The quality of CGI, audiences are now so used to it. They don't know what is CGI and what is real.

I think the audience would like to see movies that are stunning to watch. I really think they'd like to see spectacles.

The bad guys are not typical; they are not just bad, they are interesting. They might be good or bad.

I think there are a lot more relationship scenes in my movies that people tend to overlook. A lot of scenes really feel real and are about the characters.

This film, Tomb Raider 2, is a big challenge. It's quite exhausting.

I think what makes a good action film is a story that gets you involved. Just action, by itself, is not going to work.

We're all complex human beings, and if some of that complexity shows through, I think it's advantageous for the movie.

Lara Croft is such a strong individual, she's very driven, she doesn't need a man, she's speaks her own mind, and that she's in control of her own life. It's a lot of what women want and have.

In regards to The Haunting, people compared it to the old movie, which is unfair. We didn't have the rights to the movie. I couldn't duplicate a single thing because that would have been legal infringement.

I had a very strong-willed mother, who I totally adored. She was always in control of her life.

Summer movies are spectacles; that's what you pay 10 dollars to see. You want to get teased by effects sometimes. I think that will never stop.

When I heard about the first Tomb Raider, I was very interested and I would have liked to have directed that. When I was approached for the second film, I was delighted.

As a director, you try to find what is creative.

Being in an area of the planet where scientists believe mankind started is quite amazing.

Angelina wanted to make sure that any fighting in the movie would be comparable to any male actor. Everything from stick fighting to horse riding was real to her.

It's always an enormous pressure when you do a sequel. The demands are so high, and it's expensive.

I really believe action will always be there and will never disappear.

We are creating a fabulous franchise with an incredible female action hero.

One of the most amazing locations I've ever been is the top of the volcano in Tanzania, Africa. It's an actual volcano where you really have this lava every day.

The quality of CGI, audiences are now so used to it. They don't know what is CGI and what is real.

I worked on movies with a lot of violence when I was a cinematographer, and it always bothered me. It's a personal thing. I wouldn't want my kids to see it. I certainly believe that freedom of expression shouldn't be taken away, but I also believe you can make movies that are thrilling and exciting without too much violence.

Technology is a major tool in exploring and challenging your creativity, but it can also overtake your creativity... My mind goes very fast, and I can see all kinds of images that would be spectacular on the screen. But they would cost so much money, and would they really make the story that much better?

Using my imagination and creativity is exciting to me.

We're surrounded by violence, and we see so much of it on TV, especially the news programs. We almost become numb. And that forces filmmakers to try to outdo themselves... They say, 'Look what I can do,' and it becomes like a showoff thing. To me, that's ridiculous. Filmmaking isn't a contest!

We're making a commercial Hindi film catering to all types of audiences.

I wonder if that's hurt me at the box office. Maybe audiences these days want to know exactly what to expect when they go into a movie, and my movies are hard to explain in just one way.

Audiences always sound like they're glad to see me, and I'm damned glad to see them.

What I wanted to do was to get that sense of being in touch with this lost world while holding onto what draws readers and audiences there in the first place.

We make films that we ourselves would want to see and then hope that other people would want to see it. If you try to analyze audiences or think there's some sophisticated recipe for success, then I think you are doomed. You're making it too complicated.

Sylvester has a great popular sense, as good as any writer I've ever worked with. He knows what audiences want to see, and what they don't want to see.

Phish and Dave Matthews really know their audiences and really treat them well.

We were tremendously encouraged by the testing of Analyze That. Audiences loved it. They were telling us that they liked it as much as the original. We recorded the laughs in the theater.

Anyway, I collapsed in France in the middle of a tour. I hadn't been eating properly, I was getting very phobic about audiences, and I collapsed in pure fright.

Though I am still very vulnerable to audiences - and it happens all the time - where for some reason the energy doesn't connect and, since the film is very personal, obviously I am made to feel very vulnerable by that.

I don't pay attention to target audiences and therefore I often hear that I am a ratings killer, somebody who fundamentally doesn't care whether one person is watching or an entire soccer stadium.

I want to do what I want when I want to do it not be dictated to by audiences.

I also want to return to doing stand-up. I've become frightened of live audiences. This is a really telling sign that I need to go back on the comedy circuit again.

For me to go back and to play for audiences some of whom have been following me for thirty years and some who have found me in the last five or six years, that's really an interesting thing. I have an audience that goes from kids to seventy year olds.

When audiences come to see us authors lecture, it is largely in the hope that we'll be funnier to look at than to read.

I like cinema audiences. I respect them, and I talk to them just like I would anybody I know.

The difference between critics and audiences is that one is a group of humans and one is not.

Audiences like their blues singers to be miserable.

The sound is the key; audiences will accept visual discontinuity much more easily than they'll accept jumps in the sound. If the track makes sense, you can do almost anything visually.

Those two songs condense the two albums. They also show what the audiences wanted. I was desperate to keep the band together and find something that the public would like.

Lenny Bruce is a very moral man trying to improve the world and trying to make audiences think.

Luckily, West End audiences seem to rather like very old people.

I lose tons of stuff on the cutting room floor. For Scary Movie 3, for example, we had a lot of Matrix spoofs, a Hulk scene, and some of that stuff just doesn't hold up - it's too much plot, audiences just didn't want to hear about it.

Audiences are the same all over the world, and if you entertain them, they'll respond.

I've always seen myself as one of those 'show people.' My earliest memories are wanting and needing to entertain people, like a gypsy traveler who goes from place to place, city to city, performing for audiences and reaching people.