If there were a better, clearer, shorter way of saying what the fiction says, then why not scrap the fiction?

The idea of writer as sage is pretty much dead today. I would certainly feel very uncomfortable in the role.

I say that I represent this movement because my intellectual allegiances are clearly European, not African.

In order to be cruel we have to close our hearts to the suffering of the other.

If there were a better, clearer, shorter way of saying what the fiction says, then why not scrap the fiction?

My response, a dubious and hesitant one, is that it has been and may continue to be, in the time that is left to me, more productive to live out the question than to try to answer it in abstract terms.

Elizabeth, Lady C, claims to be writing at the limits of language. Would it not be insulting to her if I were diligently to follow after her, explaining what she means but is not smart enough to say?

As you see, I do not treat the creation of fiction, that to say the invention and development of fantasies, as a form of abstract thought. I dont wish to deny the uses of the intellect, but sometimes one has the intuition that the intellect by itself will lead one nowhere.

As for September 11, let us not too easily grant the Americans possession of that date on the calendar. Like May 1 or July 14 or December 25, September 11 may seem full of significance to some people, while to other people it is just another day.

In its conception the literature prize belongs to days when a writer could still be thought of as, by virtue of his or her occupation, a sage, someone with no institutional affiliations who could offer an authoritative word on our times as well as on our moral life.

There are works of literature whose influence is strong but indirect because it is mediated through the whole of the culture rather than immediately through imitation. Wordsworth is the case that comes to mind.

I see no marks of Wordsworths style of writing or style of thinking in my own work, yet Wordsworth is a constant presence when I write about human beings and their relations to the natural world.

The mode of consciousness of nonhuman species is quite different from human consciousness.

The writers who have the deepest influence on one are those one reads in ones more impressionable, early life, and often it is the more youthful works of those writers that leave the deepest imprint.

Strictly speaking, my interest is not in legal rights for animals but in a change of heart towards animals.

We are not by nature cruel.

The most important of all rights is the right to life, and I cannot foresee a day when domesticated animals will be granted that right in law.

If it is indeed impossible - or at least very difficult - to inhabit the consciousness of an animal, then in writing about animals there is a temptation to project upon them feelings and thoughts that may belong only to our own human mind and heart.

That has always seemed to me one of the stranger aspects of literary fame: you prove your competence as a writer and an inventor of stories, and then people clamour for you to make speeches and tell them what you think about the world.

I tend to resist invitations to interpret my own fiction.

All autobiography is storytelling; all writing is autobiography.

As you see, I do not treat the creation of fiction, that to say the invention and development of fantasies, as a form of abstract thought. I don't wish to deny the uses of the intellect, but sometimes one has the intuition that the intellect by itself will lead one nowhere.

Everyone seems to see bleakness and despair in my books. I don't read them that way. I see myself as writing comic books, books about ordinary people trying to live ordinary, dull, happy lives while the world is falling to pieces around them.

I read a great deal as a child. A lot of children go through a phase of reading in a literally voracious way. It is their primary imaginative activity. Maybe that's an experience which is not so common any more with the presence of television in every home.

In becoming a citizen, one undertakes certain duties and responsibilities. One of the more intangible of those duties and responsibilities is no matter what one's birth and background, to accept the historical past of the new country as one's own.

Islamic fundamentalism in its activist manifestation is bad news. Religious fundamentalism in general is bad news. We know about religious fundamentalism in South Africa. Calvinist fundamentalism has been an unmitigated force of benightedness in our history.

Lebanon, Israel, Ireland, South Africa - wherever there is a bleeding sore on the body of the world, the same hard-eyed narrow-minded fanatics are busy, indifferent to life, in love with death.

The end of confession is to tell the truth to and for oneself.

Despair is like a gas odourless tasteless without nourishment. You breathe it in your limbs relax you cease to care even at the moment when the steel touches your throat.

If there were a better clearer shorter way of saying what the fiction says then why not scrap the fiction

Words are coin. Words alienate. Language is no medium for desire. Desire is rapture, not exchange.

Sleep is no longer a healing bath, a recuperation of vital forces, but an oblivion, a nightly brush with annihilation.

It is a world of words that creates a world of things.

I don't really have special rituals, but I don't try to write fiction unless I have a minimum of a few hours. For me, it takes a while to settle into a mode where I'm truly concentrating.

The fact that it's science fiction gives you the license to do anything you want to do.

For someone who writes fiction, in order to activate the imagination and the unconscious, it's essential to be free.

Fiction came quite a while later. I began with short stories and fiction for children.

Mr. Henry James writes fiction as if it were a painful duty.

I'd have been a filmmaker or a cartoonist or something else which extended from the visual arts into the making of narratives if I hadn't been able to shift into fiction.

For truth is always strange; stranger than fiction.

We were given clear concrete tools. The course did a great job demystifying the art of fiction writing and fostering confidence. The instructor brought complex concepts down to earth. I will miss coming here every week.

The biographies and autobiographies are on the whole more impressive than the fiction of the last two decades, but the freakish best sellers among them are least likely to withstand the test of time.

I have never been a critic of science fiction as a whole.

Fiction was invented the day Jonas arrived home and told his wife that he was three days late because he had been swallowed by a whale.

I think if I had been writing fiction, where the work is entirely dependent on the writer's creativity and the potential directions the narrative might take are infinite, I might have frozen.

I have always loved science fiction. One of my favorite shows is 'Star Trek.' I like the trips, where it drops my mind off, because they give you a premise and all of a sudden, you say, 'Oh!' and I'm fascinated by it.

I spent several years acquiring the obsessive, day-to-day discipline that's needed if you want to write professionally, then several more, highly valuable years studying fiction writing at the University of Iowa.

For people who have no critical acumen, a state is a mythical entity, for those who think critically it is a rational fiction, created by man in order to facilitate human coexistence.

There is an element of autobiography in all fiction in that pain or distress, or pleasure, is based on the author's own. But in my case that is as far as it goes.