Like at Halloween: I knew I'd arrived when I saw people dressing up on Halloween as my character.

And that might have led to other shows but you know what LA is like. I was in my early 30s and it wasn't going to get easier. You know, that's when you start to wonder if you might have to get lots of plastic surgery.

I think some people in their 20s really get it, that acting is about creativity and the work. They get their maturity from their work.

Then Mission Impossible brought me to Australia and that was great because I fell in love.

Like at Halloween: I knew I'd arrived when I saw people dressing up on Halloween as my character.

I think if you're half-hearted you shouldn't go into acting.

As an actor, your life experience is just as important as studying.

I did the figure of Diana in V, a cult TV show seen all over the world.

I just feel passionately about a few things and particularly about helping artists get off the ground.

It is a good thing to happen to you, to have that taste of fame because then you don't hanker for it.

He wasn't really Method but he believed that when you did a role there were lots of things you could do with your co-star in order to create the right environment. You known, if you were supposed to be in love, to create that feeling between the two of you.

I think it really holds you back having to think about your image.

I feel lucky. I think acting can help to keep you young. It does make you feel there's meaning in your life.

I have no regrets about my life.

I was on Murder She Wrote with Angela Lansbury. She was fantastic... she was lovely to everyone, she was always on time, prepared.

Acting was truly all that I ever wanted to do. I've always acted in plays and sang and played music, and you get to a certain age and think there's nothing else that you'd rather do.

Actually, guest star roles are really hard. Since you have to walk into a show where the cast has been working together for a long period of time, it can be a real challenge. And you have to feel your way around that while still making an impact on the overall effect of the show.

For me, I try to see difficulties as a way of expanding and growing as a person inhabiting this planet.

For the pageants, it was my mother who got me involved in Miss America. It really gave me the opportunity to sing all around New Hampshire. And it was great when I was young, but looking back, it was also unbelievably stressful.

I have never been afraid to go a bit out there with what I am wearing on film. I tend to be a bit more conservative in real life, with mountains of black in my closet.

I love Soul, R+B, Electronic, and good pop. Really, the only thing I don't listen to is country and heavy metal. I love Marvin Gaye, John Legend, Al Green, Fat Freddys Drop, Sade, Grace Jones, Bazoo Bijou, Prince, John Lennon, London Grammar, Daft Punk, Dr John, Dusty Springfield, Peggy Lee, Gotye, and on it goes.

I love music because you can create a world through your records. I have total control over what I do and what I wear. It's like my own world out of my imagination rather than someone giving me lines.

I think no matter how successful our lives may seem to the outside world, we all have our personal struggles.

I was on 'Murder She Wrote' with Angela Lansbury. She was fantastic... she was lovely to everyone, she was always on time, prepared. Whereas when I worked with Bob Hope, he didn't know his lines. He had to have these huge big cards... he hardly said two words to me all day.

I'm a chanteuse and a diva, and I'm an actress who likes a script.

I'm still the way I've always been. Lots of hair and eyes, a bit Raquel Welch-ish.

Most of my avant garde fashion is saved for my videos and for the stage. In real life, I tend towards a classy, black Goth look. I love black, a few sparkles, false eyelashes and boots. But when I perform, I love fantasy and props.

My music touches on things I am concerned with in my own life - the idea of a woman's role in society, sexuality, desire, monogamy, fantasy and glamour. That's what keeps me alive, and if I couldn't keep creating that, I'd fall into a bit of heap.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

Character is power; it makes friends, draws patronage and support and opens the way to wealth, honor and happiness.

You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.