Chris Martin's a good friend of mine. I'm actually Apple's godfather. He's an old friend and we've been mates for quite a few years now.

I just love listening to the laughter.

We work with every one of them to see if their character wouldn't say a certain thing or if something is worded awkwardly - we work with them to rectify that.

Your instinct, rather than precision stabbing, is more about just random bludgeoning.

You don't look at each other on the subway.

I think that the joke and the ghost story both have a similar set up in that you kind of set something up and pay it off with a laugh or a scare.

You look at shows like The Simpsons or Larry Sanders or Curb Your Enthusiasm or Seinfeld, they're really sophisticated shows that we all love back home.

I loved playing Shaun, he's not that different from me.

Chris Martin's a good friend of mine. I'm actually Apple's godfather. He's an old friend and we've been mates for quite a few years now.

Both me and Edgar are firm believers in never underestimating or talking down to an audience, and giving an audience something to do, to give them something which is entirely up to them to enter into the film and find these hidden things and whatever.

The main jokes in this film are about big things, love and life and zombies - we all get that.

We don't watch the film anymore because we've seen it so many times, so we'll introduce it, walk out and we'll come back in right about when I wake up in the morning and walk over to the shop and everything's changed.

There are actually quite high profile British TV star cameos in it that you probably wouldn't even notice, that the British wouldn't even notice, let alone the American audience.

American audiences tend to be more expressive than British ones.

That's what we wanted to get across in that moment, particularly when Shaun goes to the shop when he's all hung over. He doesn't notice any of the zombies around him just because he never had before, so why should he at that point?

I don't know about doing a sequel. I think you can retroactively damage a product by adding to it.

In England, we don't have any guns whatsoever.

There are a lot of visual marks that have to be hit, and lines that need to be said in a right way - so there wasn't really any improvisation on the set when it came to the bulk of the script.

The simple fact is that what you see on the screen is pretty much real.

There's this thing of you can live in a city and be completely alone, not notice anything going on around you.

Doctor Who was a big part of my childhood so it was a great honour to be in it.

There is a universality to comedy.

I mean, yeah, I'm sure that Python and the other things have paved the way for a greater understanding of the British sense of humor, but I don't think it's all that different than the American sense of humor.

Every person should have their escape route planned. I think everyone has an apocalypse fantasy, what would I do in the event of the end of the world, and we just basically - me and Nick - said what would we do, where would we head?

I think at its best the American sense of humor is the same as the British sense of humor at its best, which is to be wry and ironic and self deprecating.

I used to lie in bed in my flat and imagine what would happen if there was a zombie attack.

Also, if you watch the film once, there are lots of things that you won't get because there are punch lines in the first act, the setup to which isn't until the second act.

The only spoof I think is the title, which was just we thought of very early on and it kind of stuck.

You always worry about films when you hear about them making decisions after announcements are made.

We suddenly saw how people reacted in the event of massive social upheaval, and the way that the little problems in your life don't go away. You don't stop being frightened of spiders just because the world's blown up.

Theres this thing of you can live in a city and be completely alone not notice anything going on around you.

I think the jokes would have been a bit broader and a bit more obvious in terms of the day to day of country life.

Being a geek means you never have to play it cool about how much you like something.

Being a geek means never having to play it cool about how much you like something

Being a publicist is like management in a lot of ways - you're their friend, you're their mother, you're their confidante.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Depending on what day of the week it is and what time of the month it is, I'm a good friend or not a good friend. I'm more or less a good mom or not a good mom, more or less a good mate or not a good mate. That's just life, whether or not you're public.

In every tyrant's heart there springs in the end this poison, that he cannot trust a friend.

My desk, most loyal friend thank you. You've been with me on every road I've taken. My scar and my protection.

It is not often that someone comes along who is a true friend and a good writer.

That friend a great man's ruin strongly checks, who rails into his belief all his defects.

The best compliment to a child or a friend is the feeling you give him that he has been set free to make his own inquiries, to come to conclusions that are right for him, whether or not they coincide with your own.

The friend is the man who knows all about you, and still likes you.

When a man's best friend is his dog, that dog has a problem.

For there is no friend like a sister in calm or stormy weather; To cheer one on the tedious way, to fetch one if one goes astray, to lift one if one totters down, to strengthen whilst one stands.

I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.

Every murderer is probably somebody's old friend.

I never considered a difference of opinion in politics, in religion, in philosophy, as cause for withdrawing from a friend.

We are bound to lose Ireland in consequence of years of cruelty, stupidity and misgovernment and I would rather lose her as a friend than as a foe.