It took some time to gather the research and develop it into the storyline, and to finally finish an origin myth poem that I had been working on for twenty years.

From the beginning, the series has been story driven - I began with a story idea - but research feeds it.

And that's how I start myself. I usually go back a couple of pages, maybe to the beginning of the chapter, and I start reading. And as I'm reading, I'm tweaking - putting in a different word, changing the syntax, putting that clause over there, you know that sort of thing.

Life sometimes gets in the way of writing.

It took some time to gather the research and develop it into the storyline, and to finally finish an origin myth poem that I had been working on for twenty years.

I have been a reader of Science Fiction and Fantasy for a long time, since I was 11 or 12 I think, so I understand it and I'm not at all surprised that readers of the genre might enjoy my books.

Aside from sales, the letters from readers have been primarily positive.

I had an idea for a story about a young woman who was living with people who were different, not just superficially different - such as hair colour, or eye colour, or skin colour - but different in some significant way.

I probably read 100 times more than I write, but that way when I move my characters through it, I know.

Science Fiction is not just about the future of space ships travelling to other planets, it is fiction based on science and I am using science as my basis for my fiction, but it's the science of prehistory - palaeontology and archaeology - rather than astronomy or physics.

From the beginning, when I first got an idea for a story and wondered if I could write it, it has always been the story that has driven me.

I can move my characters through it easily, because I understand the background; I've really studied it.

I have heard Science Fiction and Fantasy referred to as the fiction of ideas, and I like that definition, but it's the mainstream public that chooses my books for the most part.

I don't write for publishers, certainly not for critics, and not for readers, But I am delighted that so many people have found my books enjoyable and want to continue to read them.

Of the two, I would think of my work as closer to Science Fiction than Fantasy.

No, my publisher has always done the marketing.

I can't tell you any more than any other writer can tell you why they write, and I don't know what my influences are.

My fiction is reviewed by the mainstream press, by science fiction periodicals, romance magazines, small press publications and various other journals, including some usually devoted to archaeological and other science material.

Though my books are written from a historical perspective, I have goon so far back that I am in the realm of prehistorical speculation rather than simple historical fact to weave my stories around.

I could write historical fiction, or science fiction, or a mystery but since I find it fascinating to research the clues of some little know period and develop a story based on that, I will probably continue to do it.

The idea led me into the research, which continues to give me more ideas for the story.

Each book has been different and has been challenging in its own way to write.

I'm just writing a story that I want to read.

I started writing to please myself, a story I would like to read, and that is still true.

I really fell in love with Africa.

I think of my books as mainstream and that's were most people who read them look for them in book stores.

I always looked for a man to rescue me and bring me happiness. I bought into that myth, of course, and looked for my own Prince Charming.

There is no rational reason to doubt that the universe has existed indefinitely, for an infinite time. It is only myth that attempts to say how the universe came to be, either four thousand or twenty billion years ago.

I look at the story, I look at the idea and just try to think of it in terms of that whole body of myth and see where the characters fit in and what they ought to be doing-all those archetypes are there to play with.

Something fundamental about the myth of the Jew has resurfaced.

The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.

The first myth of management is that it exists. The second myth of management is that success equals skill.

Plato wove historical fact into literary myth.

Postmodernists believe that truth is myth, and myth, truth. This equation has its roots in pop psychology. The same people also believe that emotions are a form of reality. There used to be another name for this state of mind. It used to be called psychosis.

From reading a previous answer, you know that I consider all those aspects to be part of American cultural myth and thus they figure into good American poetry, whether the poet is aware of what he is doing or not.

It took some time to gather the research and develop it into the storyline, and to finally finish an origin myth poem that I had been working on for twenty years.

I believe that imagination is stronger than knowledge. That myth is more potent than history. That dreams are more powerful than facts. That hope always triumphs over experience. That laughter is the only cure for grief. And I believe that love is stronger than death.

The poem is a little myth of man's capacity of making life meaningful. And in the end, the poem is not a thing we see-it is, rather, a light by which we may see-and what we see is life.

You know why we're stuck with the myth that only black people have soul? Because white people don't let themselves feel things.

Uncritical semantics is the myth of a museum in which the exhibits are meanings and the words are labels. To switch languages is to change the labels.

Myth is supposed to bring us together, but fantasy alienates us.

Nothing will see us through the age we're entering but high consciousness, and that comes hard. We don't have a good, modern myth yet, and we need one.

From being a patriotic myth, the Russian people have become an awful reality.

There is a segment of the American population that has been excluded from the national myth, and that should be redressed.

Today's Communism can survive only if it abandons the myth of an infallible party, if it continues to think, and if it becomes democratic.

I believe that global warming is a myth. And so, therefore, I have no conscience problems at all and I'm going to buy a Suburban next time.

As Plotinus tells us, we elected the body, the parents, the place, and the circumstances that suited the soul and that, as the myth says, belongs to its necessity.

The Roswell incident, for instance, had over three hundred witnesses - some describing the bodies, some the craft, some the military procedures. Were they all perpetuating their own lives in a myth?

If you take myth and folklore, and these things that speak in symbols, they can be interpreted in so many ways that although the actual image is clear enough, the interpretation is infinitely blurred, a sort of enormous rainbow of every possible colour you could imagine.