Steve Martin is such an exquisite and precise writer. Everything is so clear; it's like a bell. He says what he means and says it so beautifully.

I'm a creature of habit. I go to restaurants all the time and stuff.

I just have some restaurants to just go and eat there. Do mean places to watch people? I like to go shopping look for guitars and stuff with my friends. Look at Meyer, great old instruments, talk about pedals and stuff.

Whereas Jeremy is just the opposite: always moving because he's never really thinking of anything and the kind of guy you'd worry inviting to a dinner party because he says what he thinks. He can be insulting at times but doesn't mean to be.

I always tell people that to be the funny person in a Steve Martin movie is like getting a call that Keith Moon wants you to play drums on his record. He should be playing drums on his record.

I don't know the first real thing about the dating game. I don't know how to talk to a specific person and connect. I just think you have to go to person by person and do the best you can with people in general.

Also, the more you're not focused on showbiz and instead focused on life, learning about other people, and keeping your eyes open and trying to be aware of the world.

I like being alone and I think this movie, as much as it is an investigation of connection and people bonding, I also think it's just as much about loneliness.

At this point, I think I would garner a lot of hate mail if I was now on the cover of Modern Drummer seeing as I'm not a modern drummer anymore.

Dating is just awkward moments and one person wants more than the other. It's just that constant strangeness. I think it's a very real thing.

Logic plus logic equals the illogical. Do you know what I mean?

I was heartbroken at the end of that, because I thought that was going to be it for me. Somehow I had worked my way into this movie and it had exposed me to people and I had a chance to be an actor, which I loved, but I didn't think it was ever going to happen again.

In a city where you walk around, it's impossible to plan your day and your life as accidents will happen, you'll overhear things, bump into people, and take unexpected turns.

After I quit my band, I definitely was so full, like I'm so full I could never eat again. I had that kind of feeling where the elements, like the touring stuff, were harder for me and I definitely felt fine not experiencing it again.

I have never stopped playing music.

Whereas I think in New York every step is a detour in every direction.

I just find that the harder you work and the more effort you put into yourself, the better you'll be.

As far as loneliness, I feel Los Angeles and its layout, having to drive everywhere - it is a lonely place. It's an isolated city in that respect because you're driving to places alone listening to the radio.

I didn't have an agent, I didn't have a headshot. I didn't even know if anyone would know where to find me. I just went back to highschool and started playing with my band.

But I'd have to say Young Frankenstein, which I can watch forever.

It's funny that people think because you don't have a movie or record out, you disappear into a frozen chamber someplace. They think you're dead when you're not in the public eye.

Steve Martin is such an exquisite and precise writer. Everything is so clear; it's like a bell. He says what he means and says it so beautifully.

I love the idea of playing a character that didn't over think everything. He knows what's in front of him and he has an ability to just say whatever he felt.

In one sentence, I'd describe myself as indescribable. But, I wouldn't end it with a period. I'd end it with three dots.

I believe in not over thinking things too much. When the right thing comes along, you really don't have a choice.

Every actor I ever meet goes, 'Ultimately I plan on having my own company and write and direct,' but yes, I too would love to write and direct a movie. I want to do a play, too. I want to do it all.

There's all these ways to instantly communicate - cars, computers, telephone and transportation - and even with all that, it's so hard to find people and have an honest communication with them.

But actually, I'm planning on moving to New York this year and I can tell you one reason why I think New York is incredible: I think things happen to you that you don't expect have happen to you.

Man, I hate to get depressing on you, but I don't have a game. I'm so alone, so depressed, so dark, no.

I was a child when the March on Washington led by Martin Luther King occurred, and I wanted to hear what was going on. I wanted to be a part of it. I wanted to contribute in the best way I possibly could.

I acted three times with Fred MacMurray, three times with Martin and Lewis, four times with Rock Hudson. Three times with Glenn Ford.

Martin Jarvis was to have played the part originally but I think I had longer hair or something, I know not.

Recently, I went up to Casino Rama to see Martin Short's show, just to see how he put it all together. And after the show, I went backstage and picked his brain to find out why he did certain things.

I always tell people that to be the funny person in a Steve Martin movie is like getting a call that Keith Moon wants you to play drums on his record. He should be playing drums on his record.

I don't drink any more than the man next to me, and the man next to me is Dean Martin.

If anyone asks me about the George Martin years I usually say I group all of that stuff together as the single greatest experience but I wasn't scared I was just really looking forward to it.

I marched back then - I was in a civil-rights musical, Fly Blackbird, and we met Martin Luther King.

We were the only ones interested in comedy. Everybody else wanted to be Martin Scorsese.

The greatest difference between now and 1964, when I began teaching, is that public policy has pretty much eradicated the dream of Martin Luther King.

What I learned, a little too late, was that the 'traditional' Martin Short target viewer weighs under 300 pounds. Unfortunately, I was on during daytime.

Each year on the anniversary of Martin Luther King Jr.'s birth, America has the opportunity to reflect on our nation's progress towards the realization of his dream.

I did stand-up. I loved George Carlin and Steve Martin.

Chris Martin's a good friend of mine. I'm actually Apple's godfather. He's an old friend and we've been mates for quite a few years now.

A lot of people are waiting for Martin Luther King or Mahatma Gandhi to come back - but they are gone. We are it. It is up to us. It is up to you.

Around 5th and 6th grade I thought Dean Martin was the coolest guy in the world; he was a great singer, had his own television show and acted in movies.

We didn't know anything about comedy duos - Abbot and Costello, Martin and Lewis - we didn't know anything about that. Kim Fields showed us a tape of Martin and Lewis and their old shows and they come through the curtain so we started doing research on them.

In an attempt to amuse my friends and family, I would do impressions of Dean Martin, singing Everybody Loves Somebody. I secretly really enjoyed singing the song.

Here's probably a short answer - I never feel in this piece that I'm stepping out and being Andrea Martin. I always feel like I'm Golde, so whatever Golde would do within those realms, that's what I would do.

If Rosa Parks had not refused to move to the back of the bus, you and I might never have heard of Dr. Martin Luther King.