Then Mission Impossible brought me to Australia and that was great because I fell in love.

And that might have led to other shows but you know what LA is like. I was in my early 30s and it wasn't going to get easier. You know, that's when you start to wonder if you might have to get lots of plastic surgery.

I think some people in their 20s really get it, that acting is about creativity and the work. They get their maturity from their work.

Then Mission Impossible brought me to Australia and that was great because I fell in love.

Like at Halloween: I knew I'd arrived when I saw people dressing up on Halloween as my character.

I think if you're half-hearted you shouldn't go into acting.

As an actor, your life experience is just as important as studying.

I did the figure of Diana in V, a cult TV show seen all over the world.

I just feel passionately about a few things and particularly about helping artists get off the ground.

It is a good thing to happen to you, to have that taste of fame because then you don't hanker for it.

He wasn't really Method but he believed that when you did a role there were lots of things you could do with your co-star in order to create the right environment. You known, if you were supposed to be in love, to create that feeling between the two of you.

I think it really holds you back having to think about your image.

I feel lucky. I think acting can help to keep you young. It does make you feel there's meaning in your life.

I have no regrets about my life.

I was on Murder She Wrote with Angela Lansbury. She was fantastic... she was lovely to everyone, she was always on time, prepared.

Acting was truly all that I ever wanted to do. I've always acted in plays and sang and played music, and you get to a certain age and think there's nothing else that you'd rather do.

Actually, guest star roles are really hard. Since you have to walk into a show where the cast has been working together for a long period of time, it can be a real challenge. And you have to feel your way around that while still making an impact on the overall effect of the show.

For me, I try to see difficulties as a way of expanding and growing as a person inhabiting this planet.

For the pageants, it was my mother who got me involved in Miss America. It really gave me the opportunity to sing all around New Hampshire. And it was great when I was young, but looking back, it was also unbelievably stressful.

I have never been afraid to go a bit out there with what I am wearing on film. I tend to be a bit more conservative in real life, with mountains of black in my closet.

I love Soul, R+B, Electronic, and good pop. Really, the only thing I don't listen to is country and heavy metal. I love Marvin Gaye, John Legend, Al Green, Fat Freddys Drop, Sade, Grace Jones, Bazoo Bijou, Prince, John Lennon, London Grammar, Daft Punk, Dr John, Dusty Springfield, Peggy Lee, Gotye, and on it goes.

I love music because you can create a world through your records. I have total control over what I do and what I wear. It's like my own world out of my imagination rather than someone giving me lines.

I think no matter how successful our lives may seem to the outside world, we all have our personal struggles.

I was on 'Murder She Wrote' with Angela Lansbury. She was fantastic... she was lovely to everyone, she was always on time, prepared. Whereas when I worked with Bob Hope, he didn't know his lines. He had to have these huge big cards... he hardly said two words to me all day.

I'm a chanteuse and a diva, and I'm an actress who likes a script.

I'm still the way I've always been. Lots of hair and eyes, a bit Raquel Welch-ish.

Most of my avant garde fashion is saved for my videos and for the stage. In real life, I tend towards a classy, black Goth look. I love black, a few sparkles, false eyelashes and boots. But when I perform, I love fantasy and props.

My music touches on things I am concerned with in my own life - the idea of a woman's role in society, sexuality, desire, monogamy, fantasy and glamour. That's what keeps me alive, and if I couldn't keep creating that, I'd fall into a bit of heap.

We assume that celebrities have it easy and so love to watch them having to endure a bit of hardship.

I love Nautilus and stretching. The results are immediate, and that gives me the motivation to continue.

I am a ordinary teenager. I fall in love like everyone else.

I don't call you handsome, sir, though I love you most dearly: far too dearly to flatter you. Don't flatter me.

The essential elements of giving are power and love - activity and affection - and the consciousness of the race testifies that in the high and appropriate exercise of these is a blessedness greater than any other.

My mother keeps things in perspective for me. She makes me realize that the acting I do and love is no more important than what one of my brothers does-he works in a shoe repair shop. If my career ever tapers off, I'll go to college.

Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy.

My goal is, of course, for this show to do well, and I would love it if people liked it.

I love living on that stage. Without that, I'd die.

I love my DSL, but I love my WiFi more. And I probably get on the Internet 40 percent to 50 percent more because of the combination of those technologies.

But I love New York. I used to set my alarm clock when I was there, and get up at 4am and get a coffee, just because I could.

I love children and I love men, but I can't commit to either for the rest of my life.

Sitting at home the way I do, I'd just love the hear from people. It'd be a great help in passing the time.

The wise are wise only because they love. The fool are fools only because they think they can understand love.

We can recognize the dawn and the decline of love by the uneasiness we feel when alone together.

Love is a mutual self-giving which ends in self-recovery.

People react to fear, not love; they don't teach that in Sunday School, but it's true.

I sort of understood that when I first started: that you shouldn't repeat a success. Very often you're going to, and maybe the first time you do, it works. And you love it. But then you're trapped.

There is love there. And then there's times when I can't even stomach Simon. You don't have to sit next to him. That's all I have to say.

When I see children, I see the face of God. That's why I love them so much. That's what I see.

One can love a child, perhaps, more deeply than one can love another adult, but it is rash to assume that the child feels any love in return.