I started writing to please myself, a story I would like to read, and that is still true.

From the beginning, the series has been story driven - I began with a story idea - but research feeds it.

And that's how I start myself. I usually go back a couple of pages, maybe to the beginning of the chapter, and I start reading. And as I'm reading, I'm tweaking - putting in a different word, changing the syntax, putting that clause over there, you know that sort of thing.

Life sometimes gets in the way of writing.

It took some time to gather the research and develop it into the storyline, and to finally finish an origin myth poem that I had been working on for twenty years.

I have been a reader of Science Fiction and Fantasy for a long time, since I was 11 or 12 I think, so I understand it and I'm not at all surprised that readers of the genre might enjoy my books.

Aside from sales, the letters from readers have been primarily positive.

I had an idea for a story about a young woman who was living with people who were different, not just superficially different - such as hair colour, or eye colour, or skin colour - but different in some significant way.

I probably read 100 times more than I write, but that way when I move my characters through it, I know.

Science Fiction is not just about the future of space ships travelling to other planets, it is fiction based on science and I am using science as my basis for my fiction, but it's the science of prehistory - palaeontology and archaeology - rather than astronomy or physics.

From the beginning, when I first got an idea for a story and wondered if I could write it, it has always been the story that has driven me.

I can move my characters through it easily, because I understand the background; I've really studied it.

I have heard Science Fiction and Fantasy referred to as the fiction of ideas, and I like that definition, but it's the mainstream public that chooses my books for the most part.

I don't write for publishers, certainly not for critics, and not for readers, But I am delighted that so many people have found my books enjoyable and want to continue to read them.

Of the two, I would think of my work as closer to Science Fiction than Fantasy.

No, my publisher has always done the marketing.

I can't tell you any more than any other writer can tell you why they write, and I don't know what my influences are.

My fiction is reviewed by the mainstream press, by science fiction periodicals, romance magazines, small press publications and various other journals, including some usually devoted to archaeological and other science material.

Though my books are written from a historical perspective, I have goon so far back that I am in the realm of prehistorical speculation rather than simple historical fact to weave my stories around.

I could write historical fiction, or science fiction, or a mystery but since I find it fascinating to research the clues of some little know period and develop a story based on that, I will probably continue to do it.

The idea led me into the research, which continues to give me more ideas for the story.

Each book has been different and has been challenging in its own way to write.

I'm just writing a story that I want to read.

I started writing to please myself, a story I would like to read, and that is still true.

I really fell in love with Africa.

I think of my books as mainstream and that's were most people who read them look for them in book stores.

Even when I'm writing plays I enjoy having company and mentally I think of that company as the company I'm writing for.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I don't know if there is any one secret to successful writing, but one important step is to move beyond imitation and discover what you can write that no one else can - that is, find out who you are and write that in an appropriate narrative and style.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

As a member of this court I am not justified in writing my private notions of policy into the Constitution, no matter how deeply I may cherish them or how mischievous I may deem their disregard.

I did know that the book would end with a mind-boggling trial, but I didn't know exactly how it would turn out. I like a little suspense when I am writing, too.

For me, writing is a concentrated form of thinking.

Writing allows me the time to travel and see the world, which is what I always wanted to do. I'd really like to have been Sir Richard Francis Burton, but it's the wrong century.

I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.

Book writing is a little different because, in my case, my editor is a year younger than me and basically has the same sensibility as me.

Writing is a dog's life, but the only life worth living.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I look for ambiguity when I'm writing because life is ambiguous.

Maybe I spent more time dwelling on emotions than some people, and maybe that's why I ended up writing.

Writing songs has a therapeutic effect, and it either kills off love or wins the heart of the lover.

Writing novels is the most exciting.

That has to remain the principal reason for doing it, doesn't it? I know it's possible to write for money, and many very good writers have done so. But for me, it has to remain the principal thing that I actually want to do the writing.

Now I'm kind of established as a director, I much prefer directing to writing.

Writing, overall, has never been what I'd call fun. It's fulfilling. It doesn't come real easy for me.

Every kind of book I've written has been written in a different way. There has not been any set time for writing, any set way, I haven't re-invented the process every time but I almost have.

Everything I've ever done, in the writing world, has been to expand articulation, rather than to close it.

And that's what I've learned too: writing is key.

Send it to someone who can publish it. And if they won't publish it, send it to someone else who can publish it! And keep sending it! Of course, if no one will publish it, at that point you might want to think about doing something other than writing.