I don't have space to enter into the examples or the history of this, so I'm left with having to make the bold statement that culture is extinct.

We need to have a culture that says 'the less energy you can use to be comfortable, the better off you are and the better you should feel about yourself'.

Concerning culture as a process, one would say that it means learning a great many things and then forgetting them; and the forgetting is as necessary as the learning.

No doubt Western civilization has in the past been full of wars and revolutions, and the national elements in our culture, even when they were ignored, always provided an unconscious driving force of passion and aggressive self-assertion.

The things that I draw on, and the world that I feel part of, aren't particularly youth culture.

I recommend the same therapies for all humans with HIV. There is no reason to believe that physiologic responses to therapy will vary across lines of class, culture, race or nationality.

Towns are suffering from all these things, we should unite until we are all satisfied, man cannot be killing each other as if we were animals, as if we had no culture; that is a lack of culture.

You're a Catholic in Italy when you're born, it's unthinkable to stop being Catholic. You just take the rules a lot more seriously, because it pervades your culture.

Sex and drugs were simply not discussed in our culture at that time.

You have to open your mind. I like the ability to express myself in a deep way. It's the closest music to our humanity - it's like a folk music that rises up out of a culture.

Lives have been altered in fundamental ways, and later, after they acquire a more complete understanding of what goals are actually attainable, many are left facing a lot of pain and frustration. And yet, there's no culture of complaint.

I've always been interested in the relationship between total external surround, culture, the political matrix, technology, etc., and the internal human consciousness.

Writing is about culture and should be about everything. That's what makes it what it is.

And there are so many people in the third world suffering so horribly right now, and we are so focused on ourselves and our culture that a lot of things are showing up in our culture that are making it impossible for us to focus on others. We're so self-focused.