If you put all the songs together that I've written on band records, and put it up next to my solo record, there's definitely a different kind of feel than Billy's songs.

The band set up in January and just started rehearsing. If there was a song, we'd just rehearse it as a band, and it would get arranged as a band, and it got changed around a lot.

Well, we didn't have our original drummer on our last record. And most of that album was not played as a band in the studio. It was mostly the world of computers and overdubs. There was very few things played live or worked out as a band.

I grew up in the suburbs of Chicago.

You know, it's going to be a really long tour, and well, I guess I'll see what happens with A Perfect Circle, 'cause they do other projects too, and I don't know. I hope I can always do a lot of different things, do 'em well.

If you put all the songs together that I've written on band records, and put it up next to my solo record, there's definitely a different kind of feel than Billy's songs.

Yeah, I'm sure there are stereotypes of Asian people.

So there was something of a learning curve with doing your own thing and people seeing you outside of the band. I mean, people have never really heard my voice before - or heard a whole record of mine before. So it was a completely new experience.

I mean I like pop music, and I like heavy music and, stuff that I like... the band I've signed on to our label right now; they're called The Sounds. They're kind of like a new-wave pop band.

Well, I always hope that I'm a role model.

It's not like that often, I mean, I suppose out of a ratio of 10 fans maybe like 1 or 2 of 'em might be Asian, and maybe every second or third time they might bring up something that they're Asian and I'm Asian.

There is a lot of work just in terms of traveling and logistics and people and gear and all that kind of stuff. But I never really have problems playing music. That never seems like work.

It's hard enough to make a good song and a good recording of that song. But to try to tailor it to some outside force is just like - It's never been a factor in what I've done or what the band's done.

Even from a listening end now, I'm still completely a fan of music.

Well, I'm pretty domestic actually. I walk my dog. I go grocery shopping. I hang out with friends. I'm pretty normal, whatever normal is, on my off time.

We have a partnership deal with New Line Records, which is part of New Line Cinema, and... I worked on that.

But, yeah, as far as Asian Americans go, I hope they know they can look at me and see that they can do music on their own, within a band or just on their own, and not feel like there's any barriers. I've never felt any particular barriers myself, being who I am.

No, I've heard over the years that it's nice for them to see somebody who's like, you know, a well-known successful musician who's Asian. I've heard it from a few musicians, too.

I live most of the time in New York now. I have an apartment there.

And they kind of left to find a guitar player at the very end, so you know, I don't really take it as any slight that I wasn't able to play on the record. It's flattering just to play with them period.

Musicians always come off sounding a little bit pretentious, and a little bit... I don't know, hypocritical, from what they do, talking about strong issues.

After 12 intense years of rock music, I was happy to get away from making a record and going out on a tour. When I did it, I wanted to feel inspired. After a while I finally had my fill working on other people's music, and I started coming up with music on my own and said, 'This could be for me.'

I like the challenges of doing different things. It keeps things fresh for me.

I love a lot of the New York bands, but Patti Smith stands out. I just read 'Just Kids' and it's an inspirational, well-written account of an emerging New York artist in the late seventies.

I play and I've played in heavy bands, but when I write for myself, I don't particularly feel like writing huge rock riffs. It just doesn't work for me and my voice.

I started a recording studio. I started producing people and doing remixes.

My first job in NYC was playing a gig in the early nineties at CBGBs.

I started recording because I was always complaining about the records that I was getting of my songs. At least if I did them and messed them up, I wouldn't have anyone else to blame.

Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.

The things in my songs are the edited highlights of my life. I don't go seeking out strange sexual experiences every day of the week.

The way you look for songs, you find yourself looking for little signals and clues about life and how things are.

All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.

It's part of the calling to at least do a few songs in the show that give people some hope. There's so much hurt in this world and... music is such a great healing balm and a great way to forget your troubles.

Again, I say I will be glad to tell what songs I have ever sung, because singing is my business.

My vocal ability is very limited, but I'm fortunate in that I can write the songs around my vocal limitations.

I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.

When I heard his first songs, Dylan was answering certain questions that I had all my life been asking myself.

The bands that wrote the big, heroic rock songs - I really wanted to make a record like that.

Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.

This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.

All my songs are where I am.

That's what I like to do, I like to make songs.

We would turn everything into songs in those days.

Sometimes, but the year I lived in France I started to write songs.

Writing songs has a therapeutic effect, and it either kills off love or wins the heart of the lover.

I had deeper, more reflective songs on the first album.

I don't think you need a record deal to write songs. You don't need any other reason than you want to do it. It's a far cry from why some people do music today. They make it to order, which is pretty horrible.

The process depends on the situation, and I don't think there are any two songs that have gone exactly the same way... well, actually, that's not true.

I didn't want my last chapter to be the guy who sits at the piano and sings love songs.