Whatever I do seems artificial and false, to me.

I often find that having an idea in my head prevents me from doing something else. Working is therefore a way of getting rid of an idea.

The thing is, if you believe in the unconscious - and I do - there's room for all kinds of possibilities that I don't know how you prove one way or another.

Do something, do something to that, and then do something to that.

I think a painting should include more experience than simply intended statement.

I tend to like things that already exist.

I am just trying to find a way to make pictures.

To be an artist you have to give up everything, including the desire to be a good artist.

Everyone is of course free to interpret the work in his own way. I think seeing a picture is one thing and interpreting it is another.

When something is new to us, we treat it as an experience. We feel that our senses are awake and clear. We are alive.

In the place where I was a child, there were no artists and there was no art, so I really didn't know what that meant. I think I thought it meant that I would be in a situation different than the one that I was in.

I never wish for critics.

I don't know how to organise thoughts. I don't know how to have thoughts.

Intention involves such a small fragment of our consciousness and of our mind and of our life.

Most of the power of painting comes through the manipulation of space... but I don't understand that.

As one gets older one sees many more paths that could be taken. Artists sense within their own work that kind of swelling of possibilities, which may seem a freedom or a confusion.

One works without thinking how to work.

I have no ideas about what the paintings imply about the world. I don't think that's a painter's business. He just paints paintings without a conscious reason.

Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither.

One likes to think that one anticipates changes in the spaces we inhabit, and our ideas about space.

Whatever I do seems artificial and false, to me.

At first I had some idea that the absence of color made the work more physical. Early on I was very involved with the notion of the painting as an object and tended to attack that idea from different directions.

I am not strong on perfection.

I decided that if my work contained what I could identify as a likeness to other work, I would remove it.'

I don't want my work to be an exposure of my feelings.

I was raised in South Carolina; I wasn't aware of any art in South Carolina. There was a minor museum in Charleston, which had nothing of interest in it. It showed local artists, paintings of birds.

My experience of life is that it's very fragmented; certain kinds of things happen, and in another place, a different kind of thing occurs. I would like my work to have some vivid indication of those differences.

Sometime during the mid-50s I said, 'I am an artist.' Before that, for many years, I had said, 'I'm going to be an artist.' Then I went through a change of mind and a change of heart. What made 'going to be an artist' into 'being an artist', was, in part, a spiritual change.

Take an object. Do something to it. Do something else to it.

The only logical thing I can think of is that I knew there were such things as artists, and I knew there were none where I lived. So I knew that to be an artist you had to be somewhere else. And I very much wanted to be somewhere else.

There was very little art in my childhood. I was raised in South Carolina; I wasn't aware of any art in South Carolina. There was a minor museum in Charleston, which had nothing of interest in it. It showed local artists, paintings of birds.

This image of wanting to be an artist - that I would in some way become an artist -was very strong. I knew for a long, long time that that's what I would be. But nothing I ever did seemed to bring me any nearer to the condition of being an artist. And I didn't know how to do it.

To me, self-description is a calamity.

When I was working on a Victorian-era novel, to get in the mood, I read several historical novels set in approximately the same period and place, and really enjoyed the detective novels of John Dickson Carr.

Winners are an indicator that anything is possible if you put your heart and mind in a task.

If you make a trilogy, the whole point is to get to that third chapter, and the third chapter is what justifies what's come before.

I never want to let a day go by without having done something to get a little better.

A criminal always returns home.

I know you're supposed to hide your influences, but I suppose I see writing as riffing, really, about whatever you have been reading or thinking about that day or that week.

Patience is the support of weakness; impatience the ruin of strength.

A molecular gastronomist is really just someone who explores the world of science and food.

Johnny 'Fairplay' Dalton manufactured a lie about his dear grandmother dying in order to win a challenge. This is one of the best villain moments of 'Survivor' ever! This lie was pre-planned, evil, and perfectly played out.

Jon Stewart kills me. I love him. And Bill Maher. He does an hour on HBO. But entirely political. It is awfully rough, but he does make me laugh.

You don't have to work hard to bring emotions. It all just comes naturally, you're there living it.

You need to feel like you're wearing the clothes, and they're not wearing you.

Take care not to listen to anyone who tells you what you can and can't be in life.

We need comprehensive immigration reform. Dr. King wouldn't be pleased at all to know that there are millions of people living in the shadow, living in fear in places like Georgia and Alabama.

I'm really into the indie-music scene and listen to a lot of De La Soul.

Outlook 2003 did create the idea of search folders and the whole Longhorn philosophy. You can see it at work in search folders, where instead of having to drop things into individual folders, and things exist only in one folder, you create these search folders and you have the criteria for the search folder.