The narration, in fact, doubles the drama with a commentary without which no mise en scene would be possible.

Obsessional does not necessarily mean sexual obsession, not even obsession for this, or for that in particular; to be an obsessional means to find oneself caught in a mechanism, in a trap increasingly demanding and endless.

Writings scatter to the winds blank checks in an insane charge. And were they not such flying leaves, there would be no purloined letters.

Psychoanalysis is a terribly efficient instrument, and because it is more and more a prestigious instrument, we run the risk of using it with a purpose for which it was not made for, and in this way we may degrade it.

In other words, the man who is born into existence deals first with language; this is a given. He is even caught in it before his birth.

The Mirror Stage as formative in the function of the I as revealed in psychoanalytic experience.

Which is why we cannot say of the purloined letter that, like other objects, it must be or not be in a particular place but that unlike them it will be and not be where it is, wherever it goes.

Symptoms, those you believe you recognize, seem to you irrational because you take them in an isolated manner, and you want to interpret them directly.

What does it matter how many lovers you have if none of them gives you the universe?

For the signifier is a unit in its very uniqueness, being by nature symbol only of an absence.

Aside from that reservation, a fictive tale even has the advantage of manifesting symbolic necessity more purely to the extent that we may believe its conception arbitrary.

But this emphasis would be lavished in vain, if it served, in your opinion, only to abstract a general type from phenomena whose particularity in our work would remain the essential thing for you, and whose original arrangement could be broken up only artificially.

What could be more convincing, moreover, than the gesture of laying one's cards face up on the table?

Since Freud, the center of man is not where we thought it was; one has to go on from there.

As is known, it is in the realm of experience inaugurated by psychoanalysis that we may grasp along what imaginary lines the human organism, in the most intimate recesses of its being, manifests its capture in a symbolic dimension.

A geometry implies the heterogeneity of locus, namely that there is a locus of the Other. Regarding this locus of the Other, of one sex as Other, as absolute Other, what does the most recent development in topology allow us to posit?

We emphasize that such a form of communication is not absent in man, however evanescent a naturally given object may be for him, split as it is in its submission to symbols.

Yet, analytical truth is not as mysterious, or as secret, so as to not allow us to see that people with a talent for directing consciences see truth rise spontaneously.

The narration, in fact, doubles the drama with a commentary without which no mise en scene would be possible.

The knowledge that there is a part of the psychic functions that are out of conscious reach, we did not need to wait for Freud to know this!

I did radio back in the era when we did radio drama.

By obtaining a sense of its place in the unfolding drama of life, set in an ecological theatre, so we can understand why it has become one of the leading players.

I had an amazing experience working with great people. I had a great family, a typical family with drama in certain areas, and that's pretty much everywhere in everyone's life.

Comedy is so hard; it's so much harder than drama. The pacing of it, the energy of it.

I was always a drama queen. I remember playing in the kitchen, trying to get my mom to think I was dead and call the police. When she didn't, I would cry. I was always theatrical. I don't think any of my relatives are surprised.

You have to go to the ultimate situation in drama.

Any long work in which poetry is persistent, be it epic or drama or narrative, is really a succession of separate poetic experiences governed into a related whole by an energy distinct from that which evoked them.

The drama may be called that part of theatrical art which lends itself most readily to intellectual discussion: what is left is theater.

I think the American West really attracts me because it's romantic. The desert, the empty space, the drama.

For me, football is just a game, not a drama.

The more commercial work that is happening, the more people are operating cameras and are setting up studio lights, the greater the opportunity for drama production to happen.

I'm doing music, and we both want to do some drama.

Culture clash is terrific drama.

I want to do drama, light comedy, the whole range.

We respond to a drama to that extent to which it corresponds to our dreamlife.

I always feel like an interloper when I do serious drama. It's my own paranoia.

Michigan is two radically different places - the North and the South which makes for good drama and contrast.

When the time came to make a decision about what do in life, I found myself thinking that acting was the thing I loved to do, so I applied to drama school. And then, I didn't get in - twice.

When I read great literature, great drama, speeches, or sermons, I feel that the human mind has not achieved anything greater than the ability to share feelings and thoughts through language.

I didn't get along with Lindsay Lohan on 'Confessions Of A Teenage Drama Queen', but you have to consider that we were 16-year-old girls. I haven't seen Lindsay since then, but I imagine she's grown and become a different person. I know I have.

A good drama critic is one who perceives what is happening in the theatre of his time. A great drama critic also perceives what is not happening.

The Russian drama began at the end of 1991, when the Soviet Union mercifully ended. Russia and 14 other new countries emerged from the ruins of the Soviet Union. Every one of those 15 new states faced a profound historical, economic, financial, social and political challenge.

A drama critic is a person who surprises the playwright by informing him what he meant.

When you're young you have no worries, no drama, only your imagination. It's the best!

France, for example, loves at the same time history and the drama, because the one explores the vast destinies of humanity, and the other the individual lot of man.

Movies are immortal art - the first new art since Greek drama.

The ideal situation would be to bypass all of the drama and mayhem and just get the music right to the people. I'm confident that we'll eventually figure it out.

We just happened to come along at time where there hadn't been a new young adult drama that also could appeal to adults as well in quite some time. We sort of found a little bit of a niche.

Dance, vaudeville, drama, movies - as a child I loved everything that went on in a theater.