Geniuses always think it's easier than we make it out to be.

I did get Tom Hanks to say, Life is just a box of chocolates.

The studio is meant to be always a place where, first of all, they can be out of spotlight, and second, where they could work with a peer group on parts that they might not have played otherwise.

I was originally going to be a lawyer, and the only thing I remember from the art of cross-examination is - you can see this one coming up Sixth Avenue - never ask a question the answer to which you do not know.

I thought we would have at most an audience of 5,000 devotees because I made the decision to stick to craft, not to gossip, not to be interested in any of the juicy stuff that they talk about on other shows, but stick to the question of craft.

We are the only school in America, drama school in America that trains actors, writers and directors side by side for three years in a master's degree program, and we want them - to expose them to everything.

Comedians don't laugh. They're too busy analyzing why it's funny or not.

I was dealing with craft, and that's the surprising thing, the number of people who have literally broken down on our stage, because when you're talking about the thing that is most important to someone, they're liable to feel something strong.

I criticize those critics. The reason being that they're doing one of the worst things that ever can be done to an actor, which is to say, Look, you do what we like you to do or else.

I had something called the back of the chair test. Where I sit, we don't sit like you and I do. I can see a sliver right behind them and they come out and they sit like this like god students and they don't touch the back of the chair.

They will take a role that scares them over a role that doesn't. That's another thing I like about actors.

It can be summed up in one sentence. Does this person have something to teach my students? No one has ever let us down.

Because - Bobby Lewis said this once to us in class, the better you get, the less credit you'll get. Because the better you are, the more it looks like walking and talking and everybody thinks they can walk and talk.

What I didn't know that by sticking to craft we would blow open some doors that I never saw opened before.

Hackman is able to live in the moment which means there is nothing for him at that split second than what is occurring in the scene.

I think that anybody's craft is fascinating. A taxi driver talking about taxi driving is going to be very, very interesting.

When it began I wrote this passionate letter to people I knew, studio members, of course, and other people with whom we have worked over the years and I said come and teach our students.

If I were to ask you for example right now to go back with me and define those moments in your life that shaped you as a person and you began to reexamine them, something would happen.

Olivier was another case of a genius, who couldn't understand why anybody would have any trouble doing this, because for him it came so easily.

Geniuses always think it's easier than we make it out to be.

The foundation for film acting is stage acting.

The definition of genius, really, should be that that person can do what the rest of us have to learn how to do.

The difference - the fundamental difference between theater acting and film acting is that film acting is disjunctive.

They change. They're different. There are no two alike, that's the miracle of it. But if they have something to teach the students. You can see them writing during the show.

I wanted when we began this to have a conversation, the kind that you're able to have, and the only way I knew how to do it was not to have a pre-interview.

I'll tell you why, I don't invite the ones I don't like.

And I thought if I don't pre-interview - first of all, we couldn't afford it - but the second thing was it would force me to do my own research, which takes two weeks.

And I thought, my God, there's an off chance that they will say something that's really worth preserving and there is one way to do that and I knew what it was because I come from television.

Humankind wont find peace as long as were treating feeling animals as if they were so many blocks of wood.

I have never experienced anything like walking out onto the stage of an oversold venue and, before the first note is struck, realizing that there is not going to be enough oxygen for all of us.

What I remember most about junior homecoming was my date getting sick afterwards. That kinda sucked. Then, senior year, someone got gum in her hair when we were dancing. She had to get one of the chaperones to take her to the office and cut up her hair. I felt really bad for her, but it worked out fine.

The way my life's structured, I don't stay in a place for more than a couple months.

When I begin to write a story, I usually know how things will end. It's the journey toward that point I must discover. The process is sometimes painful, but also exciting.

We Jews who willingly and happily confirm our covenantal status and its attendant rights and duties must take the question of mission seriously: either to accept it or reject it knowingly and with conviction.

The expansion of the market creates a need for enhanced and more regular supply, and this in turn impels commercial capital to acquire control of production as well.

The history of using mice to stand in for humans in medical experiments is replete with failures.

Life is really pretty tricky, and there's a lot of loss, and the longer you stay alive, the more people you lose whom you actually couldn't live without.

The guy that I worked on 'Thriller ' was a genius and he was 20 years old, but it was like working with a gifted 10-year-old. The guy who I worked on with 'Black Or White' was crazy. Michael had gone mad.

My mother was a classical pianist and my stepfather was an industrialist who was passionate about composing contemporary music.

I have decided to stick with love. Hate is too great a burden to bear.

What I have is a bunch of really hungry, amazingly talented guys that can kick anybody's rear end.

The first thing I bought that was really stylish was in 1969 when I was eleven. I saved up for a black, grey and white tie-dye grandad vest. It was too big - they weren't catering for kids my age - and hung off me, but I loved it.

We do not find the Savior using force or coercion to accomplish His purposes.

I like to make songs that are based on concepts.

In America the schools have become too permissive, the kids now are controlling the schools, the tail is wagging the dog. We've got to make a change there and get it back to where the teachers have control of the classrooms.

To pursue joy is to lose it. The only way to get it is to follow steadily the path of duty, without thinking of joy, and then, like sheep, it comes most surely, unsought.

Gentlemen, I fervently trust that before long the principle of arbitration may win such confidence as to justify its extension to a wider field of international differences.

'Harry Potter' made it cool to read children's fiction, and 'Twilight' did the same for a slightly older age group. What I'm seeing is mothers and daughters who love to read the same books.

What St. Francis and St. Dominic have done, that, by God's grace, I will do.